Crazes: Guilty As Charged

I am the Queen of Crazes, or the Crazy Queen, whichever you prefer.

After 73 years I finally have the answer to my crazes craze. I’m currently awaiting a diagnosis of ADHD, although I know in my head this is what I’ve been dealing with all my life. In some ways, it’s reassuring to think there’s a reason for my constant frantic activity.

However, I digress. Let’s start at the beginning. Young children often have crazes, changing like the seasons as somebody suddenly starts a new one, and everybody follows. I was no different, pleading for a hula hoop, which had to be ordered at the local toy shop, and seemed to take weeks to arrive. No Amazon deliveries in those days. 

The days following the arrival of the hoop were spent in frenzied practice in the garden (and once - only once - indoors, when I knocked an ornament off the sideboard and was told in no uncertain terms that if the hoop was found indoors again it would be snapped in two and instantly disposed of - I didn’t dare ask where). I got to be quite an expert hula hooper, shimmying it up and down my body, round my neck, arms and legs. Just recently, I found a hula hoop at a play centre and thought I’d have a go. I was shocked to discover that all skill had left me, as the hoop rapidly spun to the floor, despite my energetic gyrating, and lay there looking up at me as if to say, ‘that was nearly seventy years ago, woman, get a grip.’

Then there were marbles - excitedly played on drain covers in the street, and jacks and five stones. These all reached a peak before being replaced by the next unpredictable craze. My favourite craze around this time was, with hindsight, rather a strange one. It involved collecting small items and swapping them with friends at school. This probably sounds mundane and boring these days when eight year olds are busy applying makeup, taking selfies and snapchatting, but let me assure you this was one of the most exciting things in my life at that time.

The routine was this: the participant secured a toffee tin (usually from a Christmas stocking) before scouring the house for any small item that would (a) fit in the tin and (b) possibly be of interest to another participating child. I can remember my tin so well that I can smell the pieces of scented paper cut from one of my mum’s birthday cards. The smell was of roses, like the picture, as was popular in the 1950s. Why any child would be willing to swap some treasured item for a piece of birthday card I’ve no idea, but I do remember them being very popular. Apart from the cards there were ‘charms,’ tiny little cats and dogs and bells, worth nothing in monetary terms, but worth a fortune in terms of swap-ability; pieces of broken jewellery, little brooches, thimbles and the odd dolls’ house item. My younger brother, swept along in the excitement of this absorbing new game did cause a bit of trouble by swapping our tortoise for a German helmet, but that was swiftly remedied by mum marching down the road with the aforementioned headwear and returning home (minus helmet) to plonk the bewildered tortoise back by the hollyhocks in our garden.

But back to the original game. Day after day, we would race out at playtime with our tins rattling, bypassing the bars - where girls (dresses tucked into knickers) would be swinging and giggling - and straight to the only bit of shelter, the porch by the boys’ entrance. Like drug pushers we’d prise open our tins and allow each other to peer in. So many happy playtimes were spent in that porch, bargaining and swapping - and swapping again. My lifelong hoarding means that, after nearly seventy years, I still have two of the brooches I acquired, a tiny ‘ivory’ elephant and a cheap twisted metal bow. I only have to look at them to be back in that porch with my toffee tin.

Crazes during my teenage years revolved mainly around fashion, hair and make up. Mini skirts, hot pants, skinny ribs, all tried and tested (not very successfully - I didn’t have the legs or the neat little bust for any of these, but they were the latest craze, so who was I to argue?)

All my life I’ve had obsessional crazes. I hadn’t considered them until the last few years when I began to realise that I probably have ADHD. In no particular order these are the crazes - I like to call them hobbies - that have obsessed me over the years…

Novelty cakes (this was a business for thirteen years, but also a wild craze); appliqué; novelty cushions; craft fairs; baking for cake shops; knitting; sewing; patchwork, quilting; cross stitch; crochet; roller blading*; fimo; pottery, lino printing, walking daily; photography (between a business and a craze).

Finally, the non crazes or perhaps the life long crazes that I can’t ever see ending: I’ve loved reading, writing and drawing since the day I first opened a book and deciphered a word, then copied it onto a sheet of paper and drew a picture to illustrate it. I have diaries going back to the age of six, although the more interesting ones came later. However, the obligatory stationery to accompany these activities is another story, and cannot possibly be condensed into a few words.

