It is the moment I dislike the most. Our peaceful time in
Scotland, staying in the quiet of a hidden-away lodge has reached an end. The
car is packed for home. The rooms of our accommodation are clean and tidy, we’ve checked and
double-checked for anything forgotten and one of us says, ‘We’d better make
tracks’.
The fact that we’ll be returning soon is of no consolation
when the sadness of leaving has already taken hold.
I’ve been trying to find out where the term ‘making tracks’
originated and it is so frustrating not to discover a definitive answer. All I
have found is a reference to early 1800s slang for running away in a hurry and
leaving footprints.
Quote - “This
nineteenth century American colloquialism was recorded by Thomas Chandler
Haliburton (1796-1865) in his ‘Sam Slick’ papers, which originally appeared in
a Nova Scotia weekly in 1836, as well as several earlier journals…”
I wanted to know why the saying is ‘making tracks’ when ‘following
tracks’ seems to make more sense. I hoped to learn something more and I haven’t,
so if any reader knows, please share with me.
‘We’d better make tracks’ was my father’s way of bringing a
summer picnic to an end on a Sunday tea-time. Pubs were closed between 2 p.m.
and 7 p.m. in those days. My family would get together and drive in convoy to a
suitable destination to spend the afternoon, everyone bringing food to share.
We were all based in Lancaster and Morecambe for a while and our outings were
Crook O’ Lune, Littledale, Glasson Dock, Heysham and Ingleton Falls. I was aged
four or five, the only child and got made a fuss of. Everyone was relaxed, life
was simpler, or that’s how it looked to me. No one rushed. There would be glancing
at wrist-watches and mutterings about getting back for opening time as thermos
flasks and rugs were put away into car boots in a leisurely fashion.
Our first pub was in Manchester, close to Piccadilly railway
station. I was too young to remember much about it, but I knew it was the Star
and Garter on Fairfield Street and my walk to nursery with my father took us
under a railway bridge. On a recent day at Manchester Christmas Markets with my
friend, I suggested that we look at the pub, from the outside. Our train was
taking us to Piccadilly so we weren’t going out of our way. I’m easily lost in
a city without a coastline to guide me, so it was no surprise to find us
following Fairfield Street in the wrong direction. We hadn’t gone too far,
luckily. We strolled back and eventually reached the pub, took a few photos
then went shopping. Later, waiting on Platform 14 for the train home, I was
absent-mindedly gazing around when I realised that right in front of me, across
the lower level train tracks, stood the Star and Garter. My friend and I
laughed. We’d walked for ages looking for that.
Before long, it will be time for rest and recuperation in
Dumfries & Galloway. The car will be packed, the house in good hands and I’ll
be happy to say, ‘We’d better make tracks.’
I found this poem,
The breeziness of gentle winds, leafs rustle as
trees sway
Sunlight rays a partial light, that shine across the bay
Summers warmth an evening sky, are setting on the day
Dusk approaches through the trees, as the daylight goes away
Flowered tracks along the gorge, a gentle mountain breeze
Dusty valleys lead the way, past the old oak trees
Down to flowing waterfalls, the beauty that one sees
Flowered tracks floating beside, are following with ease
Deep inside the canyon walls, the water hits the stream
Shimmers from the waters edge, upon a golden gleam
The beauty of a secret place, waters merged with a sun beam
Is this a true reality, or flowered tracks last dream
Between the hills on golden ponds, lies colours of tracks flowers
Where the rocky crescent forms, and where the sunlight cowers
Moon light shadows visible, only after sunlight hours
The beauty of a litten dusk, the light the moon devours
A wolf howls above the rocks, high upon the glade
One heart beat I can hear, I am feeling so afraid
Full moons light upon my soul, the wolfs cursed life is paid
Wolf's blood bite on flowered tracks, a glistened moonlight trade
Wolfs eyes glare standing alone, no hunters and no packs
Were wolfs fangs on shadows moon, blood seeping through the cracks
A man once stood is now transformed, his humanity life lacks
The werewolf curse is fulfilled, complete on flowered tracks
Sunlight rays a partial light, that shine across the bay
Summers warmth an evening sky, are setting on the day
Dusk approaches through the trees, as the daylight goes away
Flowered tracks along the gorge, a gentle mountain breeze
Dusty valleys lead the way, past the old oak trees
Down to flowing waterfalls, the beauty that one sees
Flowered tracks floating beside, are following with ease
Deep inside the canyon walls, the water hits the stream
Shimmers from the waters edge, upon a golden gleam
The beauty of a secret place, waters merged with a sun beam
Is this a true reality, or flowered tracks last dream
Between the hills on golden ponds, lies colours of tracks flowers
Where the rocky crescent forms, and where the sunlight cowers
Moon light shadows visible, only after sunlight hours
The beauty of a litten dusk, the light the moon devours
A wolf howls above the rocks, high upon the glade
One heart beat I can hear, I am feeling so afraid
Full moons light upon my soul, the wolfs cursed life is paid
Wolf's blood bite on flowered tracks, a glistened moonlight trade
Wolfs eyes glare standing alone, no hunters and no packs
Were wolfs fangs on shadows moon, blood seeping through the cracks
A man once stood is now transformed, his humanity life lacks
The werewolf curse is fulfilled, complete on flowered tracks
Written by Kirk, from Hello Poetry.
Thanks for reading, Pam x
3 comments:
Thanks Pam. A most interesting reminiscence. I wonder if that phrase 'making tracks' has its origins somehow in the white settlers' interaction with native American Indians.
That is exactly my thoughts. There's just something that points me that way. The search continues :-)
Not sure about the poem tbh!
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