written and posted by members of Lancashire Dead Good Poets' Society

Showing posts with label Hooked. Show all posts
Showing posts with label Hooked. Show all posts

Saturday, 29 November 2025

Fair Hooked

I don't often write about personal stuff, but I know some of you prefer my more autobiographical blogs, so this one is for you, a bit of nostalgia.

My first serious, steady relationship was with Harriet. I'd had girlfriends before, for a few weeks or months through my early teens in Cambridge, but Harriet was the first one with whom I felt a deeper connection. Was it love? I suppose we both thought so. We were of a romantic disposition and were together for nearly three years from 1969 to 1972.

We'd met at a Sunday afternoon party at one of the colleges. I remember a picnic and playing croquet on the lawn. It all seems quite improbable in recall. We were both still at school at the time. She was in her O-level year and I'd just started A-levels. We had been invited by a mischievous mutual friend who had match-making aspirations. Harriet  had long hair, large eyes and was very shy. We hardly talked to each other at the party, but when it transpired she lived only two streets away from me, we walked home together and arranged to go on our first date one evening that week, to the autumn fair which was taking place on Jesus Green.

fair hooked (i)
I've always liked a fair, the gaudiness, the noise (thrum of diesel generators, loud music, squeals of delight from the amusement rides), the overdo of bright lights, the maze of stalls (hook a duck, rifle range, coconut shy, name your favourite...), the smell of hot dogs, fried onions, candyfloss. I hooked a duck, won her an anklet, the sentimental worth of which outweighed its cost. We had a good time, talked about 'Far From the Madding Crowd', arranged to meet again. at the week-end for a 'proper' date.

We went to see 'Midnight Cowboy' at Cambridge Arts Cinema and then for something to eat. She insisted on paying her share, said if this was going to be a regular thing, it was only fair. It was then that she told me I had the seal of approval of her best friend Vicky, who'd also been at that Sunday afternoon party. We sat talking for ages and I received a mild parental telling off for getting her home late!

We were hooked. We'd become a couple, with much in common, both of us studious, liking art, film, literature, music, theatre. I wrote her poems and painted pictures for her. We didn't see each other during the week in term time (the curse of homework), but went out most Friday and Saturday nights and spent Sunday evenings together in the front room of her parents' house or mine, with said parents hovering next door. We listened to music and romanced in the dark "the way young lovers do" (thanks, Van Morrison).

That Christmas I bought her Leonard Cohen's 'Songs From A Room' and received a book of Richard Brautigan poems. The next it was Pink Floyd's 'Atom Heart Mother' and in return I got Northrop Frye's 'Anatomy of Criticism' In the holidays we'd to go up to London to visit art galleries, or get the train to the seaside for the day. Sometimes we'd go to the theatre in Cambridge or in London with the local Theatre Appreciation Society. Once we went to stay with my aunt and uncle in Portsmouth (separate rooms of course). She reminded me of Miriam in 'Sons and Lovers'. Cambridge in summer meant punting on the Cam, or going to music gigs or a party if we could find one (some of our social group from more liberal households were having them). Harriet was on the pill by now, and such occasions were godsends for couples who still lived at home with less understanding parents.

When my own parents and brothers went away on holiday for a fortnight and I stayed behind to revise, then we could be together more naturally, and then I did throw a party. Harriet helped me carry every stick of furniture from the ground floor of the parental home out into the garage excepting for the piano and a kitchen table. What a girl. What a party.  

At the end of my A-levels I took a gap year before heading off to university. I think she'd hoped I might apply to a Cambridge college, but I wanted something a little less 'establishment'. Warwick was at the forefront of radical student activism at the time, and Germaine Greer would be one of my English tutors. I got a job in Cambridge for that year, left home, and rented a house with some friends while Harriet pursued her A-levels. My rented house was conveniently near to her school and we became as close to a couple living together as was possible, given the fact that her parents expected her home by 11.00 every night, or midnight by special dispensation.

fair hooked (ii)
We bought items for the house - a bookcase, an antique mirror, vases, bedspread, posters - as if we had all but set up home together. Looking back now it seems naively sweet. I don't know if she hoped she might join me at Warwick. We did talk about it, I'm sure. But she didn't get an offer, and went to York instead to read History, taking with her the copy of Leonard Cohen's 'Songs of Love and Hate' that I'd recently bought her. 

