written and posted by members of Lancashire Dead Good Poets' Society

Showing posts with label Guinness. Show all posts
Showing posts with label Guinness. Show all posts

Wednesday, 31 December 2025

Drinking

In the Epic of Gilgamesh, the 'wild man' Enkidu is given beer to drink. "... he ate until he was full, drank seven pitchers of beer, his heart grew light, his face glowed and he sang out with joy." That was written around 4,000 years ago and the story is based in Uruk. Well, I seem to remember being in a similar state myself over the years.

3,900 year old Sumerian beer recipe
The first written records of brewing come from Mesopotamia where Uruk was situated. These include early evidence of beer in the 3,900-year-old Sumerian poem honouring Ninkasi, the patron goddess of brewing, which contains the oldest surviving beer recipe, describing the production of beer from barley via bread.

There is also a receipt found at Ur, another city in the area. The ‘Alulu beer receipt’ provides specific information about the world's earliest known drinks transaction. It was written during the 45th year of the reign of Shulgi, the King of Ur (2050 BCE) – we can be sure of this because the scribe who wrote it, Ur-Amma, signed and dated it. The text translates as “Ur-Amma acknowledges receiving from his brewer, Alulu, 5 sila [about 4 ½ litres or eight pints] of the ‘best’ beer”.

Sumerians enjoying a drop of 'best beer'
Written records aside, Thomas Sinclair says in his book, 'Beer, Bread, and the Seeds of Change: Agriculture's Imprint on World History' that the discovery of beer may have been an accidental find.

Paul Lenz writes in ‘A History of Ancient Beer’ that the very earliest, Neolithic, beers were almost certainly made in Africa, from grains such as sorghum and millet, but as the brewing vessels would most likely have been made from animal skins no evidence for them survives.

Then in the New Scientist on the 10th December this year Michael Marshall asks the question ‘Did ancient humans start farming so they could drink more beer?’ New evidence suggests that alcohol was a surprisingly big motivator in our monumental transition from hunting and gathering to farming. He continues thus:
‘Why this happened is puzzling, given that our species had survived successfully for around 300,000 years without having to reap and sow – not to mention milk, shear and shepherd. Many ideas have been put forward as possible explanations. The earliest physical traces we have found date back 13,000 years and were found in the Raqefet cave on Mount Carmel in Israel. Residues of fermented wheat and barley were identified on stone mortars, suggesting these grains were crushed to make a mash which was then brewed to form a thick, porridge-like beer.’

Anthropologists have been pondering this change since the 1950s. However, they didn’t have the technology back then to test any ideas. The challenge is to distinguish between beer and bread. Baking bread and brewing beer look superficially similar in the archaeological record, says Jiajing Wang at Dartmouth College in New Hampshire who has spent years finding evidence for the oldest alcoholic brew.

A good starting point was the later settled societies, like ancient Egypt, where beer-making was glaringly apparent. Egyptian archaeological sites often contain distinctive pottery jars. “They literally just call it a ‘beer jar’”, says Wang. At Hierakonpolis in southern Egypt, for example, they found beer jar fragments containing starch granules from cereals, yeast cells and crystals of calcium oxalate, or “beer stone”. These showed that people there were making beer from a mixture of wheat, barley and grass between 5800 and 5600 years ago – more than 2000 years before the first pharaoh of a unified Egypt.

Egyptian beer brewing
Similar evidence has been found in the 7,000-year-old site of Godin Tepe in modern-day Iran, while in Asia there is evidence from 9,000 years ago that a form of beer was being made in ancient China from rice, flavoured with honey and fruits. Meanwhile at the Skara Brae site in the Orkney Islands of Scotland, brewing was taking place more than 5,000 years ago. Beer was not invented just once; rather it seems that almost every culture that had grains figured out that they could be turned into beer.

Skara Brae brewery, Orkney
Well, that’s enough for now. It’s 10pm, New Year's Eve, and time for a small Guinness.



