written and posted by members of Lancashire Dead Good Poets' Society

Showing posts with label Jo Bell. Show all posts
Showing posts with label Jo Bell. Show all posts

Sunday, 22 November 2015

Channelled

“A two-kingfisher day, with sparrowhawks thrown in
and we were bickering at Kingswood Junction.
Water won’t be told, she said, you never learn.
We settled to the first of nineteen locks.”

These are the opening lines of Jo Bell’s vivid poem to begin her collection Navigation, and one of the reasons The Canal Trust and The Poetry Society invited Jo to become Canal Laureate of the UK, a post she so merits, and uses to great effect to celebrate the romance and not-infrequent stubbornness of the motorways of their day, the tremendous canal network of our country.

Canals came into being in the mid-18th. century because the Industrial Revolution (which began in Britain during the mid-18th century) demanded an economic and reliable way to transport goods and commodities in large quantities. In 2015 we tend to regard the purpose of canals as being for leisure, and I have fished on the Lancaster Canal close to Garstang as well as been boating on a canal holiday. As Jo Bell’s companion comments in the poem, “water won’t be told” is the first lesson learned, but the manufacturers of industrial revolution goods were bright enough quickly enough to recognise that water would float barges full of their produce not fast in today’s terms, but certainly far faster than the horse-and-cart snail’s pace on muddy and frequently impassable “roads” which were little more than farm tracks.

From records surviving from the time, there took place 29 river navigation improvements during the 16th and 17th centuries, beginning inevitably with the Thames locks and the River Wey Navigation.

The biggest growth was in the so-called "narrow" canals which extended water transport to the emerging industrial areas of the Staffordshire potteries and Birmingham as well as a network of canals joining Yorkshire and Lancashire and extending to London. We rarely hear the word “navvy” today, but our canal system, just as our 20th. century motorway system, owes so much to the armies of Irish navvies who sent home their earnings to the families they had left behind. The Birmingham where I worked in computing in the late 1960s owes its criss-cross of fast urban motorways to the navvies I used to serve pint after pint to at the Crown and Cushion near Aston Villa’s ground. It was their watering hole after another day’s slog creating the roads, and the wages I was able to earn helped pay for my first car.

Given the variety of wildlife which has made our canal network their home, it is little wonder so many enthusiasts are drawn to the water, and fishing in a canal or slow-sailing along one is as much to do with observing Nature in what was a man-made environment. For us today, canals are a great stress relievers. Do try them.

(c) C J Heyworth (Christo James)
November 2015

Thursday, 2 January 2014

52 Poems in the Future

As a child the future was something that could be cut out of the Argos catalogue and stuck inside a cardboard dream house. It was wishing to be older so I could play ‘proper’ Scrabble rather than Junior Scrabble. It was longing to be taller so I could ride the bigger rides.  Then, as a teenager, the future became more difficult to define and harder to decide upon. Cardboard boxes and one-dimensional paper objects didn’t seem as important; I was capable of beating my Nan at ‘proper’ Scrabble, and I was tall enough to wish I was shorter.

From those uncertain years of adolescence until now, my relationship with the future has always been a reluctant one – a concept I’d much rather keep at a distance. As a consequence I’m not very fond of New Year’s Eve (everyone looking forward, celebrating) and in response I rarely make resolutions for the year ahead.

However, after experiencing a twelve month drought with my poetry, I started to consider making a writing plan for 2014 – something that meant fewer blank pages, less fear, greater awareness and a rebuilding of confidence. And so when I saw Jo Bell’s latest poetry project  on my news feed yesterday morning it was like an elbow in my side, reminding me I’d failed to create a poetry resolution and that this year could end up being as wordless as the last. Thus, I have decided to attempt the 52 project, where the idea is to write a poem a week (with the aid of weekly blog posts) for a whole year, and hopefully this time next year I’ll have something rather than nothing.


Thank you for reading and please feel free to share your 2014 writing resolutions below.

Lara 

Monday, 30 January 2012

On Friendship

23:52:00 Posted by Ashley Lister , , , 3 comments

by Jo Bell

Reader, I have a fondness for fondness. So when Word Soup’s lovely organiser Jane Brunning asked me to choose a theme for the January event I chose friendship. In the dark winter days, I thought, we should revel in the slow-burning, deeply warming relationships that furnish our lives. Not the sexual ones that provide the fireworks; not the family ties that come with their own incendiary baggage; but the friends who share nights at the local, food around your table, those who make the bright moments especially bright and the really crap moments slightly better.

