written and posted by members of Lancashire Dead Good Poets' Society

Tuesday, 28 January 2020

Tracks - We'd Better Make Tracks




It is the moment I dislike the most. Our peaceful time in Scotland, staying in the quiet of a hidden-away lodge has reached an end. The car is packed for home. The rooms of our accommodation  are clean and tidy, we’ve checked and double-checked for anything forgotten and one of us says, ‘We’d better make tracks’.

The fact that we’ll be returning soon is of no consolation when the sadness of leaving has already taken hold.

I’ve been trying to find out where the term ‘making tracks’ originated and it is so frustrating not to discover a definitive answer. All I have found is a reference to early 1800s slang for running away in a hurry and leaving footprints. 

Quote -  “This nineteenth century American colloquialism was recorded by Thomas Chandler Haliburton (1796-1865) in his ‘Sam Slick’ papers, which originally appeared in a Nova Scotia weekly in 1836, as well as several earlier journals…”

I wanted to know why the saying is ‘making tracks’ when ‘following tracks’ seems to make more sense. I hoped to learn something more and I haven’t, so if any reader knows, please share with me.

‘We’d better make tracks’ was my father’s way of bringing a summer picnic to an end on a Sunday tea-time. Pubs were closed between 2 p.m. and 7 p.m. in those days. My family would get together and drive in convoy to a suitable destination to spend the afternoon, everyone bringing food to share. We were all based in Lancaster and Morecambe for a while and our outings were Crook O’ Lune, Littledale, Glasson Dock, Heysham and Ingleton Falls. I was aged four or five, the only child and got made a fuss of. Everyone was relaxed, life was simpler, or that’s how it looked to me. No one rushed. There would be glancing at wrist-watches and mutterings about getting back for opening time as thermos flasks and rugs were put away into car boots in a leisurely fashion.

Our first pub was in Manchester, close to Piccadilly railway station. I was too young to remember much about it, but I knew it was the Star and Garter on Fairfield Street and my walk to nursery with my father took us under a railway bridge. On a recent day at Manchester Christmas Markets with my friend, I suggested that we look at the pub, from the outside. Our train was taking us to Piccadilly so we weren’t going out of our way. I’m easily lost in a city without a coastline to guide me, so it was no surprise to find us following Fairfield Street in the wrong direction. We hadn’t gone too far, luckily. We strolled back and eventually reached the pub, took a few photos then went shopping. Later, waiting on Platform 14 for the train home, I was absent-mindedly gazing around when I realised that right in front of me, across the lower level train tracks, stood the Star and Garter. My friend and I laughed. We’d walked for ages looking for that.

Before long, it will be time for rest and recuperation in Dumfries & Galloway. The car will be packed, the house in good hands and I’ll be happy to say, ‘We’d better make tracks.’
 
I found this poem,
 
 
The breeziness of gentle winds, leafs rustle as trees sway
Sunlight rays a partial light, that shine across the bay
Summers warmth an evening sky, are setting on the day
Dusk approaches through the trees, as the daylight goes away

Flowered tracks along the gorge, a gentle mountain breeze
Dusty valleys lead the way, past the old oak trees
Down to flowing waterfalls, the beauty that one sees
Flowered tracks floating beside, are following with ease

Deep inside the canyon walls, the water hits the stream
Shimmers from the waters edge, upon a golden gleam
The beauty of a secret place, waters merged with a sun beam
Is this a true reality, or flowered tracks last dream

Between the hills on golden ponds, lies colours of tracks flowers
Where the rocky crescent forms, and where the sunlight cowers
Moon light shadows visible, only after sunlight hours
The beauty of a litten dusk, the light the moon devours

A wolf howls above the rocks, high upon the glade
One heart beat I can hear, I am feeling so afraid
Full moons light upon my soul, the wolfs cursed life is paid
Wolf's blood bite on flowered tracks, a glistened moonlight trade

Wolfs eyes glare standing alone, no hunters and no packs
Were wolfs fangs on shadows moon, blood seeping through the cracks
A man once stood is now transformed, his humanity life lacks
The werewolf curse is fulfilled, complete on flowered tracks
 
Written by Kirk, from Hello Poetry.
 
 
Thanks for reading, Pam x

 

3 comments:

Steve Rowland said...

Thanks Pam. A most interesting reminiscence. I wonder if that phrase 'making tracks' has its origins somehow in the white settlers' interaction with native American Indians.

Pam Winning said...

That is exactly my thoughts. There's just something that points me that way. The search continues :-)

Anonymous said...

Not sure about the poem tbh!