written and posted by members of Lancashire Dead Good Poets' Society

Showing posts with label anthology. Show all posts
Showing posts with label anthology. Show all posts

Thursday, 27 June 2013

Ut pictura poesis. What? Precisely.

Never one to miss an opportunity to exploit an online contact, I sent a message to Bloodaxe's Neil Astley back in April to ask him to recommend a book on poetics for me.  I've read Stephen Fry's Ode Less Travelled and Glyn Maxwell's On Poetry (thanks Jamie!) but beside the more academic books which were recommended at Blackpool & Fylde College, haven't read an awful lot around the subject.  I wanted something to get my teeth into.  His response certainly gave me that:

For reading or writing? For writing, Peter Sansom's Writing Poems. For reading and writing, The Princeton Encyclopedia of Poetry and Poetics which covers everything you could possibly want to know.
Neil


The former is a brilliant resource for its writing games (think workshop planning) and quick guide to some of the best contemporary poets with reasons why they rock.  This book therefore doubles as a bluffer's guide to the British poetry scene in the 21st century.  It has loads of practical tips, some of which are suitable for new writers wishing to learn the craft and others which give an 'Ohhh, yeah -that's what they're doing' moment for those who have been lingering on the scene for a while and wondering how the best poets do what they do.

The latter is an incredible tome which I dearly wish I'd bought in hard copy rather than for my Kindle.  You know the joy you get from flicking through an encyclopedia and picking out something fascinating at random?  This purchase led to the conclusion that e-books are definitely not superior to print.  There is so much information in this book and flicking through it in order is really unsatisfactory.  I'll try to give you an idea of what it covers:


Yes, that is half of the index page covering Al - An.  It's bloody amazing isn't it?  It gets me all hot and bothered that index.  Blackpool and Fylde doesn't have it in their library catalogue.  Nor does Blackpool Central Library.  I wonder if the wonderful folks at the Library Service could be convinced to order it for their burgeoning population of keen poets? 

As for my own recommendation, I'm going to plump for something a little closer to home.  Sculpted is an anthology edited and devised by the minds behind the North West Poets' group; Lindsey Holland and Angela Topping.  The contents page reads like a who's who of poetry from the north of England and every time I dip into it I end up lost in its pages for an unfeasibly long time.  This list includes Rachel McGladdery, Cath Nichols, David Riley, John Siddique; all poets who have written for the Dead Good Blog at some point.  The many other contributers are on my hit list for the near future.

Honorable mentions must go to the powerhouse of poetry that is Kim Moore (follow her blog for weekly in-depth poetry analysis and why not buy a copy of her book If We Could Speak Like Wolves - it's insightful, funny and full of carefully observed portraits) and V A Sola Smith who I am yet to meet but would love to shake by the hand, if only for the phrase 'the not-yet ghouls, tripping unseen about their fate' from her poem about kids in a seaside town, Poor Fish.  The book has an introduction from David Morley and the front cover bears the following quote from our poet laureate: "The North West is a hotbed of poetry.  If you want to know why, read this book."

Copies of the book can be bought via the Wordpress page.

Now, I don't expect to hear another peep from you until you've read all of the above.  Then we'll talk poetry.

Saturday, 20 August 2011

Those Lucky Nightsoil Men

05:59:00 Posted by Ashley Lister , , , , 6 comments

By Ashley Lister

Nightsoil men worked through the night

Transporting tons of human sh*te.

Before the age of flushing loos

They’d manually remove old poos.

Toiling in cesspits / Working with due haste

Breathing in the stench of human waste

Wading through a mire of noxious sludge

That no sane soul would want to touch.

It’s hard to imagine a job that’s worse

Or a greater soul-destroyer.

But at least those lucky nightsoil men

Didn’t work for a Blackpool employer.


This week we’ve enjoyed a variety of opinions on Blackpool from residents who’ve written about the town in terms that are fond and affectionate and sweet and dysfunctional and angry. Tomorrow the poet and author Nikki Magennis is going to give us a perspective on Blackpool from someone who’s never visited the resort.

My poem above is dedicated to every Blackpool employer who has ever exploited the services of an employee. I’ve been anecdotally informed that there are some Blackpool employers who exploit their employees. It’s not something I’ve personally experienced. Ever. But I’m assured it does happen. It certainly doesn’t apply to any of those people I currently work for. Or any of my previous employers. Honest.

I picked the theme of Blackpool for this week because the deadline date for our poetry anthology is fast approaching. If you’re reading this and you’ve not submitted any material yet, please go produce something now and submit it. The terms and conditions (lifted directly from FaceBook) are listed below.

The Dead Good Poets are seeking poetry submissions for their forthcoming anthology of poetry: A Poet's Guide to Blackpool. This is your chance to be a part of Blackpool's most exciting poetry group, and their much-admired work. Please read these guidelines carefully before submitting your work.

Guidelines
ALL poems should allude to Blackpool or an aspect of Blackpool and should be your original and best work.
ALL poems should be no longer than a maximum line count of 28 lines (including line breaks between stanzas).
ALL poems should be submitted in electronic format as attachments to an email, either as .doc or .docx or .rtf.
Emails should be sent to
deadgoodpoets@hotmail.co.uk and the subject header should read POETRY SUBMISSION.
ALL poems must have a title. (The title is not included in the line count)
ALL submissions should include name, contact details and the titles of the poems in the body of the email, but the poems must show no name, address or identifying marks other than the title.
No more than 3 submissions per person. If you submit more than 3 poems we will only look at the first 3. This is not being done out of meanness. This is being done to give every poet a fair chance for proper consideration.
Closing date for submissions: Friday 26th August.
The judges' decisions are final and judges are unable to comment on individual entries.
Space is extremely limited so we are in the privileged position of being able to pick the very best. We look forward to reading your submission and we hope to produce an anthology of the highest standard to which every contributor is proud to be involved with this endeavour.

Lara & Ashley (editors)