written and posted by members of Lancashire Dead Good Poets' Society

Showing posts with label context. Show all posts
Showing posts with label context. Show all posts

Tuesday, 24 September 2024

Gooseberry - Humble Goosegog

As far as I remember, I’ve only seen green gooseberries. Now I find they come in assorted shades from yellow to purple. Yellow and green can taste sour, the rosy ones are naturally sweeter. They can be eaten raw, but they are nicer cooked and sweetened. From what I’ve read, they have what is described as ‘gentle’ laxative properties, so, enjoy in moderation.


Gooseberry puree was and still is a welcome accompaniment to a roast pork dinner. I loved this on a Sunday at the home of my wonderful (fairy) Godmother. Trifle for afters, then later on, for anyone hungry, pork sandwiches with more goosegog. I wouldn’t be hungry, but I’d always manage a delicious sandwich. Appreciated, with much love, thank you.

Gooseberry fool is crushed fruit mixed with whipped cream and served chilled. There are various ways of achieving the end result. Some involve cooking the gooseberries first and adding other fruits and nuts.

The meaning of ‘gooseberry bush’ made me smile. Babies born under a gooseberry bush is an old wives tale, except ‘gooseberry bush’ was 19th century slang for female pubic hair, apparently. Well, we learn something new every day. Let’s keep that information in the 19th century where it belongs.

The term ‘playing gooseberry’ refers to a third person accompanying a couple – a romantic couple – who wish to be alone. Gooseberry in this context is a shortened form of gooseberry- picker, meaning a chaperone who would go off picking fruit to allow the couple time alone. I can’t help but wonder where these meetings might have taken place. I’d rather have a full story than a snippet.

Here’s one of my favourite poets,

Gooseberry Season

Which reminds me. He appeared
at noon, asking for water. He’d walked from town
after losing his job, leaving me a note for his wife and his brother
and locking his dog in the coal bunker.
We made him a bed

and he slept till Monday.
A week went by and he hung up his coat.
Then a month, and not a stroke of work, a word of thanks,
a farthing of rent or a sign of him leaving.
One evening he mentioned a recipe

for smooth, seedless gooseberry sorbet
but by then I was tired of him: taking pocket money
from my boy at cards, sucking up to my wife and on his last night
sizing up my daughter. He was smoking my pipe
as we stirred his supper.

Where does the hand become the wrist?
Where does the neck become the shoulder? The watershed
and then the weight, whatever turns up and tips us over that
razor’s edge
between something and nothing, between
one and the other.

I could have told him this
but didn't bother. We ran him a bath
and held him under, dried him off and dressed him
and loaded him into the back of the pick-up.
Then we drove without headlights

to the county boundary,
dropped the tailgate, and after my boy
had been through his pockets we dragged him like a mattress
across the meadow and on the count of four
threw him over the border.

This is not general knowledge, except
in gooseberry season, which reminds me, and at the table
I have been known to raise an eyebrow, or scoop the sorbet
into five equal portions, for the hell of it.
I mention this for a good reason.

                                                                              Simon Armitage

Thanks for reading, Pam x

Sunday, 18 May 2014

Cut and Paste

09:39:00 Posted by Unknown , , , , , 2 comments

This week on the blog we've been looking at music. I used to think that music had a lot in common with poetry because, at the end of the day, they both have lyrics set to a rhythm but, in trying to piece together the blog today I've noticed that there has always been a lot to learn from music- and that I've always enjoyed learning it, even if I hadn't realised. 

If I told a class of children that poetic analysis might have a lot in common with a club remix, they'd try and eat me alive. I wouldn't get a chance to explain that by unpicking the piece you can work out just what the key parts are and that, given the proper care, they can be highlighted further with an edit. They would probably gawp at me if I asked them whether words have quite the same meaning when not accompanied by a guitar solo, a powerslide or a saxophone. Do these elements of performance translate to poetry and without them, do the lyrics hold true at all or can they be reshaped and take on different values? 

Thinking on these lines led me to compile the kind of list I haven't made since my early twenties. I assembled all the 'influential bands' I could remember, flicked through my records and picked out some of my absolute could not live without artists. Below then, is a compilation of lyrics and words taken from some of my favourite artists- all out of context, all lacking riffs and kicks and all reformed into some kind of cut and paste found, stolen and salvaged poem. 

There are 27 artists in all, with two of them having an extra lyric. I've been nice in alternating the colours when the performer changes so with that in mind, have a go at unpicking the piece below- and don't be using google!


Cut and Paste

I'm so happy 'cause today
I've found my friends ...
They're in my head
Slowly walking down the hall
Faster than a cannon ball
We smoked the last one
An hour ago

I'm pushing an elephant up the stairs
I'm tossing up punchlines that were never there
Get up, stand up
That's how it goes
Everybody knows.
Well, it ain't no use to sit and wonder why, babe
We gotta move these colour TV's
Smoke some fags and play some pool, 
Pretend you never went to school
We don't need no thought control
The beautiful people
The beautiful people.

Like a drunk in a midnight choir
I've seen fire and I've seen rain
I could be one of your kids, white America
Don't let it go to waste
I love it but I hate the taste
Commencing countdown, engines on.

I don't need your civil war
It feeds the rich while it buries the poor
So if I can shoot rabbits
Then I can shoot fascists
An eye for an eye and a tooth for a tooth
And anyway I told the truth
This is what you get when you mess with us

He's got morning glory, life's a different story
Everything's going jackanory
They call it paradise, I don't know why
You call someplace paradise, kiss it goodbye
And you realise then that it's finally the time
To walk back past ten thousand eyes in the line

I'll show you a picture 
A picture of tomorrow
Paradise put up a parking lot
This is our destiny calling now
Smashing up the woodwork tools
Don't think twice, it's alright

Say you stand by your man.



Thanks for reading, S