written and posted by members of Lancashire Dead Good Poets' Society

Showing posts with label Liverpool. Show all posts
Showing posts with label Liverpool. Show all posts

Thursday, 18 February 2016

Dialects. Use them - or lose them.

Th'all 'ave to forgive me Lanky dialect today.  Tha' knows I'm a sandgrown 'un wi' watter in me boots but lately, I've bin a bit of a clothead, forgettin' me Lanky roots. I was fair havin' kittens about writin' t'blog terday but t'penny dropped yesterday, 'bout heawf an hour after I got 'ome. I was spittin' feathers and dyin' fer a reet gradely cup a tae by't time I geet 'indoers, tha knows.  I'd been at the crem' seeing off a fellow poet and Grand Lancashire lad and it were fair bucketin' down.  I looked like a dreawned rat.  Anyway, I put wood in'th'ole and it suddenly dawned on me, that I am a native Lanky speaker an' all.

Enough of that for now.  Don't want to lose you all. I need to explain.  I was born in Blackpool, the daughter of a publican, who moved us first to St Helen's when I was four and a year later to the outskirts of Liverpool where we lived until I was eleven. I had developed a soft, scouse accent by then but as any true city born Liverpudlian would tell you, with rising intonation and a rolled 'r', 'Maghull is in the country!"  Unfortunately, arriving back in Blackpool to attend Elmslie Girls Grammar School, with any degree of Liverpool accent was never going to win me house points. The emphasis on the 'ck' in 'Blackpool' went down like a French kiss at a family reunion. 

To add to the 'scouse' twang, Dad had taken a pub in a small village and most of the locals used a lot of Lancashire dialect.  Expressions rolled out of them like a foreign language. 'It'll be reet' or 'es in'th elbow room', would send me in to fits of laughter. The girls in the kitchen and a couple of the bar staff spoke in this strange dialect and I thought it was hilarious.  My two older brothers called them, 'woolly backs.'

In the village was a small, 'sells everything' shop.  They had the most clutter I had ever seen in my life. The owner, Mary Smith was a Lancashire dialect poet and was also the proud holder of the title, 'Worst Singer in The World', for several years running. Mary posted some of her poems on the shop door.  I recall one that was intended to stop people dropping litter, although I doubt that anyone reading it would really get the message. So here I was, a sort of Liverpool girl, living in a Lancashire village, attending a posh girl's school where only 'received pronunciation' would do. The solution.  Electrocution lessons: Worked a treat! 

The poem this week was commissioned by The Imperial Hotel, Blackpool, for a pamphlet entitled, Visitors in Verse.' It is a work to celebrate some of the many famous characters who have stayed in the hotel. There is a George Formby convention here every year.  So here's a tribute from a Lanky Lass to a very cheeky Lanky Lad.




Ooh Mother It’s George Formby

A cheeky little chappie,
‘A Lad fra’ Lancasheer’,
Strummed his banjolele,
Buck-toothed for ear to ear.  

Leaning on a lamp-post,
A little lady walking by,
A beauty known as Beryl.
By ‘eck she caught his eye.  

She became his missus
And managed his career,
He was soon the Nation’s favourite,
The ‘Chaplin over ‘ere.’ 

He made a good few movies,
Some at Ealing studios,
Singing ‘bout what he could see
When he was cleaning windows.  

With his little stick of Blackpool rock,
He said he liked to stroll,
Along the promenade,
‘Cause he was such a happy soul.

And when the wind was bracin’
He was often heard to say
To anybody listenin’
As he went on his way.  

“Turned out nice again then, hasn’t it?” 
 
Thanks for reading.  Adele

                                                                      

 

Wednesday, 2 December 2015

Town Planning - may the force be with you.

