written and posted by members of Lancashire Dead Good Poets' Society

Wednesday, 7 December 2022

Flood

I remember the old black Morris that struggled up hills and how my dad used to switch off the engine to let it roll silently down again (to save petrol) and the particular struggle he had getting over Shap Fell.

One year on our way to visit relatives we diverted from calling on my mother’s cousins and ended up in a dusty triangular shaped building. We walked from one end to the other, nothing much to see I thought and forgot about it. Years later I realised this was the dam that had been built to drown the valley and village of Mardale Green in Cumbria to provide a reservoir for the burgeoning city of Manchester and my appetite grew to discover more.

Mardale
The countryside here is remote and it doesn’t take much romancing to think of the idyll of mountains, waters and green pastures, it must have been entrancing a valley enclosed on three sides without traffic except the odd bicycle and car and only the sound of sheep calling, birdsong, and the school/ church bell tinkling among the greensward, but as in all good tales this wasn’t to last.

Manchester was left out on a limb after Liverpool turned to North Wales, another source was needed and Mancunian eyes turned to Haweswater, the highest and remotest lake in the Lake District. In 1919 Manchester Corporation secured the Haweswater Act which gave the go-ahead for the creation of a new reservoir from the lake and large catchment area. It was agreed that the lake be increased from 2 1/2 to 4 miles long, the water level to 96 feet. Sir Edward Holt stating: “ In my opinion Haweswater is presently very much over-rated. It will be more beautiful in years to come.”

As a huge amount of “manpower” was needed, a village of small bungalows was to be built on the fellside at the entrance to the valley, called Burnbanks. Work on building the dam began in 1930, was postponed because of lack of finance and recommenced in 1934.

construction of the dam
Some of the workers left to join the forces when war broke out, but building continued and was completed in 1942. So the valley became a lake with the old road submerged, the farms, church, the Dun Bull Hotel blown up by the Territorials and only the school survived, being dismantled and rebuilt near Burnbanks. Several thousand people gathered for the last church service with loudspeakers fastened to the church tower. The Bishop of Carlisle stressed he didn’t weep for Mardale as sacrifices had to be made to help the urban populations, the stones of the building to be used for the draw-off tower and the graves had all been relocated.

Just think of the mixed feelings, the intense sorrow of the small community the loss of everything they had ever known, being without choice, knowing their homes were wiped out never to be revisited but maybe, just maybe a few people who are seeing new beginnings, new prospects before them.

Today, it still feels cut off from the rest of the lakes but it is known for the only Golden Eagles in the country. It is still a wonderful setting tinged with mystery which a cohort of the faithful visit after a particularly dry season when magically those low stone walls, remnants of field and track and bridge appear and can be walked on as though there is no permanence to their drowning.

Haweswater
I couldn’t find a poem about Haweswater or Mardale so opted for poem XL from Housman’s 'A Shropshire Lad ':

Blue Remembered Hills

Into my heart an air that kills
From yon far country blows:
What are those blue-remembered hills,
What spires, what farms are those?

That is the land of lost content,
I see it shining plain,
The happy highways where I went
And cannot come again.

Thanks for reading, 
Cynthia.

7 comments:

Tif Kellaway said...

What a lovely, engaging read and the photographs are fabulous. Thank you.

Malcolm Drysdale said...

What a fascinating read. I have a vague memory of a poem from schooldays about a drowned village and one could hear the church bell toll when the water level was low.

Charlotte Mullins said...

This was most evocative. Displaced for the greater good isn't much of a consolation is it? The Housman poem (with its "land of lost content") serves well in the context. 👍

Steve Rowland said...

I greatly enjoyed your blog Cynthia. My dad (who grew up in Derbyshire in the 1930s and 1940s) told me all about the building of Ladybower Reservoir in the Derwent Valley between 1935 and 1943. It was one of three reservoirs built in the valley (the others being Derwent and Howden). The villages of Derwent and Ashopton were sacrificed in the process; a similar story with similar consequences for the displaced families. Derwent Reservoir and Dam were used by the Dam Busters to practice for their raid on the Ruhr dams in WWII (and again as a location for the making of the film.

Cynthia said...

Thanks for your comments

Vanessa Farley McEntire said...

During the second world war Sir Kenneth Clark initiated an art project, Recording Britain, which employed artists to go out and draw or paint (watercolour usually) scenes of rural British life that were fast disappearing. Kenneth Rowntree was sent to Ashopton in Derbyshire for about six weeks in 1940 to make a pictorial record of the village and its surrounding farms before all was flooded by the new Ladybower reservoir.

terry quinn said...

What a very interesting and well written glimpse into the history of the dam and the countryside drowned beneath it.

I don't know how you managed to find the photos to accompany it but they are wonderfully atmospheric.