Radio - Solid State Binatone

 As a young child I was a little housewife.  Wearing an apron to keep my dress clean, I played with the toy sink unit that I could have real water in to wash my tea set. I often got wet but I didn’t mind. I had an iron and ironing board, a cooker that my dad made for me and a dolls bed, also made by Dad, for all my babies. I had lots of babies and spent my days caring for them while listening to Mrs Dale’s Diary, Womans’ Hour, The Navy Lark and everything else that came out of the huge, wooden wireless that we called The Radio. Sometimes my mum had music programmes on, like The Billy Cotton Band Show. This was where I developed my love for piano, hearing Russ Conway. Years later, living in Blackpool, my mum took me to a variety show that Russ was in. The surprise was wonderfully overwhelming. I longed to play the piano like him. A decade of lessons and lots, well, perhaps not lots, of practice – I can play, but not like him. I grew up with whatever was on the radio, Light Programme, Home Service, even the Shipping Forecast. If the radio wasn’t on, it was because my mum was playing her records. I was familiar with those, too.

A little older and I remember being really unhappy at school. Sometimes we would have family friends and extended family over on a Sunday afternoon. I wished those carefree afternoons could last forever. I would dread them leaving, knowing I was a step closer to going to bed and school in the morning. It was the same if we went visiting anyone. Travelling home in the car with Sing Something Simple on the radio gave me that awful sinking feeling. It still does, but these days I can give a nostalgic smile.

My 13th birthday, November, 1968. School wasn’t any better but I was coping. My mum had been in hospital and we were happy she was home. She was sitting up in bed, smiling and wishing me a happy birthday. She passed me my wrapped present and said, “We didn’t know what to get you, so it’s just chocolates for now.” I thanked her, more than happy with chocolates, just glad to have my mum home. She laughed as I unwrapped the gift to reveal a box containing a pocket transistor radio, with an ear-piece and a cover. It was a Solid State Binatone something or other, very like the photo. I was thrilled. Tony Blackburn became my morning hero, brightening my day, making me laugh. In later days, with my mum up and about we listened to the Top Twenty together, usually in the kitchen making tea. I would set the table and butter bread. We sang along to Lily the Pink, Blackberry Way, Bend It, Ob-La Di Ob La Da, I’m the Urban Spaceman. I’m sure these songs weren’t all in the same pop chart, but these are the ones that come to mind. Happy times. I don’t know what happened to that little transistor, but I wish I still had it.

Radio is still my main day time choice rather than a silent house. I got fed up with Radio 2 when the powers that be decided to stop playing music from the ‘50s and ‘60s. I only listen to Johnnie Walker’s Sounds of the Seventies. When Ken Bruce moved to Greatest Hits Radio, so did I

My Haiku, just to capture a moment or two,

Setting the table
List’ning to the Top Twenty,
Just Mummy and me.

Buttering the bread,
Laughing at Lily the Pink.
Cold meat and salad.

Sing Something Simple,
The end to Sunday tea-time.
Thoughts of dreadful school.

PMW 2024

Thanks for reading, Pam x

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Walls - Bricks and Ice Cream

Watching ‘Countryfile’ on Sunday evening, I was spellbound by the on-going discovery work at Vindolanda, a Roman fortress near Hexham in the north-east of England and close to Hadrian’s Wall. If my memory serves me right, Hadrian’s Wall stretches from the Solway Firth on the west coast for eighty-four miles to Wallsend on the east coast and for all the times I’ve travelled to Scotland, I’ve yet to see a stone of it. I should make the effort. Many times I must have been in touching distance. Perhaps a detour to Hexham is needed?

Last week, we were on the ‘Nine of Us Went to Butlin’s and Survived’ tour. Some of us are still shattered. Some are mentally planning a return and others are in awe at the magical time we shared making memories. Two grandchildren, aged 7 and 6 were watching others on the climbing wall and were keen to have a go. The others were too young, but could cheer loudly from the side lines. I watched, heart in mouth, then, as they gained confidence after two or three attempts, I began to relax and film them. The one I expected to climb up like a rat up a drain turned out to be more timid, though he did well. His cousin, watched, figured it out for herself and got on with it. Girl power! Neither of them reached the top, but they smashed it for themselves and as they basked in their achievement, I was able to breathe normally again. Of course, they were harnessed, helmets on and fastened to safety lines, but nannas do worry.

