written and posted by members of Lancashire Dead Good Poets' Society

Showing posts with label Queen Victoria. Show all posts
Showing posts with label Queen Victoria. Show all posts

Wednesday, 28 February 2024

We Are Not Amused

In 1877 The New York Times reported that US Senator Roscoe Conkling poked fun at President Rutherford B. Hayes for using the word ‘We’ in speeches. He said that he had noticed three classes of people who always say ‘we’ instead of ‘I’ and they were emperors, editors and people with tapeworms.

But in English history the usage goes back further. The royal we, majestic plural (pluralis majestatis ), or royal plural was used by a single person who was a monarch or held high office. It was also used in certain formal contexts by bishops and university rectors. William Longchamp is credited with its introduction to England in the late 12th century, following the practice of the Chancery of Apostolic Briefs (Pause for consideration of this post ).

There is a more general term for the use of a we, us, or our to refer to oneself and that is nosism, a word which really needs brown in front of it. Or blue if you are a Birmingham City supporter.

It’s not possible to write about the ‘We ’ without mentioning the most famous recent usage of the word, by Margaret Thatcher in 1989 when she announced ‘We have become a grandmother’. I’m fairly sure Neil Kinnock responded the next time they clashed in Parliament with ‘We are not amused’ to something she had suggested.

Which brings us (the royal me) round to the ‘are not amused ’ part of the phrase. There are quite a few versions of how Victoria came to actually say the words ranging from Courtiers at her dinners to a performance of HMS Pinafore. And then there is the evidence of the monarch's granddaughter Princess Alice, Countess of Athlone, who said in a 1976 interview that Victoria never actually made the remark. “You know, I’m so disappointed,” Alice said. “I asked her, and she never said it.”


We are not amused. But were we at the time? Do jokes become unfunny? Let’s have look at Victorian times and we have to thank Skedaddle for this:

‘Our understanding of Victorian humour is heavily dependent on the surviving historical record, which tends to privilege mainstream (and generally quite respectable) books and newspapers. The kind of jokes that were published in these texts were usually suitable for a family audience. In fact, many of the period's joke books took great pains to emphasise the respectability of their contents and their suitability for a domestic audience - an assurance that hints at the existence of unrespectable jokes, but gets us no closer to finding them’.

Actually Skedaddle does find some but I’m not repeating them as they are very unrespectable . Here’s a respectable one:
“See here waiter, I’ve found a button in my salad”
“That’s alright sir, it’s part of the dressing!”

As I’ve mentioned 1989 earlier let’s try that year’s humour. There are too many tv shows to mention but what a contrast between the last episode of Benny Hill on May 1st and the last episode of Blackadder Goes Forth on the 2nd of November. A poll has the final scene of Blackadder as the ninth most memorable moment of all time.

And what about now? We, as a viewing public, as far as I can tell are not as amused by current comedy programmes as in the past. Father Ted, Morecambe and Wise, Dad’s Army etc are still being watched. Pretty much the same on the radio with Around the Horne, I’m Sorry I haven’t a Clue (still going), Hitchhiker’s Guide etc. Maybe it’s just me.

As for a poem to illustrate ‘We are Not Amused ’ I’m at a bit of a loss. The only thing I can come up with is the following where the writer is not amused at the poem but we are.


The Tay Bridge Disaster by William McGonagall

Beautiful Railway Bridge of the Silv’ry Tay!
Alas! I am very sorry to say
That ninety lives have been taken away
On the last Sabbath day of 1879,
Which will be remember’d for a very long time.

‘Twas about seven o’clock at night,
And the wind it blew with all its might,
And the rain came pouring down,
And the dark clouds seem’d to frown,
And the Demon of the air seem’d to say-
“I’ll blow down the Bridge of Tay.”

When the train left Edinburgh
The passengers’ hearts were light and felt no sorrow,
But Boreas blew a terrific gale,
Which made their hearts for to quail,
And many of the passengers with fear did say-
“I hope God will send us safe across the Bridge of Tay.”

And so on...

Terry Q.

Wednesday, 2 December 2015

Town Planning - may the force be with you.

Long, long ago, not far away (from where I now live in Thornton Cleveleys, Lancashire), there was a stretch of coastline that was bleak marshland, inhabited only by seabirds and wildlife.  Wild winds blew the sand onto sea grasses and over eons, a chain of sand dunes developed, (probably occupied by sand people  - oh don't worry - there are only 16 days to The Force Awakens - for anyone who is not a Star Wars fan, I hope you will stick with me for a while - at least to read the poem at the end). The largest sand dune was named by locals as Top Hill.

As we know, under the feudal system, areas of this country were divided up and came under the auspices of Lords and this land of dunes was part of the estate of Lord Hesketh. His son and heir, young Peter used to have picnics with his family on Top Hill and he would look out from the summit at the incredible views, imagining that he was a sky-walker.  The force was strong with Peter.  He had a vision for the future, so he added his mother's name, Fleetwood to his own and set out to design and build his own Utopia on the Fylde Coast.

At this stage in the story, Peter joins forces with a Jedi Master in the shape of architect Decimus Burton.  The two now discuss Peter's extraordinary plan to build an incredible oasis in the sand dunes. It is to be a port to rival Liverpool and a holiday resort better than St Leonard's on Sea. In 1839 the two draw up plans for Fleetwood: a stylish resort of elegant avenues, emanating from a central point at Top Hill. Burton sets to work on the construction of a Chinese pagoda tea room that will be a vantage point for viewing the town as it is developed.

As we know, the force has a dark side. Our hero, Peter will need to convince people to come to his new resort.  Big, bold, brassy Blackpool is a mere six miles away and already has the attention of the working-classes. Peter needs a hook. He decides to invest his inheritance, to keep it away from Darth Tax-Collector, in building an extended railway line from Preston. This is a canny manoeuvre: the railway cannot yet carry passengers over Shap and beyond into the land of Scots.  On completion of the railway line, passengers travelling North can now alight at Fleetwood, stay at the North Euston Hotel, (another Burton building) and then embark for The Lake District and beyond by steamer ship.

Decimus Burton designs and builds three light houses that, when aligned, can safely guide ships into the difficult Wyre Estuary. Soon Fleetwood is a fashionable resort and comes to the attention of Prince Albert, consort of the newly crowned Queen Victoria, who decide to pay a visit... Peter takes the Prince up to the summit of Top Hill to view the town.  Naturally there are many other events in the story of Fleetwood. This is just the beginning...
 


  


On Top Hill 

Misty windows soaked with spray,
shroud from me the timeless view
of mountain back-dropped Morecambe Bay,
once reserved for privileged few,
who picnicked on Top Hill.

And as he looked out from the rise,
at seascape skirting, rolling skies
with sweeping landscapes every side,
Lord Hesketh-Fleetwood was inspired
by standing on Top Hill.

Just like a crow’s nest on the sea
he set his structure at the peak,
Chinese pagoda serving tea,
a charming central place to meet,
to chatter on Top Hill.

And seen from high on grassy Mount,
stylish avenues began.
a visionary plan, splayed out
designed just like a Chinese fan,
extending from Top Hill. 

They came from near and far and wide,
by ship and railway, powered by steam.
Prince Albert brought his blushing bride
to share the joy of Peter’s dream
and whistle from Top Hill.

Thanks for reading.  Adele