Terence, This is Stupid Stuff – from A Shropshire Lad – A.E. Housman (1859-1936)

Why, if ’tis dancing you would be,
There’s brisker pipes than poetry.
Say, for what were hop-yards meant,
Or why was Burton built on Trent?
Oh many a peer of England brews
Livelier liquor than the Muse,
And malt does more than Milton can
To justify God’s ways to man.
Ale, man, ale’s the stuff to drink
For fellows whom it hurts to think:
Look into the pewter pot
To see the world as the world’s not.
And faith, ’tis pleasant till ’tis past:
The mischief is that ’twill not last.
Oh I have been to Ludlow fair
And left my necktie God knows where,
And carried half way home, or near,
Pints and quarts of Ludlow beer:
Then the world seemed none so bad,
And I myself a sterling lad…

Thanks for reading, Terry Q.

Wednesday, 10 September 2025

Desert Island Discs

I’ve had my list of 8 records for Desert Island Discs ready for thirty years or more waiting for the opportunity to share them to the world. The usual format for DID is the guest to choose discs relevant to their life story but for heaven’s sake I’ll be marooned on a desert island and don’t want to be stuck with something from my primary school but to give some structure to the programme I’ll take the pieces in chronological order of composition.

Joseph Bologne, Chevalier de Saint-George
1. Joseph Bologne’s Quartet no. 4 in C minor was composed in about 1771. Bologne was a virtuoso violinist, conductor and composer. He was a champion fencer, a Parisian socialite, excelled in swimming and riding and fought in the French Revolution. This is the music I would have as the sun sets on my island and peace reigns (with a Guinness). Here is the piece being played by the Belinfanti Quartet: Quartet no.4 in C minor

2. Beethoven 7th Symphony 2nd movement. At its premiere at the University in Vienna on 8th December 1813, Beethoven remarked that it was one of his best works. The second movement was so popular that audiences demanded an encore. Here is a link to the Simón Bolívar Symphony Orchestra of Venezuela in a performance at the Palau de la Música Catalana in Barcelona, Spain in March 2017: 7th Symphony 2nd movement

3. Duet from Georges Bizet's 1863 opera Les pêcheurs de perles. Generally known as ‘The Pearl Fishers' Duet’. Best if you don’t know the words, I did look them up once. It’s the same for all of the operas I’m mentioning. It’s the voices that count.

I do remember hearing this for the first time. It was in Abu Dhabi and my friend asked if I’d heard this piece. I hadn’t and thought it was just ok. She said take the cassette home and try again. I did and was moved to tears on second hearing. How many times has a piece of music hit home on a second or third hearing. Here’s a link to Dimash Qudaibergen and Placido Domingo au fond du Temple Saint (2023)The Pearl Fishers' Duet


4. Léo Delibes. The ‘Flower Duet’ is a duet in the first act of the opera Lakmé, premiered in Paris in 1883. You may recognize the work from an advert. And damn them for using such beauty for commercial gains. Here is a link to Sabine Devieilhe and Marianne Crebassa performing: The Flower Duet

5. Sibelius 2nd Symphony, 3rd movement and Finale. The revised version was given its first performance by Armas Järnefelt on 10th November 1903 in Stockholm to immediate acclaim.

I remember being electrified by this music on the first time of hearing at the Guild Hall (RIP) in Preston back in about 1996. At the end I didn’t want to move. This is the Boston Philharmonic Orchestra performing at Joran Hall in 2017: 2nd Symphony 3rd and 4th movements

6. In Paradisum from the Requiem by Gabriel Fauré. The piece premiered in its first version in 1888 at La Madeleine, the church in Paris where the composer served as organist. In 1899–1900, the score was reworked for full orchestra. This final version was premiered at the Trocadéro in Paris on 12 July 1900. The composer said of the work, "Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest."