Almost thirty years ago, we had an extension built to give us a workable sized kitchen, an improvement to the tiny space we had. Somehow, I made New Year’s Day roast dinner for fifteen people in there. Physically I’m a bit bigger now and I doubt if I’d be able to turn round in it. We’ll never know. Watching each step of the new kitchen come to life was exciting. The walls took shape, the windows – one in the wrong place, but I could rearrange the interior plans – everything was massive and amazing. It ceased to be fun when it was time to link into the house. Being October, it was chilly when the outside wall was taken down and no amount of covering and protecting saved everywhere else from the debris involved. This was the stressful stage that had me almost climbing the nice, new walls.

‘Wall’s’. I could recognise the ice cream sign long before I’d learnt to read. Williamson Park in Lancaster was my stomping ground when I was four. I would roll or run down the grassy hill below the Ashton Memorial to be caught in my dad’s arms and swung round. A little bit further along the path was a wooden kiosk selling ice cream and drinks. I would have a cornet, Dad would always have a wafer. Sometimes he let me have a small bottle of Lucozade, but usually it was ice cream with the promise of a drink of blackcurrant and lemonade from behind the bar when we got home. Oh, the daft things that reside in my memory. We had a pub near the railway station, my aunt and uncle had one in the town, soon to be joined by my grandparents who had retired from their pub in Sale. Sweet times.

I found this poem about Hadrian’s Wall,

The Great Wall of England
A poem for kids by Jon Bratton and Paul Perro

When the Romans conquered Britain
Thousands of years ago.
They built towns in England and Wales,
They didn't want Scotland though.

The Scotsmen and the Romans
Did not get on at all.
To stop the Scots from stealing sheep
The Romans built a wall.

It stretched from Solway Firth in the west
To the Newcastle in the east.
To build it they used many stones,
Millions, at least.

The Emperor who was in charge,
(Hadrian was his name)
Did lots of things during his reign
But the wall gave him lasting fame.

It took fifteen years to build it,
Things took longer back then.
Hundreds of horses pulled the carts
There were thousands of working men.

They built forts and towers as well
They built them very tall,
So the Romans could see the Scots
Who tried to sneak up to the wall.

The Romans stayed in Britain for
Hundreds of years, altogether.
I wonder why they stayed so long?
It couldn't have been the weather.

That the wall was built to last
Would be a fair thing to say.
It was built thousands of years ago
And is still standing today.

Indeed, from all around the World
People come to see it.
There's always a tourist around
You can almost guarantee it!

 

Thanks for reading, Pam x

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Mermaids - Of Course They Are Real!

I was thinking about mermaids, trying to decide how to approach this blog when I realised that the answers I was looking for might just be right in front of me. All four grandchildren come for tea on Mondays, or Mad Mondays, as they are known. Here they were, my cherubs, bursting with the knowledge from the magical world of the under eights and always eager to share what they know and to be helpful.

“Who can tell me what a mermaid is?” I ask.

“It’s a fish.” Someone offers.

“No, it’s a person with the body of a fish.” Someone else elaborated.

“That’s what I meant.”

With an argument about to break out between two of them about what is actually said and what is possibly implied, I intervened, separating the one being laid-back from the one being unusually pedantic.

“Never mind, I think I know what you both mean. Does anyone know where they live?” I look round, hoping to engage the younger children but one is glued to something more exciting on the tablet and doesn’t want to waste their ‘turn time’ talking to me and the other one wants to know if tea is ready. The others said, in the sea and on the beach.

“Nanna, mermaids aren’t real, you know.”

“What? Of course they’re real. There’s a statue of one in Copenhagen. Look at this!” Pretending to be shocked I quickly searched Google for The Mermaid in Copenhagen harbour and gleefully shared the picture as if it’s proof. “There she is.”

There was a bit of sniggering about the mermaid having boobs but the main point was that they were sure mermaids are not real. I was sure that they are.

“They must be,” I urge, “because, when I was a little girl…”

Slight rolling of eyes or glazed look. Either they are not old enough yet for my ‘When I was a little girl’ stories, or they think they have heard enough already. I’m mindful that the nearly seven and nearly six year olds have done a full school day and the little ones have been to nursery so they are tired and they’ve had enough paying attention. I really should be in the kitchen, but they are having this last snippet before I go.

“When I was little girl there was a film I really loved called Miranda. It was all about a mermaid called Miranda and she was definitely real.”