Long, long ago, not far away (from where I now live in Thornton Cleveleys, Lancashire), there was a stretch of coastline that was bleak marshland, inhabited only by seabirds and wildlife.  Wild winds blew the sand onto sea grasses and over eons, a chain of sand dunes developed, (probably occupied by sand people  - oh don't worry - there are only 16 days to The Force Awakens - for anyone who is not a Star Wars fan, I hope you will stick with me for a while - at least to read the poem at the end). The largest sand dune was named by locals as Top Hill.

As we know, under the feudal system, areas of this country were divided up and came under the auspices of Lords and this land of dunes was part of the estate of Lord Hesketh. His son and heir, young Peter used to have picnics with his family on Top Hill and he would look out from the summit at the incredible views, imagining that he was a sky-walker.  The force was strong with Peter.  He had a vision for the future, so he added his mother's name, Fleetwood to his own and set out to design and build his own Utopia on the Fylde Coast.

At this stage in the story, Peter joins forces with a Jedi Master in the shape of architect Decimus Burton.  The two now discuss Peter's extraordinary plan to build an incredible oasis in the sand dunes. It is to be a port to rival Liverpool and a holiday resort better than St Leonard's on Sea. In 1839 the two draw up plans for Fleetwood: a stylish resort of elegant avenues, emanating from a central point at Top Hill. Burton sets to work on the construction of a Chinese pagoda tea room that will be a vantage point for viewing the town as it is developed.

As we know, the force has a dark side. Our hero, Peter will need to convince people to come to his new resort.  Big, bold, brassy Blackpool is a mere six miles away and already has the attention of the working-classes. Peter needs a hook. He decides to invest his inheritance, to keep it away from Darth Tax-Collector, in building an extended railway line from Preston. This is a canny manoeuvre: the railway cannot yet carry passengers over Shap and beyond into the land of Scots.  On completion of the railway line, passengers travelling North can now alight at Fleetwood, stay at the North Euston Hotel, (another Burton building) and then embark for The Lake District and beyond by steamer ship.

Decimus Burton designs and builds three light houses that, when aligned, can safely guide ships into the difficult Wyre Estuary. Soon Fleetwood is a fashionable resort and comes to the attention of Prince Albert, consort of the newly crowned Queen Victoria, who decide to pay a visit... Peter takes the Prince up to the summit of Top Hill to view the town.  Naturally there are many other events in the story of Fleetwood. This is just the beginning...
 


  


On Top Hill 

Misty windows soaked with spray,
shroud from me the timeless view
of mountain back-dropped Morecambe Bay,
once reserved for privileged few,
who picnicked on Top Hill.

And as he looked out from the rise,
at seascape skirting, rolling skies
with sweeping landscapes every side,
Lord Hesketh-Fleetwood was inspired
by standing on Top Hill.

Just like a crow’s nest on the sea
he set his structure at the peak,
Chinese pagoda serving tea,
a charming central place to meet,
to chatter on Top Hill.

And seen from high on grassy Mount,
stylish avenues began.
a visionary plan, splayed out
designed just like a Chinese fan,
extending from Top Hill. 

They came from near and far and wide,
by ship and railway, powered by steam.
Prince Albert brought his blushing bride
to share the joy of Peter’s dream
and whistle from Top Hill.

Thanks for reading.  Adele

Thursday, 19 November 2015

Canals - flowing through time.

I spent my mid-childhood, from six until eleven, in Maghull. Dad opened a new pub there called the Everest in 1962.  Named for the pioneering ascent in 1953, the pub was surrounded by Hilary Crescent, Tensing Avenue, Hunt Road. Although now part of Greater Merseyside, the small town was then in Lancashire and I happily attended the local county primary. The main A59 ran through town but there was a pedestrian subway connecting to the shops and beyond that, the Leeds and Liverpool Canal flowed towards the city, eight miles away. 

It was a safe place to live and my memories of growing up there are very happy.  I walked to school, often rode my bike to Aintree or Melling and even at the age of nine, took the Ribble bus into the city alone, trusted by my parents not to speak to strangers and to return at a pre-arranged time. 