I feel another blog post coming on….

Crazy by Jill Reidy

The time has come
Suspect denies all knowledge
Of any crazes
Since moving to that house
‘Not me officer, I just read,’
They don’t believe her, she looks shifty
Rules are established for those investigating
Five minutes to find evidence

Hercules Poirot, allocated the attic
Takes the steps two at a time
Crashes headfirst into huge tottering piles
Frames, all sizes, all colours
Photographic prints in wallets,
Scattered across the floorboards
Cameras, batteries, lights
photography magazines, memory cards
He battles through
Gives the half finished dolls’ house a cursory glance
Grinds underfoot the tiny figures
Waiting for prosthetics
Skids on the curtains, never hung
He turns, notes the carrier bags
Stacked high under the eaves
Peers in, sees the folded fabrics
Paper patterns, tailors chalk, cutting board
Patchwork pieces, cushion covers needing zips

Poirot sighs, calls down, descends the steps
To the landing
where Inspector Clouseau stands,
Hands gloved, plunged deep into a sack
‘More,’ he says, ‘more fabric’
Rolls his eyes
withdraws a length of cool white linen
Points to the open cupboard
Bulging with colourful ribbons and zips
‘And these,’ he sighs
More bags, patterns, knitting abandoned,
wool unravelling, needles, every size
Clouseau holds up a small frame
Catches Poirot’s eye
Any idea? Tapestry? Weaving?
Cross-stitch says Poirot with a shake of his head
And these?
Rag rugs, quilting, crochet, appliqué
Poirot rattles off dismissively

Miss Marple, ground floor, out of her depth
opens the door to the understairs cupboard
peers in
Why all the tools?
duplicates of every one
Drills, glue guns, hammers
screwdrivers, sets of spanners,
A pack of unused, now unusable, fimo Brooch pins, earring studs awaiting decoration
Reaches in
What’s this?
Knee pads, elbow pads, helmet
Miss Marple frowns
suspect is nearly as old as she is
Roller blades?!
A six, just the suspect’s size

Sherlock Holmes, alone in the gloomy garage
Spots a box
Opens it tentatively
Hardened clay
Five misshapen pots,
Small cutters and scrapers and prodders
A sheep by a wall, stones meticulously fashioned out of clay
He digs down deeper
Pulls out a square of lino
More tools, a roller, dried ink in a tub
‘Pottery and printing,’
He mutters to himself

They meet in the kitchen
Poirot, Marple, Clouseau and Holmes
Enough evidence? Asks Poirot
More than enough agrees Holmes
Get her in says Clouseau wearily

The suspect eyes the scattered bags
She has no defence
‘I didn’t realise….’ she trails off
Then in a whisper,
‘Guilty as Charged.’

Thanks for reading……Jill Reidy

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Bells - Last Orders

 

The first bells of any significance to me must be the ones used by my father and grandfather to call ‘last orders’ and ‘time, gentlemen, please’ in their pubs. They were fixed to a post or wall behind the bar and with a firm tug on the rope, sent out a loud peal with an authoritative tone. At some point the word ‘gentlemen’ was removed and it was simply ‘time, please’, even in the Vaults. The Vaults was considered the mens’ bar, simply because no ladies would like to go in and from what I remember in my formative years, the men were not always gentlemen.

Another distinctive bell I remember from childhood is the ringing of my dad’s alarm clock. These days everything bleeps digitally from a radio or mobile phone, but this wind-up monster, which no longer works but I keep it as a treasured possession, was loud enough to wake the whole house and pub beneath – but not always my dad. I don’t know who was the genius behind the idea, but biscuit tin, yes, a metal one, a few of my marbles inside and the clock on top of the lid was louder than ever with the added power of ‘rattle’. That worked a treat.