I was delighted to hear the Dead Good Poets wrangling with the theme in their own readings on the night, and to share the mic with friends like Sarah-Clare Conlon, Fat Roland, Kim Moore and Martin Malone. My poems – like English Walkers or Break in and Leave Me Flowers – often start from small gestures that make me particularly glad of my mates. I read both of these at Word Soup, but I didn’t squeeze in the poem below, written after a delicious, easy late night/ early morning in Warwickshire some years ago.


The space we share with friends becomes invisible

Was that the time we visited Seville?

The night we all lay stoned in dunes at Druridge Bay,

me swearing I could see the Northern Lights?

Or were we on the boat, each bumping round to find a bunk,

excited by the smell of salt?


Perhaps we walked the fields behind my house

to see the hilltop obelisk at dawn,

and soaked our ankles with the dew.

We did that, once.


I cannot say. For every night we’ve spent

is present now in every night we spend.

As like as not, we drank too much.

At any rate, we talked and laughed and spent the time

like hoarded coins: amazed, as usual,

to find each piece increase in value

simply by the keeping.


Nights like Word Soup are the life-blood of the spoken word scene, and it was brilliant to see the DGPs tackling the whole event with such professionalism and energy. I arrived horribly late thanks to a disastrous traffic jam on the M60. So I missed one or two of the Dead Good Poets whose own friendly, chatterbox blog I had been following in recent days. But the welcome was warm, the feedback extremely generous and it was a real pleasure to join you all on stage at the New Continental. There was a real feeling of companionship. Thanks to all of you and I’ll be back as soon as I can!

Saturday, 28 January 2012

Thursday Knight

By Ashley Lister

For me Thursday night this week started back in October 2011, when Jane Brunning asked if the Dead Good Poets would be interested in attending a Word Soup event. For those who think it’s unreal to think of a night in January 2012 starting three months earlier I have to point out that this is winter in the north and the nights are getting longer.

My response to Jane Brunning was, ‘Sure. I’ll try anything once.’

I have a mindset to try anything once: except voting Tory or eating snails. There are some things where you only have to look at the ugly slimy little buggers to know that they’ll leave a nasty taste in your mouth.

And I also feel this way about snails.

So in October I confirmed with my fellow bloggers that we were all free to step out of our respective comfort zones and venture, as Shaun so eloquently described Preston at the start of this week, behind enemy lines.

There were further exchanges of emails. There was talk of us trying to combine our styles into one single performance piece. Lara had the genius idea of us each describing ourselves by the day of the week on which we blog. It was a shame that the idea didn’t pan out. Vicky, who is a constant explosion of ingenuity, was coming up with a rush of ideas that could have made our collective appearance seem more cohesive. Lindsay – who writes the most entertaining children’s fiction I’ve ever read – did her usual trick of containing her fears so that no one would have even guessed she was ‘bricking it.’

There were email discussions where we got snarled up in the complexities of who’d sent which message first and who’d responded privately rather than to the group and who was sticking to the theme and who was giving who a lift.

There were email discussions where the less informed amongst us discovered we were on the same bill as Jo Bell and panicked at the idea of working alongside someone so revered and respected in the world of poetry. As is turned out, the reverence for Jo Bell is deserved – she is absolutely sensational.

It’s known amongst this group that Ste Stroud does not believe in God. But surely he must believe in miracles because he was standing onstage with the rest of us on Thursday night. Given our fears and our collective organisational skills, it’s a miracle that any one of us was there.

As a side note I should say here that I’ve been immersed in writing my latest novel this last couple of months. It’s all sword and sorcery and dungeons and dragons and damsels in distress.

And alliteration.

If I’m not writing that novel I’m either researching medieval minutiae or I’m reading Game of Thrones. Occasionally I take some time away from the writing to practice wielding a broadsword. Right now I’m using the broadsword as a method for training the dogs. For anyone who is concerned about this, I can say that most of the dogs still have heads.

And I mention this connection with glamorised medieval depictions of knights because that was how I felt on Thursday night. I had ridden into Preston with my fellow knights. I was confident in the knowledge that each and every one of my colleagues was worthy to bear the arms of being a Dead Good Poet because I know each and every one of them is damned good and armed with strengths that complement the weaknesses burdening the rest of us.

And I’m now looking forward to the next time we can set out as a banner of knights ready to conquer another audience.