written and posted by members of Lancashire Dead Good Poets' Society

Showing posts with label Altered States. Show all posts
Showing posts with label Altered States. Show all posts

Sunday, 15 December 2019

Altered State Of Flow






When I chose the topic of Altered States I instantly thought of getting high. Then I realised I no longer carried the disposition or the connect saving me the trouble. Then I thought back to my days at university, Mary Jane was a frequent visitor then. During the winter she was a permanent resident, not once did I see my mates not enveloped in a haze of smoke. Admittedly I did partake a few times but I never stayed for long, I had stuff to do, an exam to revise for, friends to meet, souls to save etc.
 
Now why am I telling you this? Am I high now? Am I going through the stoner’s motion of rambling from one topic to another? Here’s the point, the green stuff makes you sluggish and dims the mind, so when I hear a writer announce he wrote this particular masterpiece under the influence, skeptical is me.
 
The Beats, those purveyors of cool, ‘the angel headed hipsters’, setting the world to right, not a single back upright, were the great exponents of the altered state if only to shake their own United States out of dull conformity. But knowing their work you started to see the dedicated writers they were, the Ginsbergs, the Burroughs, the Kerouacs were sober enough some of the time to craft some fine words (for the sake of brevity I’m going to open the discussion to include other intoxicants). Admittedly the Moloch section of Ginsberg’s Howl was written through a fog, and William S. Burroughs' Naked Lunch composed with a litany of illegal substances coursing through his veins, and Kerouac’s On the Road gusting forth proportionate to the amount of pills good old Jack just popped. But have you ever read extracts from the first draft of these fine works? A mess of mixed metaphors and circular reasoning. Yes, On the Road was written in three days, but  they fail to mention it took months of editing and re-writes before it became the novel we know it today. Naked Lunch is on par with Ulysses for it’s pain in the arse-ness to read.  And what about the 'Moloch' section of Howl, I’ll give you that but admittedly it’s the weakest part of that poem.
 
Alcohol is probably the worse offender of talent killing. A writer’s proficiency corresponds indirectly to the amount of alcohol consumed. I normally stop writing after the second pint and prefer to leer at the bar maid for the rest of my stay, notepad plain. So many great writers have been laid to waist by the demon sauce, Berryman, Lowell, Hemingway, Faulkner, Cheever, Chandler, Carver (all the C’s). Dylan Thomas the Welsh bard killed himself drinking eighteen straight whiskeys (although I think that’s a myth myself), and keep in mind all the poems we know him for were written stone sober in a shed, under the stern gaze of his long suffering wife Caitlin.
 
Psychedelics open our minds, on the marvels of LSD, Magic Mushrooms and their ilk I have spent many a Summer day in their company, and have filled notebook after notebook with insights into the universe. Unfortunately I cannot tell you any of those insights, or tell how long God’s beard is. My writing is intelligible at the best of time and after a trip my notepad looks like a Jackson Pollock painting. The bits I manage to decipher are so pedestrian and cliche I feel like I’m reading the scrip to Eastenders. However unlike alcohol which is friend of forgetting, the memory of your trip on psychedelics lasts potentially for a lifetime, so you can always tap that reservoir if needed. Although few and far between are those times.
 
Here’s the crux my fellow travellers. There’s nothing greater than the Altered State of Flow, that non- substance-induced state of writing when you feel in absolute control. Unaware of the passing of time, the words flow almost without thought, like they have been gifted from up on high, potentially woven into God’s beard. And up to the time when you are awakened from your trance by a car alarm or the kids running into the room, you are one with the verse/the universe. It is the greatest rush more than any stimulated high, better than weed, alcohol, or a twelve hour trip to nirvana, the feeling of completion. That final full stop and the feeling of a good job done, nothing beats the rush. This is why I write, give me that anytime.
 
Jamie 



 

Wednesday, 11 December 2019

Altered States

Some of you know me from Dead Good Poets open mic nights. I've been working to develop my poetic style in recent months and at the same time I've been working on a portfolio of my visual art work.

For those of you who might be interested, I've got three pieces on display as part of the Libertalia Art Exhibition which opens at the Hive Café from this Friday 13th December. Please drop in and have a look if you're in Blackpool in the coming days.


This is my latest attempt at developing how I write poetry. I hope you'll like it.

Altered States

Love took on many identities
Wore many clothes
Took them off
And watched me stare.

Love walked with me
Chattered and laughed
Revealed its hopeless tragedy.

Love loved me
Brooded and swore
Cursed
Broke
Changed.

And I still looked
For the something
That would make it all stop
Being
Annoying
And able to be
Given up.

I wondered on
Fuller
Better
And worse
Until
I came to the moment
When I recognised
The other one.

Everything settled.
The sun came out
And took the tears.

And I was left
All alone with you.

I didn't think
It would feel
Normal
Just normal
And right
And honest. It did.

Thanks very much for reading, Laura Colville

Tuesday, 10 December 2019

Altered States - "Turn on, tune in, drop out"


The effects of an over-indulgence of Bacardi and coke in my youth shaped my almost tee-total lifestyle.  I should have known better.  Being a licensee’s daughter, I’d seen enough of the downside of having too much to drink in other people.  The strange feelings I had in my head, referred to as ‘being merry’ was no enjoyment.  It was a scary, altered state of mind that made me feel horrible.  The experience taught me to be wary of alcohol and anything else likely to mess with my thought process.

When I was a young teenager, just getting into the Moody Blues, progressive rock, Rolling Stones and later Beatles stuff, it was cool to know who Timothy Leary was.  I thought he was a named character in a Moody Blues song. When I found out that he really existed, I understood him to be a psychedelic guru who opened people’s minds to another level, to see things in a different way and hear music beyond the sounds coming through the speakers from the vinyl. I didn’t know how he did it. I was happily naïve.

LSD – lysergic acid diethylamide – a hallucinogenic drug which Timothy Leary, actually a clinical psychologist, considered to be useful in psychiatry therapy. It was a known recreational drug in those heady, hippy times of the ‘60s and some of the songs from the musicians of the day sound like they were enhanced by something and the lyrics made no sense, well, not to me, but I loved them anyway and still do, in my un-altered state.
 
 
 
Nice to be Here
 
Nice to be here, hope you agree
Lying in the sun
Lovely weather, must climb a tree
The show has just begun
 
All the leaves start swaying to the breeze that's playing
On a thousand violins
And the bees are humming to a frog sat strumming
On a guitar with only one string
 
I can see them, they can't see me
I feel out of sight
I can see them, they can't see me
Much to my delight
 
And it seems worth noting water rats were boating
As a lark began to sing
The sounds kept coming, with Jack Rabbit loudly drumming
On the side of a biscuit tin
 
I can see them, they can't see me
I feel out of sight
I can see them, they can't see me
Much to my delight
 
Silver minnows were devising water ballet so surprising
A mouse played a daffodil
A mole came up blinking underneath an owl who's thinking
How he came to be sat on a hill
 
I can see them they can't see me
I feel out of sight
I can see them, they can't see me
Much to my delight
 
I know you won't believe me, but I'm certain that I did see
A mouse playing daffodil
All the band was really jumping, with Jack Rabbit in there thumping
I found that I couldn't sit still
 
I just had to make it with them 'cause they played my kind of rhythm
 
Ray Thomas  (1941 – 2018)
 
 
Thanks for reading, Pam xx