You can probably imagine that it didn't end well. I don't know what percentage of young loves survive the separation that going off to university involves, but the number must be a low one. To give Harriet credit, she would probably have remained loyal to me longer than I managed to stay loyal to her. I unhooked first and she was extremely upset. Meeting up with her back in Cambridge to explain and apologise felt like a courteous thing to do, but it wasn't taken very kindly, and I still feel a degree of remorse all these years later for having let her down. I heard she was living with an old school friend of mine. Our last contact was a letter of condolence she wrote me after my mother died. She had been very supportive of Harriet in the wake of our unhooking. 

The title of today's poem is a mondegreen courtesy of a university friend who thought Dylan's line from "Tangled Up In Blue" sounded like "and quoted Leonard Cohen", when in fact it reads "and every one of them words rang true and glowed like burning coal." I figured it was appropriate given the Cohen references in the blog and the echoes in the poem of "So Long, Marianne", "Seems So Long Ago, Nancy" and  "Hey, That's No Way To Say Goodbye". It comes with the usual caveat of it being a first draft. 

And Quoted Leonard Cohen

So long, Harriet, and yet I never could forget...

We met when we were almost young, 
my mother said "in love with being in love"
but what did any of us know? Were there
wiser heads anticipating the upset 
beyond the rapids of our infatuation?

The journey was ours though, explorers
in the morning of a new world,
our mutual delight in the way we loved,
your hair upon the pillow as Lenny sang,
my shy and gentle wide-eyed girl.

Our mirror, our red bookcase filled
with favourite books, our purple bedspread
in that nest of a room. We fledged,
my mother broke our crystal vase
by mistake, she said. You shed some tears.

At least she was kind after I was gone.
It was no way to say good-bye, but she knew
that a broken heart mends with time.
I'm sure we've laughed and loved and cried
with others since in less innocent ways.

So long, Harriet, of course I never could forget
for part of you has remained with me, 
a tender imprint on the soul. I hope the same
is true for you, my young love. No regrets.
Do you still have that purple bedspread? 











Thanks for reading. Have a good week, S ;-)

Wednesday, 26 November 2025

Hooked

I don’t know where I’ll end up with this because as I’ve been going through various meanings of hooked. I’ve come across a link to an exhibition at the Science Gallery, London. It was entitled ‘HOOKED: WHEN WANT BECOMES NEED’ which had taken place between the 21st Sept 2018 and 27th January 2019.

the Science Gallery, London
It says ‘From gambling to gaming and smartphones to social media, HOOKED invited you to question what makes us as humans vulnerable to addiction and interrogated the underlying factors and routes to recovery. We invited you to challenge the stigmas associated with addiction, consider addiction as a health issue we are all susceptible to, and explore how recovery takes many forms.’

Which didn’t sound that promising until I saw some of the names of the Exhibits. The first one to make me look again was entitled ‘The Curtain of Broken Dreams’ by Natasha Caruana. I mean what a title for a poem.

It actually refers to the collection of pawned, discarded golden rings, which physically enmesh you (in the exhibition presumably), and which represents approximately 1% of divorces in the UK over a typical 12-month period.

The Curtain of Broken Dreams, Natasha Caruana, 2017
Number seven in the list of exhibits (there are twenty four) is an exhibition with the title of ‘Short Periods of Structured Nothingness’. Absolutely brilliant. I know a couple of poets who could really go to town with that.

Apparently it relates how Blast Theory worked with an anonymised group of young women who shared their lives and experiences with the artists over seven days through instant messaging, photos and phone calls.

Katriona Beales exhibit is called Entering the Machine Zone II which I find fascinating as much for the title (it’s the number II that intrigues me) as for the work itself which (from the brief summary) explores the theory that a major driver for gamblers is not money, but the dissociative, trance like state that continual play generates.

