written and posted by members of Lancashire Dead Good Poets' Society

Tuesday, 23 July 2024

Bells - Last Orders


 

The first bells of any significance to me must be the ones used by my father and grandfather to call ‘last orders’ and ‘time, gentlemen, please’ in their pubs. They were fixed to a post or wall behind the bar and with a firm tug on the rope, sent out a loud peal with an authoritative tone. At some point the word ‘gentlemen’ was removed and it was simply ‘time, please’, even in the Vaults. The Vaults was considered the mens’ bar, simply because no ladies would like to go in and from what I remember in my formative years, the men were not always gentlemen.

Another distinctive bell I remember from childhood is the ringing of my dad’s alarm clock. These days everything bleeps digitally from a radio or mobile phone, but this wind-up monster, which no longer works but I keep it as a treasured possession, was loud enough to wake the whole house and pub beneath – but not always my dad. I don’t know who was the genius behind the idea, but biscuit tin, yes, a metal one, a few of my marbles inside and the clock on top of the lid was louder than ever with the added power of ‘rattle’. That worked a treat.

I started secondary school at what is locally known as ‘the old Palatine’, an impressive building between Bennett Avenue and Park Road in Blackpool, which is now the University Campus of Blackpool and the Fylde College. It was great for me to return decades later and find it much the same inside, except the long corridor which stretched from one end of the school to the other now had sets of fire doors closing the length into sections. In my early school days it was open and at each end hung a bell. These two bells were monitored by duty prefects who rang them to announce the end of lessons. They could be heard all over the school and were much more efficient than the weak electric buzzers we had to listen out for in the new school twelve months later when we relocated to St Anne’s Road. The old building had character, the new one did not. The old building is still standing and is useful. The new one, demolished and rebuilt after only fifty years, or thereabouts.

I wish I knew what happened to my mother’s brass bell. It was made in the style of a lady with a tiny waist wearing a crinoline skirt. It lived on the mantelpiece for years, then, when my mum was ill and in bed, she had it close to her so she could ring it if she was alone and needed something. It is yet another thing that seemed to vanish into thin air after she died.

Here is a poem, Edgar Allan Poe, placing bells where he perceived they belonged in a life-cycle,

The Bells 

1

  Hear the sledges with the bells—
                 Silver bells!
What a world of merriment their melody foretells!
        How they tinkle, tinkle, tinkle,
           In the icy air of night!
        While the stars that oversprinkle
        All the heavens, seem to twinkle
           With a crystalline delight;
         Keeping time, time, time,
         In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
       From the bells, bells, bells, bells,
               Bells, bells, bells—
  From the jingling and the tinkling of the bells.

2

        Hear the mellow wedding bells,
                 Golden bells!
What a world of happiness their harmony foretells!
        Through the balmy air of night
        How they ring out their delight!
           From the molten-golden notes,
               And all in tune,
           What a liquid ditty floats
    To the turtle-dove that listens, while she gloats
               On the moon!
         Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
               How it swells!
               How it dwells
           On the Future! how it tells
           Of the rapture that impels
         To the swinging and the ringing
           Of the bells, bells, bells,
         Of the bells, bells, bells, bells,
               Bells, bells, bells—
  To the rhyming and the chiming of the bells!

3

         Hear the loud alarum bells—
                 Brazen bells!
What tale of terror, now, their turbulency tells!
       In the startled ear of night
       How they scream out their affright!
         Too much horrified to speak,
         They can only shriek, shriek,
                  Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
            Leaping higher, higher, higher,
            With a desperate desire,
         And a resolute endeavor
         Now—now to sit or never,
       By the side of the pale-faced moon.
            Oh, the bells, bells, bells!
            What a tale their terror tells
                  Of Despair!
       How they clang, and clash, and roar!
       What a horror they outpour
On the bosom of the palpitating air!
       Yet the ear it fully knows,
            By the twanging,
            And the clanging,
         How the danger ebbs and flows;
       Yet the ear distinctly tells,
            In the jangling,
            And the wrangling.
       How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells—
             Of the bells—
     Of the bells, bells, bells, bells,
            Bells, bells, bells—
 In the clamor and the clangor of the bells!

4

          Hear the tolling of the bells—
                 Iron bells!
What a world of solemn thought their monody compels!
        In the silence of the night,
        How we shiver with affright
  At the melancholy menace of their tone!
        For every sound that floats
        From the rust within their throats
                 Is a groan.
        And the people—ah, the people—
       They that dwell up in the steeple,
                 All alone,
        And who tolling, tolling, tolling,
          In that muffled monotone,
         Feel a glory in so rolling
          On the human heart a stone—
     They are neither man nor woman—
     They are neither brute nor human—
              They are Ghouls:
        And their king it is who tolls;
        And he rolls, rolls, rolls,
                    Rolls
             A pæan from the bells!
          And his merry bosom swells
             With the pæan of the bells!
          And he dances, and he yells;
          Keeping time, time, time,
          In a sort of Runic rhyme,
             To the pæan of the bells—
               Of the bells:
          Keeping time, time, time,
          In a sort of Runic rhyme,
            To the throbbing of the bells—
          Of the bells, bells, bells—
            To the sobbing of the bells;
          Keeping time, time, time,
            As he knells, knells, knells,
          In a happy Runic rhyme,
            To the rolling of the bells—
          Of the bells, bells, bells—
            To the tolling of the bells,
      Of the bells, bells, bells, bells—
              Bells, bells, bells—
  To the moaning and the groaning of the bells.

Edgar Allan Poe

Thanks for reading, Pam x

2 comments:

Steve Rowland said...

An enjoyable read, Pam. Yes, pub bells obviously part of your upbringing. My mother used to summon us to meals by ringing a cowbell that we'd brought back from a holiday in Germany when we were kids. I liked the ingenuity of the alarm clock in the biscuit tin.

I've not read many poems by Poe. The Bells is certainly well crafted and I like the word 'monody'. He does gloom rather well.

terry quinn said...

Brilliant idea the alarm clock and biscuit tin.

I think I remember the bell for calling Time in the pubs.

I don't remember reading any Poe poems so thank you for that.