I told them a little bit about Miranda, what I could remember. Looking back, I don’t know why it appealed to me, it wouldn’t be as funny now and probably wouldn’t interest today’s sophisticated children. I won’t rush to find a DVD. Nothing will convince them that mermaids are real.

I made up a tale about a 19th century prostitute who sometimes wore a mermaid’s fish-tail. I won’t share that with my grandchildren, but I wrote a poem which I’ll share with you.

The Lass at The Mermaid Inn

In an attic room at The Mermaid Inn
She brushed her long and lustrous wavy hair
Preparing to entertain men within,
Smoothed fish-net stockings over slender legs
And poured another large pink gin.

She promised Paradise for a shillin’
Her delicate strokes with soft, gentle fingers,
Enough to send her guests a-quiverin’
Tender kiss from rose-bud lips, sweet, hot, moist,
With a subtle taste of pink gin.

Again and again, they keep returnin’
She takes their shillings and gives them her best.
There’s more for an extra tanner thrown in,
Loving and lusting at The Mermaid Inn,
Homesick sailors and more pink gin.

So sometimes, just for a joke and darin’
She would wear her opalescent fish-tail,
Close fitting, tight, a rainbow shimmerin’
Begging to be peeled away so slowly,
She seductively sips pink gin.

PMW 2022

Thanks for reading, Pam x

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Terror - Ghostly Happenings

 

There’s something scary about looking up into the darkness at the top of the stairs. It started at my great-grandmother’s house when I was a little girl. Nothing happened, I was just spooked and the feeling has always been with me. Our landing light stays on through the night. My bedtime reading can’t be anything jumpy or thought provoking since ‘The Amityville Horror’ years ago – the film was bland compared to the book – such stories, and I enjoy reading them, are good for the afternoon. I accompanied my daughter to see ‘The Woman In Black’ at the cinema. This film absolutely terrifies me. I like the story, but I can’t watch it properly, not even on television at home.

“Tell me when this bit’s gone,” she whispered.

“I can’t, I’m not looking,” I whispered back, face covered with hands.

Recently, the stage play was on at The Grand Theatre. I’m told it’s very good and scary. My daughter asked me to go and I would have done if not for the covid situation, even if I was to spend two hours staring at my knees in the darkness.

One of the pubs our family had on the front was a former hotel, full of empty rooms. Most of these rooms were on the floor above our living accommodation and was out of bounds to me and my friends for safety reasons. On the same floor as us but separate to our flat was a corridor of about six former hotel rooms. Two of them were empty until my paternal grandfather moved in with us for a while and made one a lounge and another his bedroom. My dad used one for a spirit store (drinks, not ghosts), one was a guest room where my other grandparents stayed on their frequent visits and one was Joe’s room. Joe came with the pub. He was a live-in member of staff, of some very senior years, and when not working, kept himself to himself apart from watching the Saturday afternoon horse racing on our television, full volume due to his impaired hearing. Once a week my mother or Kathy who looked after us all, made him his favourite steak and cow-heel pie. He was a lovely man and we were sad when he died. I believe he was ninety, or thereabouts. I would guess it was a couple of years after Joe had passed when someone played a trick and scared the living daylights out of me. At some point, I moved into what used to be Joe’s room. The corridor was always a bit dark, but enough to see my way. One afternoon, as I came out of the room, there was a white, waiter’s coat floating in the air.  I screamed as terror gripped me and my dad came running from the nearby kitchen. It was all supposed to be in good fun. It might even have been Halloween. The jacket was on a wire hanger hooked on to a light-fitting. I recovered, eventually.

For a short time, my father took over The Old Hall at Sandbach and we moved to live there. I mention it by name because it was featured on the TV programme ‘Most Haunted’. We were aware of a ghost. Nothing scary, just a woman in a crinoline dress with her hair piled high. She vanished as soon as she appeared and always in the restaurant at night. She wasn’t mentioned in ‘Most Haunted’ but Derek Acorah and his team found plenty of other paranormal activity that we weren’t aware of or been told about.

When our son was about three years old, he had what we recognised as night terrors. The first time it happened I was terrified. It was the middle of the night and his screaming woke me up suddenly. I was out of bed and in his room in a nano-second, heart pounding. He was sitting up, unaware of me, staring ahead, screaming and crying. I rocked him, calmed him down and settled him back to sleep, somehow, while filled with terror myself. The look of fear in his face unnerved me more than anything, like he could see something I couldn’t. Luckily, there weren’t many episodes.

