written and posted by members of Lancashire Dead Good Poets' Society

Showing posts with label Blackpool Illuminations. Show all posts
Showing posts with label Blackpool Illuminations. Show all posts

Saturday, 12 November 2022

Lightbulb

The obvious approach would have been to write about some lightbulb moment ("thinks....."), so you just know I'm not going to do that, don't you. Instead there will be a brief but illuminating history of the lightbulb (central to Blackpool's identity as a resort) and then I'm going to switch off.  Here goes...

Thomas Edison is popularly credited with creating the first practical incandescent lightbulb (as well as with inventing the phonograph/record player) but the reality is way more complicated than that, for there was a long line of enterprising developments leading up to his patented electric bulb in 1880.

Step forward Ebenezer Kinnersley who first heated a wire to incandescence in 1761, Humphrey Davy who used battery power to make a thin strip of platinum glow in 1802, Marcellin Jobard who developed a glass bulb housing a vacuum and a glowing filament in 1838; and then Warren de la Rue, Frederick de Moleyns and Moses Farmer who all by mid-century, following Davy, had created their own incandescent bulbs using platinum filaments - though the use of such an expensive metal would render them impractical for mass-production. 

In Russia, Alexander Lodygin developed and patented an incandescent bulb filled with nitrogen and using carbon filaments. In Canada in 1874  Henry Woodward and Matthew Evans developed and patented a similar lamp consisting of carbon rods in a nitrogen-filled bulb, but they were unsuccessful in commercialising their design and eventually sold their patent in 1879 to Edison, who refined the design of the lightbulb and presto! Sort of.

on
For in parallel with developments in North America, back in the old world in the 1870s Alessandro Cruto in Italy developed the first lightbulb with a synthetic filament. This gave a whiter light and lasted much longer than Edison's bulb (500 hours compared to 40) but it was some years before he was able to make it commercially available and it was relatively expensive; and in the UK physicist Joseph Swan was developing his design for an incandescent bulb using carbonised paper and then carbonised cotton filaments in a vacuum. In fact his own home in Gateshead was the first in the world to be lit by incandescent lightbulb, and he went on to patent, commercialise and produce Swan lightbulbs, quickly achieving other notable firsts: Mosley Street in nearby Newcastle became the first street anywhere in the world to be lit by incandescent lightbulbs in February 1879, and the Savoy Theatre in London became the first public building to be lit entirely by electricity in 1881. Swan poetically termed it "extending the day", such was the sheer power of the electric lightbulb in comparison to gas or oil lamps or candelabra.

Edison had some catching-up to do but he commercialised his patent, went into production and the 1893 World Fair in Chicago was lit up by some 16,000 of his electric lightbulbs. With Edison holding patents in the USA and Swan in the UK, rather than wage commercial and patent war with each other, the two inventors elected to merge their enterprises as EdiSwan (later Thorn Electricals) and forged ahead to great success with continued enhancements to the electric lightbulb, such as tungsten filaments and inert gas fills. 

And Blackpool? you ask. What's the story there? In 1879 the council voted £5000 for the purpose of installing eight electric arc lamps on 60ft poles at intervals along the promenade, all powered by individual steam-engine dynamos. The lamps were first turned on in September 1879, just months after Mosley Street and several months before Edison patented his bulb. This event was billed as the world's first 'annual lights festival' and people were invited to come and marvel at Blackpool's "artificial sunshine", an attraction that pulled intrigued crowds in their thousands, like moths to a flame, and established a tradition that went on to become the famous Illuminations.

I'm sure you've all seen those stunning satellite images of the planet at night with huge swathes of western Europe, north America and the far East glowing in the darkness as trillions upon trillions of electric lightbulbs burn brightly in homes, offices and thoroughfares. It's enough to make birds sing all night and greenhouse gases overheat our fragile planet. Such wasteful extravagance. So I'm campaigning for a less-bright future.

off
Turn it down, turn it off, embrace the concept of indoor twilight with pools of light in place of wall-to-wall glare, make friends with a shadow. The four spotlights in my bathroom ceiling all failed within days of each other (as they do) in the summer of 2021. I've never replaced them. It's natural light or none at all in there now and not a problem. Save electricity every which way and we might just save the planet before it blows an almighty fuse.

To conclude, this latest from the imaginarium has about as tenuous a link to the week's theme as a lightbulb's filament... 

On/Off
In the hush and the half-light of palliative care ward eight,
as the blip of your bedside monitor perfectly synchronises
with the flashing of that Belisha beacon through the blinds

reminding that there is a world out there, and life still after
death, time - bound by it as we are - to reflect a while upon 
elemental questions: did the universe somehow self-create?

Something out of nothing?  An alchemy of stardust evolving
over aeons into galaxies, planets, vegetation, animals, some 
of whom learned how to farm, fish, fornicate, build houses

and hospitals, navigate via stars, fashion complex machines, 
even find time to meditate the issue of autonomy versus fate.
Or what? A great creator? Maybe one who abdicated leaving

what (s)he'd set in motion to its own devices. Does it matter
as long as there's fuel to burn, power to keep things turning?
Ah yes, but disease and early death... how do those comply

with any great cosmic scheme? Don't they signify some flaw
of design, the fly in the ointment, canker in the apple, cancer
in the blood, tumour in the brain such as brought you to me?

Who am I to answer? I'm simply your life-support machine,
an artificial intelligence composing chance verses on the sly. 
Turn me off and I'll take you with me into that dark forever.

Thanks for reading, S ;-)

Sunday, 6 October 2013

Blackpool Illuminations: A Visitor Appeal

A Visitor Appeal

Have you been to the Illuminations?
There's apparently some in Walsall
The Blackpool of the Midlands- houses falling apart
Is it fair to compare? Not at all. 

