Morning readers,
This week, having swapped with Lara, I don’t get the task of
introducing the theme. This worries me, because it means I have to write some
kind of opening paragraph.
March is on its Stomach makes me think of two things. I
think of March- the spring, the clocks changing, the garden. I also think of my
stomach and an ever so human desire to eat something bad for me. I treat poetry
in much the same way as I have looked at this title. I look at it as somewhere
to hear new voices, new seasons and
ideas- they are the March bit. I also read a lot of stuff that hits me right in
the gut. I like a little of the blindingly obvious now and then, right.
There have always been poets that hit you right in the
stomach. Seamus Heaney’s writing gets me a lot of the time- as does Tony
Harrison’s and William Blake’s. I’m a sucker for a real issue you see and so,
no matter how many new writers come into the fold, I’ll always read material
like this over and over. There are certain things in life that are just a part
of you.
I got Lara the Banksy ‘Wall and Piece’ book for Christmas
and have just got around to having a nosy at it myself. I’ve seen one of those
pieces before- at Latitude festival a couple of years ago and, all being well,
by the time you read this I’ll have bagged myself a ticket for this year. I
mention it only because the artwork worked with the Jungle Book characters and
carried a message of deforestation. A familiar scene, memory and idea pushed
firmly into the mind of the receiver (in this case, viewer). It stuck in my
head because it had guts. A content and something to really say.
I think this is why we keep going back to the tried and
tested poets. When I’m having a bad day I wouldn’t usually pick up someone’s debut collection. I’ll have
another look at something I thought I knew. It might be Heaney, Blake, Larkin,
Keats, Wordsworth or any other time served writer but, in making that decision
to go back to it, I know it must be something I care about- something I believe
in. I often find something new to think about- an idea or line I see in a new light and I like this. I like the sneakiness of hiding in bigger pictures and posing as minor details.
In writing my own poetry, I often try to lace it with some
of the issues that haunt my every day. They are my guts, I guess. The stuff I
will churn out again and again like sick on a pavement. The day I look at it
and think, ‘Hey, that mish-mash of thoughts you left outside the door last night
(and what a night!) Yeah, that stuff that came out of you mister, is just
brilliant’ is the day I become conceited and unlikable. That is the day I will
probably think I have written my masterpiece and all the bile inside me has
just come out. That is probably the day I stop writing.
I’ll never get to that day. There are so many stories and
ideas and issues in my intestines that I’ll try to write with guts forever
more. There’ll be the usual quota of crap, sure, but just as long as there is a
real feeling there, I don’t think the things turning my stomach can be ignored,
however much I try.
My advice to anyone reading- don’t just write what you know,
write what you care about as well. An army marches on its stomach just like a
poem does- no fuel to feed on means no fight for it to give, and that, I believe is of neither use nor ornament.
Until next week, keep writing.
Thanks for reading, S.