written and posted by members of Lancashire Dead Good Poets' Society

Showing posts with label Carolyn Kizer. Show all posts
Showing posts with label Carolyn Kizer. Show all posts

Thursday, 8 November 2012

Crack

15:51:00 Posted by Damp incendiary device , , , , , 5 comments

 
This month, I have mostly been inspired by the poetry of Carolyn Kizer.  Semele Recycled inspired this piece.  I kept the river but chose a different goddess.








Tongue, amputated

Sentiments flash noisily across a crowded bed
black torrents crash
churn cracked ceramic frag
ments
lost limbs
branched bones

Run off the mill mingles with drops
returning from epiphanies both deep and high

Imagine submergence

Tongue, amputated
resting on the grassy bank
flaccid and over-ripe
runway veins drained
speckled cushion flat

Mute as the swan and half as remarkable
serene as Selene, gazing,
awash with borrowed blaze

Contradiction is knowledge
silence only a theory

Already I have said too much
always, I am saying too much



As usual, if you have any thoughts on how this poem can be improved, they will be gratefully accepted.  Thank you.

Thursday, 11 October 2012

Hair is grey and the fires are burning

11:30:00 Posted by Damp incendiary device , , , , , 3 comments
















We are separated, finally, not by death but life.
We cling to the dead, but the living break away.
From Winter Song by Carolyn Kizer

Winter has a reputation for harshness.  It brings with it a dose of reality, or mortality.  We are ill equipped to face this season and the sense of endings which it drags in its cold, grey wake.  No matter how many winters we witness, how many deaths we endure, the finality maintains its capacity to horrify us.

What of the separation of which Carolyn Kizer speaks?  What of the endings which are inevitable in the tumult of living?  Disagreement, incompatibility, impracticality?  Some places we have tended, carefully, become barren.  They no longer provide the sustenance essential to life.  The ground turns hard, the landscape unwelcoming.  Do we stubbornly plough the frozen ground, thinking Spring to be on the horizon?  Or do we walk away from that place?  Can we leave it behind, knowing that not only can we never return but that some other might find that sacred place, knowing a way to tend that land which we hadn't imagined, and yield the sweet harvest which we imagined in the beginning?

Some things must end.  This is the fact.  Endings feed beginnings.  Old matter nourishes the ground, feeding the seedlings.  It is right to cling to the dead, to remember what has passed.  It is equally right that we let them go, with love, and acknowledge the elegance of the cycle.  More difficult is it to walk away from the living.  Even when the leaves have fallen, the stems become brown and brittle, we remember how the meadow looked in the height of summer, brazen and dazzling - teeming with life and possibility.

When the living break away what can we do, but trust in Winter's necessity, think on the lost loves of the dead, and rest a while, nourishing ourselves in the dark.