written and posted by members of Lancashire Dead Good Poets' Society

Saturday 22 July 2023

Star Catalogues

We finally got to see Wes Anderson's new movie 'Asteroid City ' on Monday night, as weird and wonderful a cinematic experience as might have been hoped for. It's just a shame we had to go all the way to Preston for the screening, because my local cinema in Blackpool closed down last month. That's just part of a worrying trend. Cineworld and Odeon are shutting cinemas nationwide and Empire Cinemas went into administration recently. 

However, watching 'Asteroid City ' did give me the inspiration for this week's blog about  catalogues  - because up till then I confess I was feeling somewhat stumped. And by the way, it was not for nothing that Wes Anderson and his fabulous cast received a ten-minute standing ovation after the film was screened at the Cannes Festival in May. (I'll take it over 'Barbie - the movie ' any hard day's night.)

director Wes Anderson on the set of Asteroid City
Without divulging too much of the plot, suffice to say that the action takes place in 1955 in the (fictional) American desert town of the film's title, a place famous for its meteorite crater. The itinerary of the annual Junior Stargazer/ Space Cadet convention (organised to bring together students and their parents from across the country for fellowship and scholarly competition), is spectacularly disrupted when observation of a rare astral event  reveals something totally unexpected. (Enter the alien.)

In an attempt to pinpoint the origin of this world-changing phenomenon, there is much recourse to star maps (like the one on the observatory wall - see below) and star catalogues - which is the jumping-off point for today's blog.

Asteroid City observatory with star map on the wall
Obviously enough, star catalogues are tabulations of astronomical objects, usually grouped by type, morphology, origin et cetera. They have been compiled from mankind's earliest days and the first ones were literally inscribed on clay tablets by the Ancient Babylonians of Mesopotamia in the 2nd millennium BC, followed chronologically by the Ancient Greeks, Chinese, Persians and Arabs, sometimes but not invariably accompanied by illustrated star charts. Interestingly, there is no evidence that the Ancient Egyptians created star catalogues though they did produce star maps which often adorned the ceilings of their tombs.

Of course the majority of early star catalogues were limited by observational capability and, as with the accompanying star maps, could be somewhat subjective. Nonetheless, they were impressive compilations, accurate enough to assist in divination, husbandry, navigation and as a means of identifying shifts in the heavens.

The invention of the telescope rapidly advanced our ability to observe and catalogue astronomical objects and with the more recent advent of powerful observatories and the arrival of radio-telescopy, it has become customary to give stars numbers rather than names.

section of a star map
My all-too-brief research into star catalogues has identified a plethora of modern ones. There have, for instance, been a dozen "full sky" catalogues created in the last 200 years by different scientific institutes. The most comprehensive of all (and I use that term very loosely) are the three Gaia catalogues (DR1, DR2, DR3) being made by the Gaia space telescope listing billions of stars. How the minds of those Ancient Babylonian and Greek astronomers would blow if they could see how far we have come in terms of stellar knowledge!

Then in addition to the comprehensive catalogues, there is another raft of specialist star catalogues listing specifically double-stars or carbon stars or stars of a particular magnitude or even simply 'nearby stars'. Then there are trigonometric parallax catalogues and proper-motion catalogues, manifold niche tabulations enough to make this modern head spin! All digital nowadays of course, because of the sheer volume of data, and much of it in the ether. I like to think of it as the Cloud Of Knowing.

To conclude, here's the latest from the imaginarium, probably still evolving if I'm honest...

Holes In Heaven
Call it numinous
for how can dark matter
so long as there are
holes in heaven
too brilliantly numerous
for terror's insinuating 
fingers to obfuscate?

Thanks for reading, S ;-)

18 comments:

Dan Francisco said...

Saw Asteroid City at my local movie theater twice last week. Opinion seems divided but I think it's one of his best,

Amber Molloy said...

The alien is so cute!

Stu Hodges said...

The Cloud Of Knowing - I love that. Another great blog Steve. If Asteroid City comes to a cinema near me, I'll go and see it (though The French Dispatch didn't do it for me). It's an intriguing poem.

Nigella D said...

Oh dear. We are partly to blame for cinemas closing, I suspect. The last time we went was to see The Favourite and that was before COVID. I never even check to see what's on at our local cinema any more. Is Asteroid City streamable? Also, will there be more to your poem?

Ben Templeton said...

Is it any quirkier than the last one which I thought was too just a bit too nerdy? There is a danger in Wes Anderson movies of style predominating over substance. Star catalogues was a good inspiration to take and this was an interesting read. With billions of them out there I can see why star catalogues are now specialist data stores for astronomers.

Bella Jane Barclay said...

Seems we have a narrowing range of shared experiences these days with so much going online. I hope it's not the death of cinema. Mind you, Asteroid City never made it to my local cinema, it's all been blockbuster comic hero movies as far as I can tell. I love your poem.

Jen McDonagh said...

The word exponential came to mind - so many stars that to catalogue them all seems a superhuman task! I, too, love your poem.

Matt West said...

So annoying that Blackpool Odeon closed down and the resort doesn't have a cinema now until the new town centre one opens at Christmas time. What do holidaymakers do on wet days?

Boz said...

A stellar read, la!

Tom&Toes said...

We really enjoyed Asteroid City, very retro, very stylish, very Wes. Toes says the poem is perfect as it is.

Mac Southey said...

I didn't get the chance to see the new Wes yet. Seems like it's not been given a fair run at the cinema and now it's been muscled out by Barbie, Indiana Jones, Oppenheimer, Teenage Mutant Turtles et al! Seems arthouse movies are as niche as star catalogues. It's a fine poem - anything with numinous and obfuscate in it has to be a winner :)

Ross Madden said...

I'll wait for the blu-ray/DVD. (Mind you, still waiting for The French Dispatch to get released on DVD.)

Carly Weinbrenner said...

Didn't you just love the movie? Wes is my favorite. I loved the bit where she said her Mom used to give her own names to the constellations.

Rod Downey said...

I wasn't sure about his latest film. I definitely need to see it again (though fat chance as it was only showing for a couple of days). Your Holes In Heaven poem is brilliant, put me in mind of H.P. Lovecraft.

Kate Eggleston-Wirtz said...

The film is on my list but may wait until it's streamed... poem thought provoking :)

Vic Sourzak said...

I'd love to watch Asteroid City but apparently it only went on limited release in the UK and then along came Barbie and Oppenheimer. So unless you live in a town or city with an arthouse cinema (I don't) then you've no chance. Apparently it did really well in the US for a couple of weeks but British cinema chains have fought shy of Wes Anderson because The French Dispatch didn't win wide appeal (unlike Grand Budapest Hotel). I enjoyed your star catalogue post and loved the brief poem and the idea of the Cloud of Knowing.

terry quinn said...

Those pesky Mesopotamians first again.

How can Blackpool not have a cinema. Insane.

Holes in Heaven. VG.

Mark Hurley said...

I loved Asteroid City, right up there with the best of Was Anderson's films.