Worthy Farm - before... |
The festival has been held in local farmer Michael Eavis's fields since 1970. Fifteen hundred people turned up that first year in response to Eavis's attempt to hold an event that would both boost revenues for his farm as well as provide a rallying point for the increasing number of alternative lifestyle families who had been moving into the area around nearby Glastonbury Tor in recent years, in a counter-cultural attempt to escape the rat race.
This week-end, an estimated quarter of a million people are at Worthy Farm, enjoying three days of music and so much more - camping (or glamping) obviously, plus cabaret, circus, comedy, dance, film, mime, poetry, theatre as well as various craft and well-being workshops. Glastonbury has become as much a part of the British summer schedule as the Proms and Wimbledon. It is still overseen by Michael Eavis with assistance from his daughter Emily and a trusted production team. Apart from core technical and security staff, it is run entirely by volunteers who give their time freely in the spirit of the enterprise (stewards, medics, lawyers). Food concessions and catering are contracted out to local businesses and all the bars are run by the Workers Beer Company who recruit volunteers from the local communities for the long week-end.
In keeping with its green credentials the organisers try and encourage festival-goers to use public transport where possible. Extra trains are laid on to stop at the nearby Castle Cary station and extra buses and coaches ferry people to the site from Wednesday onward and away again on the Monday afterwards, but there are also fifty-five separate carparks around the site and these must be pre-booked.
Worthy Farm - during... |
The transformation as in excess of two hundred thousand people arrive is spectacular. The three days of music across nine stages is now given extensive media coverage on radio and television. I believe the BBC shows many of the top acts live, though I must admit it's been a long time since the Glastonbury line-up included anyone I'd particularly want to see - not even the Rolling Stones or Paul McCartney in their respective dotages, thank you very much. I suppose my fantasy Glastonbury line-up would consist of the following: Jason Isbell, Rose City Band, Bedouine, Hoodoo Gurus, Joanne Shaw Taylor, Blue Aeroplanes, Howlin' Rain, Courtney Marie Andrews, Richard Hawley, Kula Shaker and The Coral... and there's as much chance of that happening as of Lapland winning the next FIFA World Cup.
But that's not the point is it? It's all about being there, the occasion, the community, which is why tickets sell out in next to no time every year. Glastonbury has become a world famous cultural event and Michael Eavis is able to donate the majority of the festival profits to good environmental causes these days.
Michael Eavis grew up on Worthy Farm, inheriting it at 19 years old on the death of his father, who was both farmer and Methodist local preacher.. For a while, farmer Michael also worked in a nearby colliery in order to supplement the Worthy income. Diversifying into holding a music festival on his land, after the examples of Woodstock in the USA and the closer to home Bath Blues Festival, effectively ensured the long-term viability of his dairy farm.
On Monday, the massive clean-up begins. All festival-goers have to sign a 'green pledge' to take away any structural items they brought with them (tents et cetera) and to dispose of all rubbish in the bins provided. It takes a team of volunteers about three weeks to clear the 900 acres of farmland (the stages, the temporary concessions, the portaloos, the rubbish bins and general debris) so as to restore the open space and make it fit for the cows to return. It's a practised and impressive routine.
Worthy Farm - after... |
Eavis, full name Athelstan Joseph Michael Eavis, will be ninety next year. A Labour Party member and former parliamentary candidate, he invited Jeremy Corbyn to address the festival crowd in 2017 and has more recently been pressing Labour to take a leaf out of the Greens' eco manifesto. Michael Eavis was knighted earlier this year for services to music and to charity. In common with his parents and his second wife (Emily's mother), he remains a practising Methodist "not really bothered" about the existence of God.
This humorous poem, just dashed off for the occasion, is dedicated to Sir Michael's herd of atom heart mothers. (The usual caveat applies - if I can see ways to improve it after posting, I will make tweaks.).
Worthy Farm Cows
are not big party animals.
Yes they're partial to a little Mozart
in the milking parlour
or the strains of Beethoven's
Pastoral Symphony
but they're not really festival goers.
Oh, they'd cope well enough
with the herd mentality, the Hare Krishnas
and the mud - it's just the music,
pumped out pop at top wattage
from hundreds of speakers
on nine stages, and all that flag-waving.
Quite frankly they'd be spooked.
And it's not as if their favourite tunes
would ever get played: "No Milk Today",
"I Can Hear The Grass Grow",
or something by Cud,
"Love In A Hollow Tree" for instance.
No, best to get away
for a couple of weeks
to some restful foreign field
across the valley.
Thanks for reading, S ;-)
15 comments:
I love your Worthy Farm Cows poem.
An excellent precis of the Glastonbury phenomenon and a delightful poem. 👏
Cows, la!
That's a lovely write up. I have no interest in who plays at Glastonbury but the history was fascinating and your Worthy Cows poem amused.
Informative and fun. What an undertaking Glastonbury is. I enjoyed your poem. As for songs cows might like (though they don't really like pop music) "Green Green Grass of Home".
I enjoyed the poem when you posted it on FB with psychedelic cows. The Glastonbury back story is a great read, and I just enjoyed the poem again.
Thanks for the background - and the foreground. I am now much better informed than I was about the whole Glasto thing. And I like to be well informed. And I like your poem. Don't change a thing.
I could not imagine anywhere I would like to go less and Glastonbury to me, is the ultimate Capitalist rip-off and media con with the extortionate ticket prices, appalling sanitation and food on top to pay for.
Yes, I feel sorry for the cows.
I hate most of the music and there is nowhere I would less like to be.
It is a scandal that people cleaning up this mess are not paid. A Labourer is worth his hire.
You left out the drugs and the dealers, vulnerability to theft and food poisoning, trench foot etc.
But if people are prepared to pay for this...
It used to be free.. Not my scene.
love the poem :)
[does it really need improving or are you a perfectionist?]
didn't the site for Glastonbury change? though i don't know/recall from where
I'd rather watch multi repeats of Eastenders than go to Glaston.
Good poem.
It's an extraordinary story. I've never been to Glastonbury, not my thing. But fair play to all who enjoy it. It's a lovely poem.
HM, HRH Laxmiben R
Not a Glastonbury person no offence but the Cows and music is a great one Steve! As Cows and Green grass is there food for life! To get this straight for your information there is no hundreds of speakers blaring out with the Hare Krishnas they are milked in peace and quiet and cared for beautifully and have seen a beautiful experience of a calf being born at The Manor in Hertfordshire .
Your book arrived. Thank you. It' a real credit to you. I enjoyed your Glastonbury blog and my sympathy is with the cows. "...restful foreign field across the valley" was a neat touch.
What you say about media exposure rings true. If it wasn't for the BBC coverage, who would even know it was happening? Apart from the cows of course. And I loved the poem. Well done.
Are they hoofers?
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