But the world famous Wurlitzer organ
Have you heard one of those played before
We've a fine specimen, even Brucie has seen
Come and dance on the Tower's sprung floor.

You look like you might need a chuckle
Try the comedy carpet for size
We've no handprints of stars but there's jokes over ours
Guaranteed to bring joy to your lives

Whilst you're here, take a ride on the Big One
See the lions and tigers at' zoo
There's so much to be done, we can promise you fun
With all this, you'll find something to do. 

So I ask again, have you seen t'lumies
Stretching out from Starr Gate seven miles
You could drive, take a tram, spend some time with your gran
but just come, bring your money with you. 


Thanks for reading,
S.

Saturday, 5 October 2013

Alternative Route

by Ashley Lister

 Whenever I see the illuminations, I often wonder how something so well-organised could have been managed by Blackpool Council. The poem below gives a fuller picture of how I perceive Blackpool Council to operate.


Alternative Route 

The mayor approached Blackpool Council
He looked as sad as the saddest sick pup.
“It’s a blow to the town,”
he said with a frown.
“But there’s a road that we’ve not yet dug up.”

The councillors cried out in horror
Their responses could not have been more shocked
They whispered and mumbled
And griped and then grumbled
Cos they knew every road should be blocked.

“It’s a breach of council policy,” one cried.
“The tax payers will think it’s a con.
They know it’s our jobs
To all act like knobs.
And stop roads from being driven upon.”

Another one paled rather gravely.
“This is the bad news that I’ve always feared.
For a century or more
Blackpool’s had just one law:
To make drivers regretting coming here.”

“How did this oversight happen?”
Asked a councillor who’d been quietly lurking
“You should feel like a fool.
Don’t you know it’s Blackpool?
Where none of the roads should be working.”

“I have messed up here,” said the mayor.
“They say I couldn’t find tits on a whore.
What I wanted to do
Was stop each of you
From driving from North to South Shore.”

“I think I should hand in my notice,” he said.
“And don’t worry, I won’t start a fight.
But since he paid us today,
Amounderness Way
Should be renamed after Eric Wright.”

Some of the council protested
And some of them taunted with jibes
But they did let him go
Because most, as you know,
Wanted their crack at his bribes.

“We are elected officials,” said the mayor.
“We’re the ones the el-ect-or-ate chose.”
It doesn’t matter
That our wallets get fatter
And we don’t know our arse from elbows.”

“What matters is our moral obligation
We should forget about creaming off loot.
But before I resign
I’d like to sell some old signs:

I’ve got eight gross saying, please use alternative route.”

Monday, 30 September 2013

Pretty Lights

This week's theme is Illuminations. I looked into my heart; gazed at the tower burning; watched a firefly die.

I have stood on the verge of the abyss that is my mind. The vast chasm that leads to the innermost workings of what it means to be me. I asked the librarian to offer me something to read regarding this theme. She just laughed at me and told me to feel.

I wrote from the immediate mind.

Whatever that means? 


Pretty Lights

I walk
Above me hangs the forgotten dreams of a billion stars
Night hugs the air and cars drive past
Wonderment in the eyes of infant passengers
A spectrum of waste
Exploding in a million ideas
I like the blue sparkles

I see
Beneath me water protects the stone from prying eyes
Clouds released their wet prisoners with audible signs
Showing us the door to another place
Parallel universe.
The damp reflects
I like the mirror world

I hear
Beside me laughter pours from the excited vessels
Young canvases for colour to be experimental
Dancing plastic shines too bright
This unfeeling entertainer
Automaton doing what it's told
I like the playing bears.

I taste
In front of me sugar screams as toothless crones throw them in oil boiling
Breaded rings crying out to be someone else’s precious thing
Potatoes wrapped in fat soaked paper
Ungrateful hands grab
Consume for little energy
I like the hot dogs

I smell
Behind me souls of the faceless swam attracted by the light
Sweat of parents desperate to see through their past child's sight
Hope of warm winters from the money takers
Corruption of the voted managers
Desperation of the broken
I like the pretty lights

Monday, 29 October 2012

This Wednesday night...



So it is almost Halloween. That means bobbing for apples, home made costumes and relatives doing the Monster Mash, right? Wrong. It means partying until 3am in full out fancy dress does it? Probably not on a Wednesday. Then it must mean having the wits scared out of you by a film on TV? Nope, you're wrong again. You'll have to sit in until 11.45pm to catch a 'scary' film on British TV, and then you're faced to pick between Hannibal and the oh so predictable Halloween 5. Seriously, this is a disgrace. There is nothing horrific on the tellybox and whilst I'm secretly hoping the BBC could pull something out of the bag and run the now famed Saville tributes in favour of Family Guy repeats, I suspect even that would be a disappointment.

This year, for something completely different, a man called Ste (with an impeccably clean record as regards children, I should note) has fixed it that some of the Dead Good Poets will be on Blackpool Promenade, positioned to perform outside the now much publicised Haunted Blackpool installation. This project is one of those opportunities I am devastated at missing but something I know so many people have worked hard on, and who am I to not join them in celebration. Find the tableaus if you're coming from the North and there should be an assembly of people slightly further on your right, head to the Old Miner's Home from the South and you'll meet us just before. One thing is for sure though, I'm looking forward to it. I even wrote a little ditty in the week, such as it is.

"There’ll be ghosts and there’ll be ghouls
There’ll be dames and there’ll be fools
There’ll be wind and there’ll be rain
There’ll be this, then ne’er again. "

I hope to see some of you there.

Thanks for reading, S

PS. Don't ask around for ghost stories when you're A: A nonbeliever and B: Pushed for time to blog. Ideas are haunting me now.




Monday, 3 September 2012