A Favourite Film - Goodnight, Mr Tom

 A favourite film is a tough choice to make. I’ve picked a few. I think they started as books, with the exception of ‘Grease’, where if I remember correctly, the book came later, and ‘The Holiday’, which doesn’t have a book. Please put me right, if I’m wrong.

‘Grease’, the sound of 1978 and there’s a familiar song in my head as I type. It’s got to be my favourite musical of my generation. A sing-a-long, feel good factor romance. What’s not to like? Ok, stop and wait, there was another that year with great songs, ‘Saturday Night Fever’ with exceptional dancing and a serious storyline.

I don't like romantic comedy, generally, but I make an exception with 'The Holiday'. I like the story, the characters are believable and it isn't too sweet. The cottage is appealing, too.

The 1939 black and white version of ‘Wuthering Heights’ was my introduction to Laurence Olivier when I was eleven or twelve and of course, I fell in love with him. The film only told half the story, but that was Hollywood. Cathy’s death broke my heart.

1939 was the year for ‘Gone with the Wind’, another beloved book and film starring Vivienne Leigh who was about to marry Laurence Olivier, but we won’t dwell on that and it happened way before I was born, anyway.

I’ve got to include the original, 1940 ‘Rebecca’ whilst I’m held captive by Olivier’s gaze and Daphne du Maurier’s writing.

During my childhood and particularly around the age of eleven to thirteen, I watched lots of films with my mum, from Hollywood musicals to Hammer Horrors, but the one I associate with her the most is ‘A Taste of Honey’. This was not a film we watched together sharing chocolate and enjoying mummy and daughter time. This was my forbidden fruit when I was told not to watch it. Too late, the beginning had already got me spellbound, but she sent me to bed saying it wasn’t suitable for me. I think I was eleven at the time, very much a child, still played with dolls and very different to modern day eleven year olds. I knew better than to argue or make that annoying, disapproving ‘arr’ sound. My mum was going downstairs to work in our pub, so I listened out for her leaving. Seconds later I was leaning on the lounge door frame with the door to our flat slightly open so I would hear if she came back up. I was rooted to the spot and loved every second of that film. Whatever my mum was protecting me from went right over my head. I was just disappointed that Jo’s sailor didn’t come back. As an adult I consider ‘A Taste of Honey’ to be Shelagh Delaney’s stroke of genius. Perhaps my mum wanted to avoid awkward questions from me. I’ve worked it all out since.

I was a fan of John Thaw ever since Phyllis Bentley’s ‘Inheritance’ was serialised on tv. To me, he was what made ‘The Sweeney’ and he was born to be ‘Morse’. I wasn’t sure about this completely different character as Tom Oakley in ‘Goodnight, Mr Tom’. Silly me to have such doubts. Not only was he perfect as the character, and the rest of the cast were equally excellent, the film, which was a tv adaptation of Michelle Magorian’s novel completely overwhelmed me. I cried so many times, full of sadness for what was being endured by this young boy, a war time evacuee. There are many twists and turns in the story and as it ends with an agreeable conclusion, fresh tears from me, happy ones this time. It really is that good. I think my eldest grandson might like to watch it with me.

My poem:

William Beech

Authority’s persuasion,
Tom Oakley’s reluctance,
Zach’s hand of boyhood friendship,
William’s acceptance.

My tears, they are relentless
For Will, where has he been?
Tom Oakley stopped complaining,
Taking in what he had seen.

William, shirtless when he saw
The scars left by the belt,
Sickened beyond all words by
The pain he must have felt.

I wish I knew Zach’s poem,
Verses of hope and home,
Safe in William’s pocket
From what life might become.

I love a happy ending,

It’s ‘Dad!’ I hear Will call
At the end of fear and doubt,
As even more tears fall.

PMW 2025

Thanks for reading, Pam x

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Tenson - Troubabours

I usually know roughly which direction I’m going in when I write my blog. This is an exception. I’ve really had to dig deep and I’ve spent lots of time getting carried away with Dante and his contemporaries, and had to drag myself back to the theme of ‘tenson’. After a couple of false starts, an almost abandonment and a rewrite, this is where the challenge, and it became very challenging took me. Forgive me if I’ve fallen off topic too much.

