written and posted by members of Lancashire Dead Good Poets' Society

Showing posts with label fifty shades of grey. Show all posts
Showing posts with label fifty shades of grey. Show all posts

Thursday, 31 May 2018

Appetence - seems it's all we need.

I hate to admit that the word appetence is new to me. Despite my English degree, this word has escaped my notice. I had to look it up. It wasn't in my Oxford Advanced Learner's Dictionary so before I resorted to on-line versions, I dug out my battered, Chambers Etymological and there it was, defined in all its glory: 'Appetence - n - a seeking after: desire, especially sexual desire'.

As I browsed the list of words that follow, I found, 'Appetite  - n - a natural desire: desire for food, hunger.  From Latin appetitus. See 'appetence'. There is a very interesting difference that you may have spotted - appetite is described as a 'natural' desire: appetence is not. 

Yesterday evening I was dining with my son and because I enjoy the early evening antique programmes, the TV was on in the background. When the advertisements came on, there was one that drew my son's attention. A young man and girl in her bedroom, about to have sex when her father comes to the door. The young man makes no attempt to put his jeans on - he takes some chewing gum from his pocket, sticks it in his mouth and simply says, "Hi I'm Tom." I have to say that I find this comical. My father would have murdered him and I can't imagine that he'd get a smile from the father of most young girls - at least I hope not. It was my own son's reaction to the advert that really struck me as interesting. He said, " Everything is about sex now Mum, isn't it?" 

It's true. Everything - certainly when it comes to advertising - is about sex. I would like to tell him that this is something new - but of course the advertisers will tell you that 'sex sells'. I only have to think about the publication of Fifty Shades of Grey and its subsequent success as a movie blockbuster. Sex sells. It's a fact. But it is healthy? Selling chewing gum or toothpaste to young people with the implication that it will get them a brief encounter on a train or a pat on the back from a girl's father doesn't seem healthy to me. Perhaps I am old fashioned. When I was a girl, a man in black could climb into your bedroom but at least he was only leaving a box of Milk Tray. My Dad would still have murdered him.

The advertising industry did not begin the interest in the pursuit if sexual desire - it merely tapped into it.  E L James was not the first writer to capitalise on the appetence (see I am getting the hang of this now) of the general population. We can go back to the 18th Century to the writings of the Marquis de Sade when looking for the source of the problem.

He was held in he Bastille before being moved to an insane asylum, His cell was searched and a copper cylinder was found in a crevice in the wall: it contained the manuscript of an unfinished novel called The 120 Days of Sodom or The School of Libertinage. Even when incarcerated for his extreme sexual behaviour, Sade continued his appetence with the thirteen year old daughter of his jailer. 

The once unpublishable novel has now joined the ranks of Penguin’s Classics for the first time, and its author will take his place alongside the great figures of world literature – many of whom would no doubt turn in their graves at the news that their club now counted Sade among its members. Yet many of the surrealists and great writers of the modern age have been influenced by his works. It seems that the pursuit of sexual desire has always 'sold'. 





I am not going to lecture anyone but to me the beauty of an intimate relationship is in discovery. The modern high street abounds with kinky lingerie and shops selling sex toys.  I believe that if sexual desire is corrupted by sadism it can only end badly. In the film about Sade starring Geoffrey Rush, he was denied writing materials but continued to write in his own blood on his cell walls. He would constantly shout about obscene acts until in exasperation they cut out his tongue. 

 So here I am - the new Mary Whitehouse, setting out to censor the advertisers. My son is 29 and worries about the overt sexual nature of advertising. Perhaps it's about time we all did.  As the books states, appetence, unlike appetite is not a 'natural' desire. By the way - if you have copies of Fifty Shades of Grey, please don't give them to charity shops, they have been given so many that they have to be put on pyres and burned, for the sake of future generations.

I won't apologize for the lack of a poem on the subject. I am working on it quietly - in my own time.  
 
 
Thanks for reading. Adele  
 






Saturday, 15 February 2014

Purplified Prose

 by Ashley Lister

 This is my current idea for a writing exercise. Take an existing line of fiction and purplify it. I might need a better word than purplify. The idea is to take a piece that’s been published and then add all the ornate bells and trimmings of typical purple prose to show how artificial these affectations can appear on the printed page. The exercise will show how an abundance of adjectives can make a piece of work stand out as being too heavily textual or show that the writer is not skilled in their craft.

To illustrate the point I'm trying to make, this is from Orwell’s 1984:
The thought police would get him just the same

This is the same idea coloured purple –
The thought police – cruel, omnipotent, overpowering, bullying, mindless, manipulative, Machiavellian, monstrosity that they were, would track him down like a rabid dog and then cage him and torture him and rob him of all that he considered to be dear as part of his own personal self, just the same.

This from Stoker’s Dracula:
"I am here to do your bidding, Master. I am your slave..."

This is the same idea coloured purple –
"I am here, in the present, in this moment, living and breathing at your service, intent only doing your bidding my most wonderful, beloved and beautiful master. For whatever purpose you need, in whatever way I can be of service, I am destined to be your slave..."

This is from Fifty Shades of Grey
His tone is so... so directorial, his usual control freak. I imagine him as an old-time movie director wearing jodhpurs, holding an old-fashioned megaphone and a riding crop. The image makes me laugh out loud.

This is the same idea coloured purple –
His tone is so... so directorial, his usual control freak. I imagine him as an old-time movie director wearing jodhpurs, holding an old-fashioned megaphone and a riding crop. The image makes me laugh out loud.

