A 1 - Cherished Number Plate

The first car registration plate was A1 and issued by London County Council in 1903. From 1^st January, 1904 it was compulsory for every motor vehicle to be registered and have a registration plate. In modern times, it became a status symbol to have a private registration on a car, personal initials, for example, and the fewer letter and numbers, the higher the value. The most recent information I have found on the A1 plate is that it is registered to a Mini Cooper in London and the estimated value of the plate is between five and ten million pounds. The lovely photo from my I Spy Car Numbers book reminds me of one of my dad’s Jags. He never indulged in a ‘cherished number plate’.

Once, a long time ago, I think I had a ‘cherished number plate’. It was on a Vauxhall Viva, circa1969. I bought the car in desperation in 1980. Home from visiting family in the U.S.A., I needed wheels but had very little money, fifty pounds, in fact. Fifty pounds couldn’t buy much of a car, but sometimes there might be a ‘good runner’ for sale with only a month or two left on its MOT. It was worth reading all the adverts in the used car section of the local paper. This was one such car. Many shades of green, lots of filler on the sills and a very snatchy clutch, it was worth every penny of my fifty pounds. And my dad loved tinkering with cars, which was just as well. Nearly every day there was something. While I was at work, my dad would be at the nearby scrap yard looking for parts. We would guess if the car would start or not each morning. It became more efficient as my dad replaced bits and pieces under the bonnet. I did the Advanced Drivers Course with the local traffic police in that car. My tutor, a lovely police officer, used to mock my car, mostly in fun, and blame my driving, not the funny clutch, until he drove it himself. By the time I could afford something better, my dad had virtually rebuilt the engine. The bodywork, which was half metal, or more correctly, half rust, half plaster, or whatever they fill holes with, was in a sorry state. Slam the door and a bit more would drop off. It was up for sale. My neighbour thought that was hilarious and suggested I scrap it, but no, I needed some money for it. The first person to see it, bought it, and for my asking price of £100. He didn’t actually want the car, he was after the ‘cherished number plate’, which meant nothing to me but everything to him. That was the one and only time I made money on a car. HEN 63F.

A1, that was Blackpool FC on Saturday against Swansea. Another win, another three points, first class.  I was so happy to have my husband back at the stadium for the first time since November, though I’m grateful to the family members who have taken his place and kept me company at home matches during his absence.

My poem, nothing to do with A1, and not even a poem, just thoughts.

Carrying whatever they can,
Walking for miles,
Someone’s child,
Hungry, tired, scared.

Someone’s parent,
Anxious for family, friends.
Someone’s partner,
Sick with worry.

No sleep, no rest, just tears and fears.
War-torn people, devastated lives.
Broken burning buildings,
Homes, hospitals, schools.

Soldiers fighting for Ukraine,
Their lives, their families,
Their all.
Someone, something,
Put a stop to Putin.
Russians rebel,
End this now.


Thanks for reading, Pam x

 

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Playing in the Band - Let's Rock

I wish I had a talent for music. A proper talent, not just the piano grades that my father’s expense and my reluctance to learn got me. That piano teacher was a horrid man. I spent years trying to wriggle out of going to his gloomy, unwelcoming house. I feigned illness on Saturday mornings, or stayed quiet and hoped my twelve o’clock lesson would be forgotten about but my ploys never worked and I would have to endure a miserable hour with the creep. And for all that, I still can’t play Fur Elise at the correct speed or Chopin’s lovely waltzes without constantly checking my finger positions. No confidence and certainly no natural talent, unlike some others in the family.

My son plays by ear. I was trying to get to grips with a Mozart piece on the piano in my usual slow, clumpy way. He just comes along and plays it, as easily as you like, because he knows the tune. I used to love hearing his electric guitar or bass coming down from his attic room. One day, he was belting out the intro to the Moody Blues ‘Story in Your Eyes’ and I nearly burst into tears at how perfect it was. His college was doing an entertainments evening and we, his parents, were invited to attend. We knew he was taking part, but didn’t know what he would be doing. I was unwell, full of a cold and full of appropriate medication to get me through the evening. I was not going to miss this event. He took to the stage. He was on bass, playing with a band. I recognised something he’d been practising at home.  They were excellent, well-rehearsed and ‘gelled’ together. I was relaxed into ‘Proud Mum’ mode when the scene changed and the spotlight was now on my son. The voice, I realised, was his, rocking 'Johnny B Goode' like a professional and making the stage his own. He was amazing. I don’t think I’d heard him sing since he was about seven. Here was a twenty-ish year old rock star making me tear-up like his first nativity. The things you miss when they grow up leave home and have kids. I think he’s still musical.

