Edward
Lear, Lewis Carroll and Dr Seuss are synonymous with the word ‘Nonsense’. They
were the masters at turning the world on its head. However, my ultimate hero dubbed
the Father of Nonsense by many, is Edward Lear. He has provided me with a
lifetime of enjoyment and inspiration. Like a myriad of other children, I grew
up with his delightful nonsensical rhymes like the Owl and the Pussycat
that took me on imaginative journeys to surreal and faraway lands with
conversing animals, anthropomorphic objects, funny people and other imaginary
beings. My absolute favourite is the Table and the Chair. This poem has taken
on new meaning as I read with fresh eyes whilst in isolation, banned from going
to other people’s houses, restricted in movement and distancing whilst ‘taking
the air’.
Lear however was not only a master of nonsense poetry. This
extraordinary man was a gifted writer/journalist, an illustrator, musician and
art teacher (he taught Queen Victoria). He was a fine landscape painter well
adept in oil painting and watercolour. Poetry inspired many of his paintings,
particularly works penned by his good friend Mr Tennyson. Lear and Tennyson
exchanged letters and verse for many years.
Mr Lear was certainly clued into Victorian reality. He travelled the
world and his keen observational skills and understanding of what he saw and
experienced fed his imagination. He could be found sitting and drawing within
the enclosures at the London Zoo and Knowsley Hall communing with parrots or
riding a camel in Albania.
From A Book of Nonsense by
Edward Lear, Everyman’s Library Children’s Classics
T he worlds created by people like Lear, Lewis Carroll and Dr Seuss may
make no sense to some, but they make perfect sense to me. Fictional nonsense is
a gift – it is entertaining. These texts
have hints of our world askew with lots of ridiculous thrown in, perhaps not
quite understood, but that’s okay – it’s another world, not our own.
A sampling of my own nonsensical world written 2nd May 2020
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Table and the Chair Drawing - by Edward Lear |
From A Book of Nonsense,
Everyman’s Library Children’s Classics
I
Said the Table to the Chair,
'You can hardly be aware,
'How I suffer from the heat,
'And from chilblains on my feet!
'If we took a little walk,
'We might have a little talk!
'Pray let us take the air!'
Said the Table to the Chair.
II
Said the Chair unto the Table,
'Now you know we are not able!
'How foolishly you talk,
'When you know we cannot walk!'
Said the Table, with a sigh,
'It can do no harm to try,
'I've as many legs as you,
Why can't we walk on two?'
III
So they both went slowly down,
And walked about the town
With a cheerful bumpy sound,
As they toddled round and round.
And everybody cried,
As they hastened to their side,
'See! the Table and the Chair
'Have come out to take the air!'
IV
But in going down an alley,
To a castle in a valley,
They completely lost their way,
And wandered all the day,
Till, to see them safely back,
They paid a Ducky-quack,
And a Beetle, and a Mouse,
Who took them to their house.
V
Then they whispered to each other,
'O delightful little brother!
'What a lovely walk we've taken!
'Let us dine on Beans and Bacon!'
So the Ducky, and the leetle
Browny-Mousy and the Beetle
Dined, and danced upon their heads
Till they toddled to their beds.
![]() |
Table and the Chair and Animals Drawing - by Edward Lear |
From A Book of Nonsense
by Edward Lear, Everyman’s Library Children’s Classics
From The Painter Edward Lear by Vivien Noakes, David &
Charles
![]() |
Red and Yellow Macaw, 1830 |
by Edward Lear
Hand-coloured lithograph. Plate 7 in Illustrations of the Family of
Psittacidae, Or Parrots, 1831.
From The Painter Edward Lear by Vivien Noakes, David &
Charles
He took what he saw and transformed reality juxtaposing elements in text
and visuals. His amusing and humorous creations initially were intended to
entertain the children and grandchildren of his patron, Edward Smith-Stanley,
13th Earl of Derby, President of the Zoological Society and later
for a world-wide public fan base of children and adults alike.
![]() |
Pen and Ink Drawing - by Edward Lear |
From A Book of Nonsense
by Edward Lear, Everyman’s Library Children’s Classics
These alternate universes however strange they seem, are a bit of fun,
they inspire me to construct my own alternative universes that welcomed relief
from the often relentless, nonsensical and craziness of the outside world – and
that world at the minute I’m really struggling to make sense of.
Gwinnipeg
Gwinnipeg
from Winnipeg
a
perfect penguin with
an extra
leg
stuck
out of
her head
between
the eyes
a
submarine in disguise
in water
the foot like a periscope
that can
balance balls and bars of soap
or do
clever moves like arabesque
pointing
straight up – she likes it best
Noakes, V. (1991). The Painter Edward Lear. David & Charles. London.
https://farringford.co.uk/news-events/tennyson-poems-blog/edward-lear-and-tennyson
http://www.prescotmuseum.org.uk/wp-content/uploads/2016/11/Edward-Lear.pdf
Kate Eggleston-Wirtz
when
swimming the leg like a handsome horn
of the
most magnificent unicorn
and when
on land she flips and flops
from
feet to foot she hops and hops
an
acrobat – she’s hard to stop
flipping
flopping flipping flopping
flipping
flopping
SPLASH!
Credits:
Lear, E.
(1846). A Book of Nonsense. Everyman’s Library A Book Of Classics.
Random House. Germany.Noakes, V. (1991). The Painter Edward Lear. David & Charles. London.
https://farringford.co.uk/news-events/tennyson-poems-blog/edward-lear-and-tennyson
http://www.prescotmuseum.org.uk/wp-content/uploads/2016/11/Edward-Lear.pdf
Kate Eggleston-Wirtz