STRIPES always signified AUTHORITY, and even the lowliest member of a
Force who carried stripes on his sleeve (always men "back then") was
mocked and rather mistrusted and disliked by "ordinary" soldiers,
sailors and airmen.
As my father had risen to the rank of Warrant Officer First Class in the
RAF, and would have worn insignia, though I never saw him in uniform, I did not
go along with the common certainty that anyone with stripes must be a bastard -
I preferred to believe that "earning your stripes" is necessary to
gain respect in any walk of life.
So, I should like to consider what it means to "earn one's
stripes" in poetry.
I guess that for most of us, being encouraged to "read aloud"
in infant and junior school may well be our first encounter with poems, and
rhyming and regular rhythm are probably typical characteristics. A large
number of pupils hate this as they fear being mocked for mispronunciations or
stumbles, and never progress to featuring at Spoken Word activities where
memorising by heart is often required.
To me this progression enabled me to gain great enjoyment from acting in plays and performing in Public Speaking Contests.
To me this progression enabled me to gain great enjoyment from acting in plays and performing in Public Speaking Contests.
It is not usually until we join a workforce that ease in
self-presentation becomes valued and used daily. And this is especially
so if one writes poetry and is expected to "perform" it at, for
instance, Open Mic. events.
The best form of practice is "doing it", and finding a
sympathetic audience in your locality has always been the best form of learning
- initially it is more about learning to overcome your own trepidation, and
that can be overcome through practice to your long-suffering partner or even
the cat, than about earning prolonged applause.
Practise the rhythm of your delivery.
Where should an emphasis be made?
When does the flow require a pause?
Make your audience respond to you by making eye-contact.
All of this normally follows having probably several of your poems
published preferably in different poetry magazines to prove to yourself that
your work can appeal to quite different editorial tastes.
Publication helps you to "earn your stripes", but an audience
"in the flesh" applauding your work seems to be regarded as much more
of an accolade in 2015.
Numerous online outlets are also available to you - Seek; Find;
Contribute.
Best of Good Fortune in all your poetic endeavours.
Christo
Christo
1 comments:
Nice to hear your sage advice Christo. The open mic nights at Silantro produce some great performances. We meet again there on 6th November.
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