A Favourite Poet - Too Many to Mention

Poetry books are in abundance on my book shelves and bedside table. I love poetry. I love words, artistically shaped into meaningful phrases. I wish I had the talent to do it better and I keep trying, but I think I peaked some time ago. My head is packed with stress and nonsense which I hope will eventually spill out and evaporate, giving me back some clarity and concentration, and something to write about.

As for choosing or having a favourite poet, for me, it’s like music and depends how I feel. They all have a place.

I suppose we all start as children, learning nursery rhymes and progress into poetry from there. My first poetry book must have been A Children’s Garden of Verse by Walter de la Mare. It’s a slim, hardback, well-used and dog-eared, still knocking around my house somewhere amongst my saved children’s books. I enjoy sharing books with the children at school. I often choose something that tells the story in rhyme, like Dr Seuss and ask the class if anyone can guess what word is next. I like to make it fun. I’ve borrowed a poetry book for children by Michael Rosen which my elder grandson enjoyed. I recently introduced him to my poem about Blackpool Tower, written a few years ago. He was arguing about when it was built, how long it took and I couldn’t convince him that it was less than a hundred years, so out came the book with the poem in it. I read the poem out aloud, not letting on that I’d written it until the end, when I showed him the name. Now he knows that I’m a published poet, I might have gone up in his estimation. I’m not just Nanna, who makes delicious muffins.

When I was a child, we had to learn poems or verses off by heart. It was part of English and usually set as homework to recite to the class. No escape. Here’s a favourite,

From Home-thoughts From Abroad by Robert Browning.

Oh, to be in England
Now that April’s there,
And whoever wakes in England
Sees, some morning, unaware,
That the lowest boughs and the brushwood sheaf
Round the elm tree bole are in tiny leaf,
While the chaffinch sings on the orchard bough
In England – now!

Later it was Shakespeare’s sonnets and Chaucer’s Wife of Bath from the Canterbury Tales.

My fondness for Dumfries & Galloway began with a visit to the birthplace of Robert Burns when we were on holiday near Ayr. Our first stay in the area was never going to be enough and over the years we may have traced his steps from Alloway to Ecclefechan and back again many times, visiting his various homes and his resting place in Dumfries. I wrote this some time ago,

You captured my heart with your words of romance,
I would have embraced you, if given the chance.
We might have been lovers and perfect soul mates,
What a shame I was born two centuries late.

John Betjeman, Simon Armitage, Maya Angelou and Lemn Sissay are all dear to me. How wonderful to see the work of Lemn Sissay displayed as artwork on the side of a Huddersfield University wall, and another in Manchester. We haven’t met, but I feel like I know him through his life story and his daily quatrains, and I want to hug him and say, “Look, at that! Look how far you’ve come!”

I have met Manchester poet, Mike Garry. His poetry still takes my breath away and I’ve seen him many times. The first time was 2012 at the Brewery Arts Centre in Kendal when he was on with John Cooper Clarke. Mike Garry, totally different to JCC, with an equal talent that blew me away. Read him, go and see him, listen to him on YouTube.

Dr John Cooper Clarke, he’s gone from strength to strength. Punk poet in the 1970s to GCSE and A-Level Curriculum inclusion now. Clever, witty and great in concert, with all his handwritten poetry on loose sheets of paper. That’s how it was in Kendal. I wonder if he ever got my Terza Rima?

When Manchester became Mad-chester.

Those of the time embraced every word,
Listening in wonder to John Cooper Clarke,
The Bard of Salford who had to be heard.

Rapid from the mouth and skinny and dark,
‘Evidently Chickentown’, effing good,
He’s magic with words, bright as any spark.

His wholesome description meant that we could
Smell the inhabitants of ‘Beezley Street’,
Rich mixture of urban decay and blood.

Life, humour and truth, a picture complete
And painted with colourful language that
Reaches all listeners not just the elite.

So thanks, JCC, I know where I’m at,
Laughing out loud at the poem called ‘Twat’.

PMW 2012

I haven’t got a definite favourite. I’ve missed lots out and there are people I know through open-mic and similar formats who write some terrific poetry and make me want to snap all my pencils.

This is a long blog, but thanks for reading, Pam x

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Crackle - Snap, Crackle and Pop

Harbour cottage, Isle of Barra

On our second trip to the Outer Hebrides, we stayed in a fabulous cottage on the Isle of Barra.  It was a restored and extended Crofter’s cottage with many original features including an open fireplace in the ground floor living area. The time of year was May, late spring, early summer and the Hebrides, though breezy, was warmer than expected. Too warm for a log fire but I could imagine the ultimate in cosy.  I read the guest book entries of some amazing winter breaks describing the sound of the crackle and spit of a newly laid log fire. I could picture myself curled up on the sofa with a book or letting my mind wander as I watched darting flames begin to devour the logs. The cottage received regular visitors and it was interesting to read how they liked to spend their time. Hikers, hill climbers, sailors, water sports or observers like me, all had their story to tell.  Someone had been snowed in, but couldn’t have got off the island because of the weather, so had to stay longer. Someone else couldn’t leave the cottage for days due to the danger of gale force winds. Nothing like that happened to us. It didn’t even rain during our stay. The Glasgow to Barra aircraft stayed on schedule, so did the ferries, which was our means of transport.  Everyone who had stayed when it felt chilly had remarked on the brilliant log or coal fire.  I wish I’d set it up just to see it, and hear it snap, crackle and pop.

When I was a child, the only breakfast cereal in our house was cornflakes. At my Nanna’s it was cornflakes or All Bran. Once, I asked for All Bran. It was horrid, but I ate it because I’d asked for it, and that is what happened in those days. If my grandchildren choose something then don’t like it, I’ll find them something else – I’m a softy. At some point, Kellogg’s Rice Krispies made it to our kitchen and true to the advert on TV, as soon as the milk was added ‘Snap, Crackle and Pop’ happened. It’s funny when you’re only eight and still makes me smile.

My first introduction to John Cooper Clarke was listening to his album, ‘Snap, Crackle and Bop’. It wasn’t the music, it was the words, the clever imagery of Beasley Street and Evidently Chickentown made me laugh. His appearance fascinated me then, about 1980, and unchanged, it still does. I’m reading ‘I Wanna Be Yours’ and trying to make it last because I’ll miss it when it ends.

Here is my poem for JCC,

Terza Rima for John Cooper Clarke, when Manchester became Madchester,

Those of the time embraced every word,
Listening in wonder to John Cooper Clarke,
The Bard of Salford who had to be heard.

Rapid from the mouth and skinny and dark.
‘Evidently Chickentown’, effing good,
He’s magic with words, bright as any spark.

His wholesome description meant that we could
Smell the inhabitants of ‘Beasley Street’;
Rich mixture of urban decay and blood.

Life, humour and truth, a picture complete
And painted with colourful language that
Reaches all listeners not just the elite.

So thanks, JCC, I know where I’m at
Laughing out loud at the poem called ‘Twat’.

Pamela Winning 2012

Thanks for reading. Stay safe and have the best Christmas you can. Pam x

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