From Encylopaedia Britannica:

“tenson. (Old Provencal: ‘dispute’ or ‘quarrel’) also called tenso or tenzon, a lyric poem of dispute or personal abuse composed by Provencal troubadours in which two opponents speak alternate stanzas, lines, or groups of lines usually identical in structure. In some cases these debates were imaginary, and both sides of the issue were composed by the same person. The tenson was a specific form of debate, a kind of medieval poetic contest. The form later spread to Italy, where it became popular among the poets of the dolce stil nuovo, including Dante. Compare partimen.”

Searching into this sent me on a fascinating journey back to The Classics and to people I’d never heard of or forgotten about. I chose the following as an example, Cercamon and Guilhalmi from the 12^th century.

Cercamon

« Car vei finir a tot dia [L'amor], lo joy e·l deport, E no·m socor la clerzia, Non puesc mudar no·m cofort Co fay, can conois sa mort, Lo signes, que bray e cria E·n mou son sonet per fort, Que·l cove fenir sa via, E plus no·i a de conort. » – « Maïstre, si Dieus me valha, Ben dizetz so que cove; Mas ja d'aisso no vos calha Car li clerc no vos fan be; Car lo bos temps ve, so cre, Que auretz aital guazalha Que vos dara palafre O renda que mais vos valha, Car lo coms de Peitieus ve. » – « Guilhalmi, non pretz mealha So que·m dizes, per ma fe; Mais volria una calha Estreg tener en mon se No faria un polhe Qu'estes en autrui sarralha, C'atendes la lor merce: Car soven, so cug, badalha Qui s'aten a l'autrui be. » – « Maïstre, gran benanansa Podetz aver si softretz. » – « Guilhalmi, vostra vanansa Non crei, si com vos dizetz. » – « Maistre, car no·m crezetz? Gran be vos venra de Fransa Si atendre lo voletz. » – « Guilhalmi, tal esperansa Vos don Dieus com vos m'ufretz. » – « Maïstre, n'ajatz coratge D'efan ni d'ome leugier. » – « Guilhalmi, sobre bon guatge Vos creyria volontier. » – « Maïstre, man bon destrier An li ome de paratge Per sufertar al derrier. » – « Guilhalmi, fort e salvatge ............................... » – « Maïstre, josca la brosta Vos pareisa·l teit novel. » – « Guilhalmi, ben pauc vos costa Lo mieus ostals del castel. » – « Maïstre, conte novel Aurem nos a Pantacosta Que·us pagara ben e bel. » – « Guilhalmi, fols qui·eus escota: Vos pagatz d'autrui borcel. «

– Since I see, every day, love, joy and pleasure end, and the clergy doesn't help me, I don't know where to turn, aside from comforting myself as does, when it knows of its death, the swan, who laments and cries and forcefully emits sounds when it's time for its life to end and it doesn't have hope anymore. – Mentor, may god help me, you certainly say fitting things; still, let it not bother you that the clergy doesn't do you any good; for a favourable time comes, I believe, in which you'll have an associate such as will give you a steed or an income worth even more to you, for the count of Poitiers is coming. – Guilhalmi, I don't care a thread for what you say, by my troth; I'd rather have a quail held tightly in my breast than an entire aviary which someone else keeps locked while I wait for mercy: for often, I find, one yawns while waiting for someone else's goods. – Mentor, you can have a great good, if you are patient. – Guilhalmi, I don't believe the vain words you say. – Mentor, why don't you believe me? A great good will come to you from France, if you care to wait for it. – Guilhalmi, may god give you a hope such as the one you offer me. – Mentor, don't have the heart of a child or of a fickle man. – Guilhalmi, with a good pawn I would gladly believe you. – Mentor, prominent men have many a good steed for being patient to the end – Guilhalmi, strong and wild ............................... – Mentor, near the foliage may your new roof appear – Guilhalmi, hosting me in the castle costs you very little. – Mentor, at Lent we'll have a new count who will pay you nice and good. – Guilhalmi, he's fool who listens to you: you pay out of other people's purse.

 

Looking for something modern, I found this short quarrelsome poem by D/H. Lawrence. I like his wit. It made me laugh.

Intimates

Don’t you care for my love? She said bitterly.
I handed her the mirror, and said:
Please address these questions to the proper person!
Please make all requests to head-quarters!
In all matters of emotional importance
Please approach the supreme authority direct!-
So I handed her the mirror.
And she would have broken it over my head,
But she caught sight of her own reflection
And that held her spellbound for two seconds
While I fled.

                          D.H.Lawrence (1885-1930)

Now then, shall I return to Dante et al, or is my brain scrambled enough for now? I think I’ve found another world that I’ve previously encountered very briefly.

Thanks for reading, Pam x

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