How I came to write as a guest writer on this poets’ blog is somewhat miraculous and frankly a result of a lifetime of growing pains. ‘Growing Pains’ takes me back to childhood. Its innocence replaced by a wiser knowingness through pitfalls of uncertainty, the failures embedded within the joys of achievement as I slowly ‘matured’. What I hadn’t banked on back then, was how growing pains remain with us throughout our lives.
I’ve learnt resilience whilst working through fear, rejection and loss, and found with persistence the strength to move forward. I strive to grab every moment with passion, to live creatively and authentically whilst connecting, embracing and sharing with others making it all worthwhile. I learnt early on that one cannot go it alone.
In today’s quickly changing, rather disturbing world we are being bombarded with serious challenges. We are being forced to get to grips with letting go of the old, embracing the new and moving through the malaise hoping to come out the other side better for it. I am experiencing growing pains as never before and my guess is that I’m not alone in this.
I have made things throughout my life as a way of processing my experiences. It is a way of making my thoughts and feelings real, tangible. Sometimes I do it for sheer amusement (nonsensical drawings and poetry). Sometimes I do it to escape from real life. Sometimes I create things as a way of working through some of my growing pains. No matter the reason, creating something makes me feel better.
Moleskine Sketchbook - Ink and Coloured Pencil, January 2020 |
This
sentiment for nostalgia was passed down and amazingly many of these artefacts
have survived at least a dozen house moves over five decades and across two
continents. My mother was one of many in a long list of very special people who
have provided safety and security for me over the years, people who I fondly
call my teachers. Those who fed and continue to feed my hunger to learn,
explore and encourage the creative processing of my discoveries through
different visual and textual means with a focus on storytelling.
I
grew up loving to draw and making up stories. The Shammy drawing is a prime
example.
Here
we have an interesting blend of reality versus magic. Katy is flying through
the air being pulled by grandma’s rather large miniature poodle lunging at a
cat that seemingly has been surprised. As a result, it has launched itself
upwards in front of some distorted blue building. The red hair and pony tails
add to Katy’s tidy hair style (mom was a real stickler about hair). The blue
jeans have a decorative pattern which could be flowers, typical of the 1960s.
The dog’s cropped tail clearly has a puff at the end.
I
drew all the time. I also spent a lot of time alone. My sister and brother were
much older and moved away when I was quite young. When I was a teenager, my
parents separated and I drew and wrote even more. This helped me focus and to
escape from the growing pains. It was good for my mental health and wellbeing.
My creative work helped me through many difficult experiences throughout my
life including the loss of my brother to Aids in 1990. As a way of dealing with
these emotions I did a series of drawings illustrating journal extracts.
Moving
countries was a massive change and one of insurmountable growth, and it has not
always been easy. After living in the UK for over two decades I continue to
grow and develop. I have always said that England gave me the gift of
poetry. Living in this country, so rich
in literature history, has inspired me to write more and integrate my poetry
into my creative work. I practice and experiment and through all the rejections
and failures I hold onto those small morsels of success.AIDS series - Scraperboard 1990 |
Illustrated ABCs - waxed crayon, created age 5 |
66 Years and Counting - Multi-media on paper 2013 (West Ox Arts Gallery Exhibition) |
I
thought I would leave you with this. It is something written nearly four
decades after creating 'The Story Writer' and the drawing of my grandmother’s dog
pulling on its lead. A lot of living and creating has gone on in between. I have never shared any part of this poem
before, as it is too long a poem to read on an open mic night. It is 191-lines and
written when I did not have the confidence to share much of my creative writing
work.
It is
an excerpt from ‘The Poet’s Pen’. Not
only is there a hint of déjà vu from the Shammy drawing but in it I feel
depicts the frustration and hope that goes along with the growing pains and
struggle of the creative maker within.
…The
Poet’s eye as dog pulled taught
The
lead to arm and tipping man
Who
pulled back dog and gave command,
“Sit,”
and dog he sat, he did
Whilst
Master scanned the ghostly grid
Of
papered floorboards, chequerboard
That
captured men and captured sword
His
blasted pen that he had thrown
Across
the room to where, unknown
Until
he saw it laying there
The
Poet sighed and smiled aware
That
soon he would return again
Like
boomerang with fingered men
That
flung the weapon, sword now resting
On the
floor in spider’s nest and
Would
remain till cobwebs cleared
Inside
his head between the ears
Once
he’d finished basking in
The
sunshine washing o’er his skin
As
oiled pistons plugged to sparking
Energy
for brain embarking
On
new paths to bath in writing
Something
worthy and exciting…
Thank
you for reading.
Kate
Eggleston-Wirtz
www.eggwirtz.com
5 comments:
Fascinating, and beautifully illustrated.
That was wonderful to read Kate, and so beautifully illustrated (curated even); lucky you to have had a mother who saved your treasures. I think very few people (creatives or not) would be in a position to put together a piece like that, their testament to creative growth. I look forward to hearing/ reading the whole of 'The Poet's Pen' some day.
Thank you. That was a really inspiring Sunday morning read. 👍
Lovely. I agree with the comment that this was an inspirational read.
perfect morning wake up
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