The Leeds and Liverpool Canal links the two cities, stretching over a distance of 127 miles (204 km), crossing the Pennines, and includes 91 locks on the main line. The canal at Aintree passes close to the racecourse and gives the name to the course's Canal Turn. In the early 21st century a new link was constructed into the Liverpool docks system, via Vauxhall. 
 
Vauxhall is more famously known as the 'Scottie Road area' because Scotland Road runs through it. Scotland Road was created in the 1770s as a turnpike to Preston via Walton and Burscough. It became part of the stagecoach route to Scotland. It was widened in 1803 and streets of working-class housing developed either side, as Liverpool expanded. Demolished as slums in the 1930s, they were replaced by corporation flats. By the mid 19th century the area was densely overcrowded, with appalling living conditions, worse than anywhere in the country. Eldon Grove (now Grade II listed) was built as model housing as part of a labourers’ village and was officially opened by the Countess of Derby in 1912.

In Victorian times the area had over 200 public houses. Scotland Road was the centre of working class life in north Liverpool. Home to most of Liverpool's migrant communities: almost "a city within a city". There were four main migrant communities; Irish, Welsh, Scottish and Italian as well as the native Lancastrian community and pockets of German and Polish.  It was a cultural melting pot.  A place close to the city centre and the docks, it could be a place of both romantic nostalgia and brutal hardship. Community, often dictated by faith, was at the centre of Scotland Road. 
 
Urban clearance and the construction of the Wallasey Tunnel in the 1960s and '70s led to a shift in population of the area to various parts of the city such as Huyton, Kirkby and Norris Green, to new modern housing, leaving Scotland Road in a state of steady decline. Demolition particularly around the north end of Scotland Road continued in the 1980s and beyond. In the 1978, a new housing estate breathed life Into derelict land to the west of Vauxhall Road: Eldonian Village. 'Our Cilla' and the children of Vauxhall opened The Vauxhall Bridge in 1994.





 

Minnows (In the shadow of the bridge)

In the year of World Cup glory,
when The Toffees won the cup,
a tiddler rides her push-bike
through The Northway underpass,
past the shops and out of sight.
Picnic packed for pleasure
in the shadow of the bridge.
 
She leans her trusty metal steed
against the cobbled wall,
just below the stone humped-back
and walks along the towpath,
her only apprehension,
leggy nettles, reaching out to
sting the flesh above her ankle socks.

She sits, legs dangling over,
soles inches from the foaming scum,
drifting on the Leeds-Liverpool Canal. 
Keen eyes pierce the murky flow,
scanning rapidly until
a sudden fleck of silver, flickers,
in the shadow of the bridge. 

She lifts the bamboo pole,
in goes the yellow, nylon net
and skilfully she scoops, then lifts  
a trio of sparkling minnows.
Now they sit beside her in a jar,
brim full of happiness,
riding home, strung to her handle bar.
 
The same canal now flows where Scottie Road
and Tate and Lyle kept company.
The residents campaigned
to keep their old Eldonian community.
On Sunday, they found a minnow,
with a bullet through his back,
in the shadow of The Vauxhall Bridge.

On hearing of the sad death of Lewis Dunne on Sunday 15th November 2016.

Thanks for reading.  Adele 
 


Tuesday, 3 July 2012



As I keep saying to Roger McGough.........

It’s 1969. Boswell Street, Liverpool 8. I live there in a house share with six other girls. What a place to be and at what a time. A cultural revolution is happening and I’m in the thick of it. The music, the literature, the art – all that makes life worthwhile is changing and growing and shouting from the top of the Liver Building and I’m in amongst it.

Naturally, I have a copy of The Mersey Sound, the landmark anthology of the poems of Adrian Henri, Roger McGough and Brian Patten in the Penguin Modern Poets series, hasn’t everybody at that time? These are the blokes you see strolling around the Liverpool streets and holding court in the pubs nearby. This is the book that made poetry accessible, relevant, democratic and bloody good fun for everybody, in amongst the profundities and serious messages it contained. This was in the days when a paperback cost three shillings and sixpence, so to buy three or four books a week was possible.