With all this in mind, I suppose it’s odd that I would happily spend a couple of evenings on ghost hunting tours with my friend. We had a fascinating time at The Grand Theatre in the dark and the talk from the organiser explained things that had happened to both of us at separate times on visits to see productions. When the opportunity to do something similar at the Spanish Hall came up, I was full of enthusiasm. Unfortunately, some of it was so scary, the experience was overwhelming fear.

My poem, which features in The Dead Good Poets Haunted Blackpool,

A Ghost Tour in the Spanish Hall

An evening in the Spanish Hall
Fun-time promised for one and all.
Exciting times for you and me,
Paranormal activity!
Hopes and desires, all are risen,
Someone’s speaking, we must listen.
“Enter the rooms with open mind,
And be prepared for what you find.”
The semi-darkness of torch-light,
Anticipation of the night;
Wondering what there might be here
To chill us with delight or fear
We heard a strange and weird sound,
Quiet growling from underground.
Distant laughter, joyful patter,
Ghostly party fun and chatter.
Chink of glasses, bell-like tinkle,
Passing orb gives us a twinkle.
We crept across the ballroom floor
To where we hadn’t been before.
A woman beckoned from her chair.
As we approached, she wasn’t there,
Just vanished, like she’d never been
But we both knew what we had seen.
And later, on the wide stair case
I froze as something touched my face.
I couldn’t scream, I couldn’t shout;
Someone was with me, there’s no doubt
When we sat in the back-stage room
We both smelt dated perfume
Like musky lavender and rose
Stagnant, lingering in repose.
And that mirror! I dared not see
The presence sitting next to me.
I felt their breath upon my cheek
And could not move, too scared to speak!
I must now be most explicit,
Show respect to restless spirits.
Never ridicule, tease or taunt.
It might be you they’ll come to haunt.

PMW 2012
Thanks for reading, Pam x

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Yellow - Daffodils

Yellow is the colour of sunshine, something there is so little of in these bleak, January days. Thinking of yellow and sunshine brings back treasured memories of my childhood and Nanna Hetty’s spotless, shiny kitchen in her bungalow at Heald Green. Perhaps the cupboards were yellow, or the Formica topped table, I’ll never remember, but the coffee pot with the pointed handle definitely was. I don’t think for one moment it was a Clarice Cliff, but whenever I see one it reminds me of Nanna’s sunny kitchen, her delicious fruit cake and the perfect scrambled eggs she made for me.

I hope that sunshine isn’t too far away. It’s almost impossible to imagine when it’s so cold, there’s scarce daylight from a dark grey sky and everlasting rain. Dreich. And, there is still the Covid pandemic hanging over us all.

Being surrounded by such doom and gloom at the moment, my recent choice of television viewing, BBC 4’s The Victorian Slum could be considered questionable. To give a brief outline, modern day families have taken up the challenge of living in the slum building exactly as the Victorian slum dwellers did, cramped in one room, two if it could be afforded and with the most basic of facilities. The lucky ones who found daily unskilled work could earn a meagre amount of money, every penny needed for rent and food. In the beginning, it is 1860, moving along a decade with each episode, exploring changes and differences and the hardship each family faces. Social history is very much my thing, so I’m glued to it and at the same time, thankful that I’m living now and not then. The only cheerful looking things were the artificial flowers that the children were making to sell. Within the slum is a doss house, somewhere to sleep, nothing more, for a penny or fourpence a night. The next step down is the workhouse.

One thing leads to another so with my head full of slum life in the 1860s I did some Google research on workhouses in the U.K. at that time. I was instantly transported to Bristol workhouse to be horrified at how people were treated so cruelly yet fascinated at what I was reading. The uniform for unmarried, pregnant women was a red tunic style dress. Prostitutes wore yellow. I smiled eager to share this snippet of information.

Don’t bother to tell me that’s how it was in all workhouses, not just Bristol.

Dad’s favourite colour was yellow. His mother was my Nanna Hetty, so maybe the colour yellow had significance. It was at Easter time when he suddenly passed away. Daffodils in full bloom filled each side of the front path that curved from the drive to the door. They became symbolic. Each year, I plant daffodils in remembrance of him, making sure there are some rich yellow ones. Some Tete-a-Tete are already in bud.