Our daughter is or was blessed with a wonderful, powerful singing voice. She reduced me to tears with a soulful rendition of Katie Melua’s ‘Closest Thing to Crazy’ in the car one day, just out of the blue. She had the same effect on her music teacher. She sang at home, so I heard her all the time and helped her to choose songs suited to the strength of her voice. Seeing and hearing her on stage held no surprises for me. I was ‘Proud Mum’ always, with lots of support. I’m sure I glowed with pride when others told me how her performance had blown them away. My response was always to say thank you and that everyone taking part was brilliant. She went on to do performing arts at college. These days, that fabulous voice is used for calling her children in from the garden or shouting for them to wait when they run ahead of her. I must ask her if she does much singing these days. What I’d give for her voice and a band to accompany me!

My wish came true, except it was my voice and I wouldn’t describe myself as a singer. I had a posh party for my sixtieth birthday a few years ago. As it was the ‘party to end all parties’ it was held at one of Blackpool’s finest hotels, I had live music from a local band and a nephew who is a professional musician. I wasn’t expecting to join the band on stage, but with some gentle persuasion (dragged up, no choice) and a compulsory funny hat, I found myself making a guest appearance. I think I was trying to sing ‘Rock the Casbah’ with the help of The Rattlers. I hope they were playing the same song. Someone somewhere has a video that I’ve never seen. Destroy it, please.

My own poem,

The Ballad of a Lady Jazz Singer

Jazz tempo piano and a bluesy guitar

It’s two a.m. in the Ritzy Bar.

Lorna sips gin through a long, curly straw

As she sits and waits, one eye on the door.

He said he’d be along to see her set

But he’d promised before – never made it yet.

Perched on a bar stool, cigarette in hand,

Minutes away from her spot with the band,

She leans a bit further back in her seat

And her red stiletto taps out the beat.

She’s laughing and swaying, about to begin,

Adrenaline rush, or too much pink gin.

She’s out of her mind, but not really crazy.

Her vision is soft-focus, smoky and hazy.

Tight black dress, short, strapless and low,

Only put on for this kind of show.

She clutches the mic stand, there’s a hint of a smile

Then she bangs out a song in her Joplin-esque style.

Heat and smoke hit hard on her throat

But she stays on key and keeps the right note.

Much clapping and cheering, the Ritzy’s alive

Lorna kept singing ‘til quarter to five

Then staggered out happy in the dawning new day

With her new bass playing lover leading the way.

 Pamela Winning  2014

Thanks for reading, keep safe and well, Pam x

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Hats - Not For Me, Thanks

My mother had a pill-box hat made of tiny pale blue feathers sweeping round the circular shape. She wore it for my aunt and uncle’s wedding. She didn’t like hats much. They were for church and special occasions. A headscarf would do for popping to the shop, a stroll on the windy promenade or for keeping her hair neat on the walk back from the hairdressers.

My granddad never went out without his signature tweed Trilby. He might have had more than one, I don’t know, but he didn’t object to me dressing up in it when I was little. The inside rim was shiny with his Brylcreem and it smelt sweet, like him.

I’ve recently been knitting cardigans and matching hats for my new baby granddaughter, Matilda. I love making children’s clothes and each item is a one-off, for a particular little person.

Crochet is not my speciality, I’m a bit hit and miss with it, apart from Afghan square blankets, but I managed to design and make Minion character hats for a local primary school Christmas Fayre. I’m not looking to give up my day job on the strength of it, not just yet.

I miss working with infants, especially literacy and reading. There is so much to learn from the four-to-sevens when looking at their world and listening to their stories.  The developing imagination of a child is fascinating.  I’m starting to introduce well-loved stories and poems to my grandchildren.  A current favourite is The Very Hungry Caterpillar.  Soon we’ll be on to Dr Seuss and Edward Lear. I don’t mind if they grow up thinking that I am completely bonkers as long as they remember having lots of fun. And that I always dressed ‘in character’ for the benefit of the children who knocked on my door at Hallowe’en.