I’m not in the habit of defacing books nowadays, but was obviously less scrupulous then, as my copy contains numerous girlish jottings and underlinings on the text and, amongst other things, something of a shopping list or account of expenditure that reads, rather poignantly I think now:
 ‘ring               25 shillings
            sandals          £1
            cigs                 1/9
            book               3/6
           stockings       2/11
            busfare          9d
            total                 £2. 13s 11d’
Well, we knew how to live in those days. It must have been some ring at that price!

We had a party at the house one night (we had lots of parties, lots of nights!); open house for all-comers and one guest who came strolling through the house was Roger McGough. I dashed upstairs to get my copy of The Mersey Sound for him to sign, which he duly did, thus            

‘4 Sheilagh

Roger McGough
July 69’

The book has stayed with me ever since, through thick and thin. I’ve dipped into it periodically, to enjoy the poetry, wallow in nostalgia, cheer myself up, as the mood takes me. It’s been in a plastic cover for years now, it is yellowing, disintegrating and absolutely precious to me.

The years went by, then three years ago I heard that there was to be an exhibition at the Victoria Gallery in Liverpool to mark the fortieth anniversary of the publication of The Mersey Sound. Naturally, I made the pilgrimage to the exhibition and was amazed by the collection that had been gathered together. The manuscript notes and jottings that grew into the poems, art produced by the writers at the time, flyers and posters for poetry readings and ’happenings’ that they were involved in, all manner of ephemera of that heady and magical era. And I still had my book, personalised for me by Roger McGough. It by now needed the last rites, but I took it along, just in case….. Unfortunately neither of the two surviving writers was there that day.

Fast forward to 2012…….Dave said he would like to see ‘Hitchhiker’s Guide to the Galaxy – the Radio Show’ at the Grand. Inwardly grimacing, I enthusiastically agreed – after all, I’ve dragged him along to no end of performances he didn’t particularly fancy, so a quid pro quo was the least I could do. I bought the tickets and forgot about it. Then a couple of weeks before the show I saw in the Gazette that the Narrator would be…….one Roger McGough. Now I really wanted to go!

My copy of The Mersey Sound by now needed embalming fluid, but out it came with me to the Grand Theatre. I’m not a ‘Hitchhiker’s’ fan (sorry, sorry, sorry if that offends anyone) but I enjoyed the performance well enough, especially the laconic tones of the Narrator! From the bar afterwards, I saw that a long queue of autograph hunters was forming outside the theatre. I wondered how to play this and, as I wondered, into the bar from the inside of the theatre strolled….Roger McGough (and others). Casting aside my inhibitions and horror of behaving like a starstruck teenager, I whipped out my book and burbled to the great man ‘You kindly signed this for me in 1969. I wonder if you could possibly…..’ He seemed pleased and laughed, was affable, charming and good humoured and signed it:

‘For Sheilagh
(again)
Roger McGough
June 2012’

Bet I’ve got the only copy in the world signed in 1969 and 2012!

I’ll finish with a poem from the anthology. It’s by the late, great Adrian Henri and is possibly the first poem ever to include fish and chips and Top of the Pops. It's a sweet poem of young love........aah, 1969!


Sheilagh
Love Is...
Love is feeling cold in the back of vans

Love is a fanclub with only two fans

Love is walking holding paintstained hands

Love is

Love is fish and chips on winter nights

Love is blankets full of strange delights

Love is when you don't put out the light

Love is

Love is the presents in Christmas shops

Love is when you're feeling Top of the Pops

Love is what happens when the music stops

Love is

Love is white panties lying all forlorn

Love is pink nightdresses still slightly warm

Love is when you have to leave at dawn

Love is

Love is you and love is me

Love is prison and love is free

Love's what's there when you are away from me

Love is...


Adrian Henri