My poem,

Bristol Workhouse, 1860

I smoothed the cotton as I sat, and thought
Who wore this dress before me?
What became of her? Good fortune or death?
What happened to set her free?

Others were watching me, nudging, judging,
Nodding and whispering low.
My nervous hands gathered the threadbare skirt
As I glanced along the row.

Young women, not much older than children,
Some were dressed in washed-out red
With swollen bellies straining at the seams.
Those, the sinful un-wedded.

And me, I needed to feed my children
And pay the over-due rent.
There was no other way I could recoup
Money I shouldn’t have spent.

So I stood in the doorway, shoulders bare,
Brassing it out, being bold.
Closing my mind to demands of the men
While I shivered with the cold.

There’s no love lost in the Bristol Workhouse.
Pleading eyes, tear-stained faces
Cut no ice with those in authority
Looking down on the disgraced.

Downfall has brought me to sit here in a
Faded yellow dress of shame.
Of all the men who happily paid me,
No one even knew my name.

PMW 2021

Thanks for reading. Stay safe and keep well, Pam x

 

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Crackle - Snap, Crackle and Pop

Harbour cottage, Isle of Barra

On our second trip to the Outer Hebrides, we stayed in a fabulous cottage on the Isle of Barra.  It was a restored and extended Crofter’s cottage with many original features including an open fireplace in the ground floor living area. The time of year was May, late spring, early summer and the Hebrides, though breezy, was warmer than expected. Too warm for a log fire but I could imagine the ultimate in cosy.  I read the guest book entries of some amazing winter breaks describing the sound of the crackle and spit of a newly laid log fire. I could picture myself curled up on the sofa with a book or letting my mind wander as I watched darting flames begin to devour the logs. The cottage received regular visitors and it was interesting to read how they liked to spend their time. Hikers, hill climbers, sailors, water sports or observers like me, all had their story to tell.  Someone had been snowed in, but couldn’t have got off the island because of the weather, so had to stay longer. Someone else couldn’t leave the cottage for days due to the danger of gale force winds. Nothing like that happened to us. It didn’t even rain during our stay. The Glasgow to Barra aircraft stayed on schedule, so did the ferries, which was our means of transport.  Everyone who had stayed when it felt chilly had remarked on the brilliant log or coal fire.  I wish I’d set it up just to see it, and hear it snap, crackle and pop.

When I was a child, the only breakfast cereal in our house was cornflakes. At my Nanna’s it was cornflakes or All Bran. Once, I asked for All Bran. It was horrid, but I ate it because I’d asked for it, and that is what happened in those days. If my grandchildren choose something then don’t like it, I’ll find them something else – I’m a softy. At some point, Kellogg’s Rice Krispies made it to our kitchen and true to the advert on TV, as soon as the milk was added ‘Snap, Crackle and Pop’ happened. It’s funny when you’re only eight and still makes me smile.

My first introduction to John Cooper Clarke was listening to his album, ‘Snap, Crackle and Bop’. It wasn’t the music, it was the words, the clever imagery of Beasley Street and Evidently Chickentown made me laugh. His appearance fascinated me then, about 1980, and unchanged, it still does. I’m reading ‘I Wanna Be Yours’ and trying to make it last because I’ll miss it when it ends.

Here is my poem for JCC,

Terza Rima for John Cooper Clarke, when Manchester became Madchester,

Those of the time embraced every word,
Listening in wonder to John Cooper Clarke,
The Bard of Salford who had to be heard.

Rapid from the mouth and skinny and dark.
‘Evidently Chickentown’, effing good,
He’s magic with words, bright as any spark.

His wholesome description meant that we could
Smell the inhabitants of ‘Beasley Street’;
Rich mixture of urban decay and blood.

Life, humour and truth, a picture complete
And painted with colourful language that
Reaches all listeners not just the elite.

So thanks, JCC, I know where I’m at
Laughing out loud at the poem called ‘Twat’.

Pamela Winning 2012

Thanks for reading. Stay safe and have the best Christmas you can. Pam x

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Superstition - Good Afternoon, Mr Magpie

It was here again the other day. I heard it before I saw it, that horrible noise, like a distorted football rattle, then it swooped down from next door’s tree to strut around my garden like it owns the place. The magpie. Hopefully, there’s another one coming along. Not that I’m superstitious. After a muttering of “Good afternoon, Mr Magpie, pass my best wishes to your good lady wife” I forget all about him and carry on wiping down the kitchen. I notice him fly away with a companion, “One for sorrow, two for joy”, that’s good.

