written and posted by members of Lancashire Dead Good Poets' Society

Showing posts with label Edward Hopper. Show all posts
Showing posts with label Edward Hopper. Show all posts

Saturday, 28 March 2020

The Space Between

It's been another quiet week in the jewel of the north, splendidly sunny for sure, but eerily deserted for the most part. This is social distancing in practice, in a concerted attempt to slow the advancing ripple of Coronavirus contagion through the land.

With the gym out of bounds for the last fortnight, I've been walking from my house each morning along Blackpool promenade for about 90 minutes, sometimes turning left (south to Starr Gate), sometimes right (north to Gynn Square). I haven't encountered many people; the occasional solitary walker or jogger (sometimes with dog in tow), a few cyclists. We all keep well apart, per the 2 metre rule, conscientious in maintaining the space between us. Sometimes we wave.

On these brisk walks, I take my i-Pod, wear headphones and frequently sing along to whatever I'm listening to if I think there's no one else within earshot (which is usually the case); except for earlier today when a cyclist sped past me and turned to shout back "you should really go on the X-Factor". I think not, but I do sometimes yearn to sing and play in a band again. Well that's not going to happen for the foreseeable future, is it? This new restrictive regime is likely to be in place for months.

So far the pandemic doesn't appear to have made significant inroads to Blackpool. As I write, there are still only 9 officially confirmed cases in a town of 150,000 people, that's 5 more than there were two weeks ago. If we really are about a fortnight behind London on the curve then the introduction of social distancing ought to have a marked impact up here in slowing down the advance of the virus.

Hopperesque Social Distancing
I know for many people these unexpected changes have come as a huge jolt, people with partners, children, jobs. I've mentioned in a previous blog that my daughters live and work in London. They're both working from home now, one is likely to go on furlough and the other has had her salary halved for the foreseeable future, plus her boyfriend has just been made redundant. There are hard times ahead. I count myself fortunate in these circumstances that I'm retired, live for the most part on my own, and am quite comfortable with just my own company for reasonable periods. Whether I'll feel the same way in three or six months' time I'm not sure.

There could be significant and permanent changes in the way we live our lives as a result of what we're going through at the moment. Viewed from a positive perspective, there's a huge opportunity to re-evaluate what truly matters to us as a society and all manner of interesting innovations may result from necessity (being the mother of invention). If this wartime spirit and sense of urgency can bring together academics, the government, research labs, industrialists to create new technology in weeks as social  concerns take priority over capital, think how many more of the world's pressing issues (climate emergency, endemic diseases, malnutrition) could be sorted with the same co-operative spirit - maybe a once in a century chance to press the re-set button to good effect.

Our national Poet Laureate, Simon Armitage, has already written a rather good response to the Covid-19 crisis which I urge you to seek out. I shall not be following suit in writing about Coronavirus. I find I generally need more time - more social distance even - from events to let ideas and impacts form themselves into a response that I feel satisfied with.

Instead, I offer you this, inspired by my reading of Lucretius ('On The Nature Of Things') and Fritjof Capra ('The Tao Of Physics') and the collapse of a relationship. It has lain semi-written for several years but I figured would fit theme on this occasion if I could finish it off - so I did (until I decide to change it).

Coming Apart?
The paradox of every solid thing
is that it's far more void than substance:
table, chair, bed, bodies, skin, hair,
all comprised of atoms,
molecules in small degree,
chaining, gravitating, oscillating
in the space between, a lot of air.

Our settled state, far more precarious
than we'd ever like to think,
could fly apart in the blink of an eye
if random factors so dictate.
This 'us' is not inviolate
despite our fondest wish. We try
to hold each other dear, to no avail

when distance intervenes,
for change is constant, the forces
manifold and complicating.
Despite our best professions about
fulfilling love's illusive dream,
I sense you dematerialising,
our future, coming apart it seems.

Thanks for reading. Be cheerful, remain connected, stay safe, S ;-)

Saturday, 14 July 2018

On The Blink

It's been another superbly sunny day in the jewel of the north and your Saturday blogger has been flagging - just waiting on the cool of evening to get a bit of creativity stirring.

Who doesn't love a lighthouse? As structures they have proved themselves both beautiful and useful for centuries, though in this digital age of gps they are possibly becoming redundant - mostly to be preserved as museums, icons, tourist attractions.

I had a lot of fun scrolling through hundreds of photographs of lighthouses from around the world before I chose this one to illustrate the blog. I like it because in composition, colour and the effect of light, it seems to me to possess all the qualities of an Edward Hopper painting... not that surprising, given Hopper painted pictures of several of them, mostly around the New England coastline in the 1920s and 1930s.


If you're familiar with any of his work, you'll probably know that Hopper (1882-1967) is widely regarded as the pre-eminent realist painter of 20th century America. His spare compositions are taken to express, through their prevailing quality of emptiness, the isolation and loneliness (alienation might be a better term) residing at the heart of modern American life. Check out such classic paintings as Chair Car, Nighthawks, Four Lane Road, Cape Cod Evening or Solitude for typical effect.

When it came to writing today's poem, I pondered on the situational aspects of lighthouses and lighthouse life back in the mechanical age: remote, rugged, living on the edge, alone with the screech of wind and seabirds and the mind-altering properties of weevils (in the flour). It all gives a different meaning to brinkmanship and the gloomy preoccupations that isolation catalyses. See what you think.

Brinkmanship
On the blink.
On the brink.
Recurring dreams of being
ankle-deep in candle-grease,

of splintered timbers
steeped with the reek of seaweed
haunt your circular sleepwalking,
a-tangle with mermaids
and mangled mariners
whose every agonised look
accuses...

...after forty stormy days and nights
who let the light go out?

Respite arrives
on waking with the dawn.

You climb once more unrested
to dogged duty
in the mirror room
from whose height
even the horizon looks curved,
to snuff the flames and polish
sooted lenses till they gleam.

After all these years
of living alone
in your tapering tower,
you can no longer swear
you are entirely sane.

On the blink.
On the brink.
You man a beacon of hope
and yet
a sense of darkness
follows you around.

People who live in lighthouses
can't help but throw shadows.


Okay, that's it for this one. Thanks for reading. Keep shining, stay safe, S ;-)