On a serious note, if you’d like to share your purple prose in the comments box, it would be fun to read it.

Saturday, 11 May 2013

Writing and Money

 
 By Ashley Lister

 "If you have any young friends who aspire to become writers, the second greatest favour you can do them is to present them with copies of The Elements of Style. The first greatest, of course, is to shoot them now, while they’re happy.
Dorothy Parker (attrib)

I echo the sentiments that have been shared this week. It’s Saturday and each day so far this week on the Dead Good Blog there’s been sage and erudite advice from the team of regular writers here: all sharing their insights into the mechanics of our vocation. Now it’s my turn and, as the sub-topic doesn’t seem to have been covered so far, I may as well touch on the subject of writing and money.

I could repeat Moliere’s thoughts here: “Writing is like prostitution. First you do it for love, and then for a few close friends, and then for money.” Or I could reiterate Johnson: “No man but a blockhead ever wrote, except for money.” I could even cite Twain who advised: “Write without pay until somebody offers to pay you. If nobody offers within three years, sawing wood is what you were intended for.

But these are cynical mindsets, driven by a capitalist ideal where financial success equates to achievement and accomplishment. And, as a writer, I’m aware there is little money fairly distributed to writers in the publishing world.

As an example, consider the fact that Edgar Allan Poe received the grand total of $24 in his lifetime for ‘The Raven’, and this was after selling it twice. Compare this paltry amount with the Fifty Shades trilogy, which was making its author $1,000,000 dollars a week at one point after its release. If we compare these two financially, E L James’s fiction is vastly superior to ‘The Raven’.

However, I don’t think there would be many critics who would agree that judgement reflects on the comparative quality of the two works.

If the measure of success in writing was solely determined by financial reward, this would mean the ‘best’ writers of our generation are Stephanie Meyer, Jeffrey Archer and Dan Brown.

That’s a heady concept to digest. If, for one instant, I thought that was true, I’d cite it as compelling evidence that capitalism is a flawed system and should be abandoned immediately ad I'd advocate rioting the in the streets and unstoppable anarchy.

But what would I know? I’m a writer so I know nothing about the subject of money. A writer talking about money is like the pope talking about contraception. An outsider can look at either of them and ask: What the f**k would he know about that subject?

So, to develop Twain’s maxim, I’d say: “Write without pay until somebody offers to pay you. If nobody offers within three years, carry on for as long as the vocation still entertains you.”  Or, at least, until one of Dorothy’ Parker’s well-meaning friends puts you out of your misery and shoots you whilst you’re happy.  

Saturday, 1 December 2012

Desert Island Kindle


 By Ashley Lister

 This week’s theme of desert island discs genuinely scares me. One of the things I savour about reading is the excitement of discovering something new each time I approach the unfamiliar (and familiar) pages of any given title. Imagine the horror of only being able to read the same paltry handful of books again and again and again. I believe, no matter how good the book, the joy of reading a favourite tome would quickly be bleached to the ennui of monotonous repetition.

Also, desert islands give me the willies. From what I’ve seen in documentaries they’re filled with dangerous pirates, man-eating spiders and a rather disturbing lack of lavatories and KFCs. Faced with these levels of deprivation, I think it would be facile for me to start worrying about which books I might fancy taking so I could be choked on the boredom of words I once loved.

So, instead of discussing the literary merits of various titles, I’m going to talk about the books I’d take for more practical purposes.
 
Mein Kampf by Adolf Hitler
Soft, strong and thoroughly absorbing. I have no intention of reading the inanities of the twentieth century’s most hateful monoflorid nutjob. But, even on a desert island, I suspect I’d need something with which to wipe and Mein Kampf looks like a thoroughly Charmin’ alternative to regular toilet paper.
(NB – if I can’t find a copy of Mein Kampf, I’ll happily take the manifesto of the BNP).


Lord of the Rings
Whilst desert islands are renowned for being sunny, night time eventually falls on every piece of land. With night comes the need for fire. And with fire comes the need for something that should be burnt.
This is where the Lord of the Rings stories would prove useful. Admittedly, there are some passages that are so dull they’d be likely to extinguish the flames. But, overall, I think this is the only way this book will ever honestly be described as “…a scorching hot read…”
 

Fifty Shades of Grey (the trilogy)
I don’t particularly care for seagulls. One of them once pooped on me. I believe there are lots of seagulls on most desert islands. And I think it would be handy to have something disposable that could be hurled at the seagulls. If my aim is good enough, I could knock fifty shades of grey out of the little bastards.


There is only one book that I would want to take on a desert island for reading purposes. This is a book that I’ve read repeatedly over the past forty plus years. To me the content never grows wearisome. It’s called Five on a Treasure Island by Enid Blyton and this is the final passage of that book:

Then, with a bound he was on the bed, and snuggled himself down into the crook of her legs. He gave a sigh, and shut his eyes. The four children might be happy – but Tim was happiest of all.
‘Oh, Tim,’ murmured George, half waking up as she felt him against her. ‘Oh, Tim, you mustn’t – but you do feel so nice. Tim – we’ll have other adventures together, the five of us – won’t we?’
They will – but that’s another story!

For anyone reading that passage with a knowing smirk on their lips, perhaps you’ll understand why, even if I was suffering the austerity of a desert island, I could enjoy reading this title again and again and again.