Apart from my black, pointed, witchy thing with the illuminated spider on the side, I’m not really one for wearing hats. I have a couple of home-made knitted ones for very cold weather that also keep my hair off my face in the wind. I’ve got a wide-brimmed sun hat for sitting in the garden and a ‘posh’ hat that I wore for a wedding, once. Me and hats don’t get on. It’s really my hair. I’m burdened with very fine, flyaway hair that reacts badly when I take a hat off. Most of all, I hated my compulsory senior school hat.

Someone else must have hated my school hat, too, because the first thing she did when she got on the same bus home was to grab it off my head and kick it all over the dirty floor, encouraging her friends to join in. This was a slightly older girl from another school. I knew her by sight from being in the year above me at the same junior school. I would already be on the bus for a short time before it reached her stop and I would dread her arrival.  She snatched the hat out of my hand once, when I tried to stop her getting it and another time it was my satchel that got thrown all over the place. Eventually, I agreed that my mother should intervene and she telephoned a complaint to the bully-girl’s school. Whatever was said and how it was dealt with worked. There was no alternative, we had to share the same bus, but she never bothered me again.

Amongst my special keep-sakes is the beautiful hat my late mother-in-law chose to wear for our wedding. It’s a pretty, navy blue satin pill-box hat, trimmed with navy net and a bow of navy velvet. A memento of a lovely lady from a wonderful day.

 

I hope my choice of an Edward Lear poem raises a smile,

 

 

The Quangle Wangle's Hat

 

I 

On the top of the Crumpetty Tree 

      The Quangle Wangle sat, 

But his face you could not see, 

      On account of his Beaver Hat. 

For his Hat was a hundred and two feet wide, 

With ribbons and bibbons on every side 

And bells, and buttons, and loops, and lace, 

So that nobody ever could see the face 

            Of the Quangle Wangle Quee. 

 

II 

The Quangle Wangle said 

      To himself on the Crumpetty Tree, — 

"Jam; and jelly; and bread; 

      "Are the best of food for me! 

"But the longer I live on this Crumpetty Tree 

"The plainer than ever it seems to me 

"That very few people come this way 

"And that life on the whole is far from gay!" 

            Said the Quangle Wangle Quee. 

 

III 

But there came to the Crumpetty Tree, 

      Mr. and Mrs. Canary; 

And they said, — "Did every you see 

      "Any spot so charmingly airy? 

"May we build a nest on your lovely Hat? 

"Mr. Quangle Wangle, grant us that! 

"O please let us come and build a nest 

"Of whatever material suits you best, 

            "Mr. Quangle Wangle Quee!" 

 

IV 

And besides, to the Crumpetty Tree 

      Came the Stork, the Duck, and the Owl; 

The Snail, and the Bumble-Bee, 

      The Frog, and the Fimble Fowl; 

(The Fimble Fowl, with a corkscrew leg;) 

And all of them said, — "We humbly beg, 

"We may build out homes on your lovely Hat, — 

"Mr. Quangle Wangle, grant us that! 

            "Mr. Quangle Wangle Quee!" 

 

V 

And the Golden Grouse came there, 

      And the Pobble who has no toes, — 

And the small Olympian bear, — 

      And the Dong with a luminous nose. 

And the Blue Baboon, who played the Flute, — 

And the Orient Calf from the Land of Tute, — 

And the Attery Squash, and the Bisky Bat, — 

All came and built on the lovely Hat 

            Of the Quangle Wangle Quee. 

 

VI 

And the Quangle Wangle said 

      To himself on the Crumpetty Tree, — 

"When all these creatures move 

      "What a wonderful noise there'll be!" 

And at night by the light of the Mulberry moon 

They danced to the Flute of the Blue Baboon, 

On the broad green leaves of the Crumpetty Tree, 

And all were as happy as happy could be, 

            With the Quangle Wangle Quee.

 

 

by Edward Lear,  1812 - 1888

Thanks for reading, Pam x

 

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