All that remained for me to do was to listen to the final single a good dozen times, shed an emotional tear while watching Peter Jackson's stunning accompanying video, and then order my thoughts for your benefit and mine.
Nearly thirty years later, with huge advances in software sophistication, and George Harrison no longer with us, bless him, to object, Paul McCartney has picked up the final part of the trilogy again, written a few new words, created a better bass part and a slide guitar break in the style of Harrison to add to his and Harrison's 1995 acoustic guitar parts and Ringo has re-worked the drums, all on top of a much clearer rendition of Lennon's piano and vocals, plus there are strings orchestrated by Giles Martin (son of the Beatles' famous producer). So it's a Beatles record because all four appear on it, and it's better than "Free As A Bird " and "Real Love " to these ears, a pleasant rock ballad but nothing brilliant, not like real Beatles records were when half of them were not in their eighties and two of them weren't dead.
The Beatles blazed for the decade that was the 1960s and for me, their true goodbye was, fittingly enough, "The End ", captured in seven takes at EMI Studio Two in July 1969, the final proper song on the final proper Beatles' LP 'Abbey Road '. They knew it, even if we were reluctant to take the hint.
Written and demo'd to tape by John Lennon in 1977, it wasn't a song he considered worthy of a place on the last two albums he recorded ('Double Fantasy ' and 'Milk And Honey '). Years after his death "Now And Then " was handed over by Yoko Ono on a cassette tape that also included demos of "Free As A Bird ", "Real Love " and "Grow Old With Me ", (the last of which had made it onto 'Milk And Honey '). The plan of the three surviving Beatles was to work all the unreleased Lennon demos into fully-fledged Beatles songs to accompany their 1995 'Anthology ' retrospective, one song per each of the three parts of the project. In the end the recording quality of the "Now And Then " demo was deemed unusable, though George Harrison was also quite scathing about the song.
Nearly thirty years later, with huge advances in software sophistication, and George Harrison no longer with us, bless him, to object, Paul McCartney has picked up the final part of the trilogy again, written a few new words, created a better bass part and a slide guitar break in the style of Harrison to add to his and Harrison's 1995 acoustic guitar parts and Ringo has re-worked the drums, all on top of a much clearer rendition of Lennon's piano and vocals, plus there are strings orchestrated by Giles Martin (son of the Beatles' famous producer). So it's a Beatles record because all four appear on it, and it's better than "Free As A Bird " and "Real Love " to these ears, a pleasant rock ballad but nothing brilliant, not like real Beatles records were when half of them were not in their eighties and two of them weren't dead.
For McCartney it's probably closure of sorts after all the post-Beatle acrimony between himself and John. That's it really, an epilogue or epitaph or eulogy for the twilight of the Gods, the very best popular music ensemble of all time, one that helped shape our culture and our lives for the better - and we still have all that music. And it has been a nostalgic couple of days. Just watching the official music video that accompanies the release is a moving experience: Now And Then Music Video
The Beatles blazed for the decade that was the 1960s and for me, their true goodbye was, fittingly enough, "The End ", captured in seven takes at EMI Studio Two in July 1969, the final proper song on the final proper Beatles' LP 'Abbey Road '. They knew it, even if we were reluctant to take the hint.
I'm not providing a new poem this week. I'm still gestating 'Before And After Beatles', I'm afraid. In lieu here are links to five of my previous Saturday blogs devoted to the best group ever. Click on the bold titles to activate. You're welcome.😊
Beatlemania Was Born In Blackpool (from December 2014): Beatlemania
Revolver - Tomorrow Never Knows (from August 2016): Revolver Redux
Red Letter Day (from February 2017): When I'm Sixty-Four
Lonely Hearts (from June 2017): Phoenix Like
Take Three Birds (from October 2021): Norwegian Wood
I'll leave you with a quote from Paul McCartney that will be echoed by millions, myself included:
"How lucky was I to have those men in my life."
Thanks for reading, S ;-)
21 comments:
I've given the song a couple of listens and was rather underwhelmed. I agree with your supposition that this was a bit of a closure project for McCartney. On the other hand. any publicity that introduces the magic of the Beatles to a new generation has to be a good thing - and the video is rather brilliant.
"not like real Beatles records were when half of them were not in their eighties and two of them weren't dead." - Ouch! 😂
Not the best of The Beatles, it is simple love song. Nothing super about it just the video made it super just seeing all four together.
I agree with you about Now And Then and with your labelling it Twilight of the Gods, though actually the twilight phase has probably been ongoing since the Anthology project - and I think I preferred Free As A Bird to this latest. In fact it would be interesting to see how Peter Jackson/s MAL software might be able to improve Lennon's rather ghostly vocal on that one.
The video is brilliant, the Beatle-ising of Lennon's song not so good.
Excuse me for saying but I thought this was a mean assessment. The Beatles are brilliant and any new Beatles song is better than none and better than most of the rubbish today (except for maybe Taylor Swift).
Now And Then hits #1 spot. Beatles 4 ever. ❤️❤️❤️❤️
The Beatles will always be the best, but Now And Then just smacks of a commercial move to help shift units of the remastered Red and Blue albums. (OK, I enjoyed the video.)
I get that it's not a great Beatles record but what's not to like about it? It came as a pleasant surprise.
The Beatles are by far my favourite band, but this “new” song is just awful! Lol!
I loved this blog. ❤️
I really like it.
Staggeringly excellent video. Decent song.
Very involved, Steve, reflecting passion for the people who reflected an age.
It's funny, I've just read another blog that contained that Auden poem, so I'll paraphrase here regarding the Beatles:
They were our North, our South, our East and West,
Our working week and our Sunday rest,
Our noon, our midnight, our talk, our song.
I'm with you on this Steve. I've loved the Beatles all my life it seems, but they're a long time gone and Now and Then doesn't bring them back for me.
Spot on Steve. Look out for the just-published biography of Mal Evans - Living the Beatles Legend.
I get what you're saying about Paul McCartney and closure, but I think he's made Now and Then into a fab final testament to the greatest band ever.
Always favourites in our household. My elder sister even saw them when they came to Scotland as the Silver Beetles!
It's caused a lot of excitement among a generation here Stateside. As you'd expect. The Beatles arrived at a poignant time in our recent history.
Having been familiar for some time with both John's original Now And Then demo and the ELO-style 'imagining' which a fan put together, I wasn't expecting anything spectacular. But Paul has underlined his creative genius (as he did on "Free As a Bird") by fashioning something quite fabulous. With respect to the Stones, the Rain Parade and especially Brad Henshaw, I believe the Moptops have the Single of the Year.
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