Entering the Machine Zone II, Katriona Beales, 2018
Tony Smoking Backwards by Richard Billingham is a title that could be worked on. The summary says: Richard’s subjects reflect his working class roots, but the underlying issues in his work are universal: anyone from any class can get bored or develop dependencies, even if some do so with more material comfort.

And exhibit number 22 is the wonderfully titled Another Day on Earth (Marshmallow Pants) by Olivia Locher. I haven’t read the whole summary as I don’t want to spoil the beginning:

‘Ladies tights stuffed with mouthwatering marshmallows suggest an unwieldy, uncomfortable body, deformed by the fluffy, swollen confections...’

Well all that was unexpected. And I’ve never heard of the Science Gallery London. As I said earlier the above exhibition was from 2018/9. The current one is entitled Quantum Untangled and is on until Feb 28th, 2026.

It can be found here:

King’s College London, Guy’s Campus
Great Maze Pond
London SE1 9GU
Nearest station: London Bridge (use Guy’s Hospital exit).

I’ve been writing about how the titles of the exhibits could be the title of a poem as a hook to read the poem which has got me thinking about a title which has done that for me. After a bit of a think I’m going for ‘Song of Myself’ by Walt Whitman as not only did it attract my attention at the time I first saw it but it also has the best first and hookish lines, in my opinion.

Walt Whitman, Song Of Myself
Song of Myself (1892 version)

1

I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.

                                                                    Walt Whitman


Thanks for reading, Terry Q.

Tuesday, 25 November 2025

Hooked


One Enid Blyton book was all it took to set me off on a life-time of reading. I’ve mentioned before about the box of books left ‘for the little girl’ in a pub we were moving into. The little girl was me, aged seven and the pub was The Boar’s Head in Blackpool. This was my introduction to The Broons and Oor Wullie, which enabled me to master a Scottish accent on paper. My teacher was not impressed, bless her. It was also my introduction to a love of Enid Blyton stories, with the donated hard-backs of The Secret Seven, The Ring o’ Bells Mystery and The Rilloby Fair Mystery. I was hooked. I read them over and over again. I remember finishing The Rilloby Fair Mystery and going straight back to the beginning. I loved it so much. A nearby newsagents sold toys and books. My parents knew exactly what to bring home for me. I still have most of the books. My children preferred Roald Dahl and J.K.Rowling. My grandchildren prefer activities on screens – a sign of the times – but Michael Rosen is loved by a grandson and Jacqueline Wilson is loved by a granddaughter. I was born in the ‘50s, thank goodness.

Another thing got me hooked, literally. My grandmother taught me to knit. My mother did, as well, but it was mainly Nanna. She crocheted a lot, making herself lacy tops that were like works of art. She had the patience of a saint trying to teach me. Watching her, deliberately going slow to show me, I would be confident that ‘I’d got it’. She would start me off by making a chain then handing me the hook and yarn to carry on. We were making a scarf. I was making a mess.

“Oh, give it here!” Another exasperated grumble as she grabbed the tangle of wool from my hands.

This went on into my teens and I failed to crochet anything except the foundation chain.

My grandmother passed away when I was nineteen. Something must have clicked because shortly after, I discovered I could crochet, after all, and I still do. I crocheted a fancy bedspread. That was the first thing I made. I have lots of blankets I’ve made from crocheted granny squares and I’ve managed to crochet teddy bears for charity. Yes, I’m crochet hooked.

Enid Blyton, known as a story writer, but less known as a poet. This is one of hers,

Fairy Snow

Yesterday, the sky was white,
For one big cloud was spread
From east to west and north to south
Above my head.

But in the night the fairy-folk
Began to wonder why
They saw no moon nor little stars
About the sky.

They didn’t like that big white cloud,
So up they softly flew
And tore it all to tiny bits
The whole night through.

And one by one the bits fell down,
Like feathers soft and white,
Until the ground was overspread
With dazzling white.

And now today that big white cloud
Beneath my feet is spread,
And all the sky is blue again
Above my head.

Enid Blyton  1897-1968


 Greetings from Dumfries & Galloway. Thanks for reading, Pam