I started secondary school at what is locally known as ‘the old Palatine’, an impressive building between Bennett Avenue and Park Road in Blackpool, which is now the University Campus of Blackpool and the Fylde College. It was great for me to return decades later and find it much the same inside, except the long corridor which stretched from one end of the school to the other now had sets of fire doors closing the length into sections. In my early school days it was open and at each end hung a bell. These two bells were monitored by duty prefects who rang them to announce the end of lessons. They could be heard all over the school and were much more efficient than the weak electric buzzers we had to listen out for in the new school twelve months later when we relocated to St Anne’s Road. The old building had character, the new one did not. The old building is still standing and is useful. The new one, demolished and rebuilt after only fifty years, or thereabouts.

I wish I knew what happened to my mother’s brass bell. It was made in the style of a lady with a tiny waist wearing a crinoline skirt. It lived on the mantelpiece for years, then, when my mum was ill and in bed, she had it close to her so she could ring it if she was alone and needed something. It is yet another thing that seemed to vanish into thin air after she died.

Here is a poem, Edgar Allan Poe, placing bells where he perceived they belonged in a life-cycle,

The Bells 

1

  Hear the sledges with the bells—
                 Silver bells!
What a world of merriment their melody foretells!
        How they tinkle, tinkle, tinkle,
           In the icy air of night!
        While the stars that oversprinkle
        All the heavens, seem to twinkle
           With a crystalline delight;
         Keeping time, time, time,
         In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
       From the bells, bells, bells, bells,
               Bells, bells, bells—
  From the jingling and the tinkling of the bells.

2

        Hear the mellow wedding bells,
                 Golden bells!
What a world of happiness their harmony foretells!
        Through the balmy air of night
        How they ring out their delight!
           From the molten-golden notes,
               And all in tune,
           What a liquid ditty floats
    To the turtle-dove that listens, while she gloats
               On the moon!
         Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
               How it swells!
               How it dwells
           On the Future! how it tells
           Of the rapture that impels
         To the swinging and the ringing
           Of the bells, bells, bells,
         Of the bells, bells, bells, bells,
               Bells, bells, bells—
  To the rhyming and the chiming of the bells!

3

         Hear the loud alarum bells—
                 Brazen bells!
What tale of terror, now, their turbulency tells!
       In the startled ear of night
       How they scream out their affright!
         Too much horrified to speak,
         They can only shriek, shriek,
                  Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
            Leaping higher, higher, higher,
            With a desperate desire,
         And a resolute endeavor
         Now—now to sit or never,
       By the side of the pale-faced moon.
            Oh, the bells, bells, bells!
            What a tale their terror tells
                  Of Despair!
       How they clang, and clash, and roar!
       What a horror they outpour
On the bosom of the palpitating air!
       Yet the ear it fully knows,
            By the twanging,
            And the clanging,
         How the danger ebbs and flows;
       Yet the ear distinctly tells,
            In the jangling,
            And the wrangling.
       How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells—
             Of the bells—
     Of the bells, bells, bells, bells,
            Bells, bells, bells—
 In the clamor and the clangor of the bells!

4

          Hear the tolling of the bells—
                 Iron bells!
What a world of solemn thought their monody compels!
        In the silence of the night,
        How we shiver with affright
  At the melancholy menace of their tone!
        For every sound that floats
        From the rust within their throats
                 Is a groan.
        And the people—ah, the people—
       They that dwell up in the steeple,
                 All alone,
        And who tolling, tolling, tolling,
          In that muffled monotone,
         Feel a glory in so rolling
          On the human heart a stone—
     They are neither man nor woman—
     They are neither brute nor human—
              They are Ghouls:
        And their king it is who tolls;
        And he rolls, rolls, rolls,
                    Rolls
             A pæan from the bells!
          And his merry bosom swells
             With the pæan of the bells!
          And he dances, and he yells;
          Keeping time, time, time,
          In a sort of Runic rhyme,
             To the pæan of the bells—
               Of the bells:
          Keeping time, time, time,
          In a sort of Runic rhyme,
            To the throbbing of the bells—
          Of the bells, bells, bells—
            To the sobbing of the bells;
          Keeping time, time, time,
            As he knells, knells, knells,
          In a happy Runic rhyme,
            To the rolling of the bells—
          Of the bells, bells, bells—
            To the tolling of the bells,
      Of the bells, bells, bells, bells—
              Bells, bells, bells—
  To the moaning and the groaning of the bells.

Edgar Allan Poe

Thanks for reading, Pam x

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