I first heard this in Dorset in about 1993. I’d been to Christchurch Priory and picked up a cd at random from their shop. I played it on a balcony overlooking the sea late in the evening and it hit me on the second hearing. I was overwhelmed. John Rutter, Cambridge Singers, City of London Sinfonia: In Paradisum


7. America, from West Side Story by Leonard Bernstein AND STEPHEN SONDHEIM. The original from the 1961 film is still sharp and thrilling and much better than any attempts (yes, I am looking at you Mr Spielberg) afterwards. It still bugs me that it is called Bernstein’s West Side Story: America

8. ‘Baker Street’ by Gerry Rafferty was released in February 1978. It won the 1979 Ivor Novello Award for Best Song Musically and Lyrically. The song is known for its saxophone riff, written by Rafferty and performed by Raphael Ravenscroft. I seem to remember hearing this by a swimming pool somewhere and asking a stranger who it was by: Baker Street

This blog has taken about five times longer to write than anything before. Listening to music that means such a lot and then choosing the version I like best. Actually make that ten times longer.


And I’d have Outdoor Survival by Ray Mears as my book and cans of Guinness as my luxury item. The disc I’d save from the waves would be America.

As for the poem:

l'eglise de la Madeleine

Faure’s Requiem

I’d turned on the radio
ready for the game
but instead of a whistle
came familiar sounds
easing into Requiem Aeternaum

I’d be ready for this usually
getting the timing right
in some hotel
a cassette or cd
filling me with pleasure
before an evening stroll

but tonight’s a surprise
so all I can do
is slowly stand quite still
way ahead of mindfulness
until the baritone
brings Hostias
into a spell where
knowing the meaning of words
spoils the meaning

everything he imagined
by way of religious faith
was put into this Requiem
and everything I take
can be understood
after the four minutes
of Pie Jesus
wishing I could press pause
and watch notes drift down
from the domes
of L'église de la Madeleine
instead of my kitchen ceiling.

First published in French Literary Review Jan 2021










Thanks for reading and listening, Terry Q.

Thursday, 12 April 2012

A message from the Head of Marketing

06:44:00 Posted by Ashley Lister , , , , 14 comments


by Rachel Thomas

I was so very excited to accept the position of Head of Marketing at T’Poets until I realised I was being asked to write a guest blog. Suddenly I became pleasantly petrified and started googling prodigious locutions. I can’t really say it made me feel much better.

Here on my holidays in sunny blog world I have to say this is how I imagined my life to turn out. I am mingling with deep, poetic types and although the amount of Guinness involved is considerably less than expected I try to remember that I too am a deep, poetic type and I should really make an effort to fit in.

While poets big, small and understated throw syllabic butterflies out into the cosmoverse I have watched in wonder as they flap their tiny little wings creating phenomenal hurricanes of laughter, emotion and inspiration. – Bear with me here I am TRYING....


My point is that macro isn’t versus micro. Micro IS macro. Macro is micro.

I am not going to get into the valid debate about whether Darwin was big or small but please, have a think about evolution. Out of tiny acorns grow huge oak trees yes and where does the universe come from? A teenie tiny tinchy little minuty sparkly thingy – Right?

Just look at us! My, haven’t we grown!

The only other thing I wanted to mention was that the tiny sparkle is in you. It is the idea that grows into a novel, the football win that lifts your spirits and makes you fling your arms around sheer strangers, (cough cough) it is in your heartbeat when you see pictures of cute kittens and wander off to the cat rescue centre, you are the dream that turns into a whole reality. It is the drop in the ocean of happiness and what more it spreads like chicken pox.

I am all for embracing the micro AS the macro and the macro AS the micro because, after all, the universe is made of stardust.

***

Rachel Thomas is a poet, educator and graduate from Blackpool & Fylde college.

http://www.facebook.com/rachelthomaswrites

http://www.amazon.co.uk/When-Coffee-Blooms-ebook/dp/B005HAB1HO/ref=sr_1_1?ie=UTF8&qid=1334209937&sr=8-1