It is just as well that I’m not bothered by cracks in the footpath. I can’t avoid them when I’m pegging out washing and so far, I haven’t come to any harm. They give the courtyard character and somewhere to brush away the shattered shell of the snail I didn’t mean to tread on.

I’m not worried by the number thirteen, but I wouldn’t want to have thirteen people round a dinner table or gathering. That’s the one thing I share with the queen. Actually, I don’t think I know twelve people who would join me for dinner. Well, after lockdown, maybe.

There are superstitious rules concerning cutlery which have existed from my childhood and probably made up by my grandmothers and other ladies of their generation in my family to encourage good table manners. Dropped cutlery meant unexpected visitors and if it was a knife, the visitor would be a man. I don’t believe I’ve ever witnessed this. I wonder what we’d get if I dropped a handful of teaspoons? No, I’m not experimenting. Anyway, it’s got to be accidental. There is a correct way to leave cutlery on a finished plate. Deviate from the acceptable and we’re inviting the devil, apparently. The devil doesn’t like salt. Spilling salt causes bad luck. Quickly remedy the situation by throwing a pinch over your left shoulder into the eyes of the waiting devil. To spill salt was considered to be wasting money, dating back to ‘salary’ times.

I once broke the mirror on a handbag compact. I still use it, very carefully because it has a sharp bit and I’ve had the odd nick. I should really buy a new one. I’m not aware of any bad luck as a result, certainly not seven years’ worth. When it comes to personal care, no nail trimming on Sundays, but I’ve no idea why not.

Is it just me with pillowcases? The open ends must always face the same way, usually towards a window and I won’t change bed linen on a Friday. Superstition or not?

Here is my haiku for that pesky bird,

Strutting so aloof

As if it owns my garden.

Arrogant magpie.

Thanks for reading, stay safe and well. Back soon, fingers crossed. Pam x

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Upheaval - Moving House

My father’s job meant that we moved house a lot in my younger days. Sometimes, to me, it seemed like we had just got settled and we were off again. This transient lifestyle took us from pub to pub, or pub / restaurant or residential hotel and on one rare occasion to our own private house when he worked for Scottish & Newcastle looking after several premises. I can’t remember the layout of our living accommodation everywhere, I only remember the adventures of exploring our new home and whether or not I had to share a bedroom with my younger sister. Some places were vast, others were pokey and hotels usually meant no kitchen to call our own and bedrooms down a faraway corridor with views out on to a scruffy yard or a brick wall. Sometimes we didn’t need our own furniture and kitchen things. It would all be stored away in a spare room, ready packed for the next move. More than always being ‘the new girl’ at school, making new friends and meeting new staff, my ever lasting memory is the upheaval of  relocating.

In later years, I loved the independence of buying my own house, just mine. It was compact, tiny, even, and not perhaps in a favoured area, but it was my home and I loved it. How I managed to collect so many belongings and squeeze them in to my two-up-two-down, I can’t imagine now, but when my husband and I were planning our wedding and starting to move my things into our house, what an upheaval that was. I declared then that I was never going to move again, ever. Up to now, we haven’t, but if someone handed us the keys to a delightful bungalow in Kirkcudbright, I would cope.

Recently, my father-in-law moved into permanent residential care. Our family have been busy emptying his house of a lifetime of stuff which he doesn’t need anymore. In a way it seems wrong to be sorting out his belongings and making decisions on his behalf, but it’s the way it has to be and it’s a job which is certainly better to be done by his family rather than a house-clearance firm.

Again, it’s an upheaval but it will soon be done and in all the sorting out, there was family treasure to be found. An anthology of children’s poetry which includes a poem by his late grandson, David, aged eleven.

 

     Split Worlds

Eyes large with colours of the town.

Looking up, looking down.

Arm trying to grab a drink.

Fist ready to punch, angry. 

Body in purple.

Body in orange.

Split personality.

Red city, yellow lights.

In the blackness of the sky.

Confusion like the litter.

The world is drunk inside. 

I drink some more.

I have a fag and drop to the floor. 

David Winning (1982 – 2009)

 

 

 

Thanks for reading, Pam x        

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