My first five Christmases were hot and sunny affairs, for I was born and spent my early years in Nigeria, West Africa. Christmas cards from England depicting snowy scenes struck me as incredibly strange as a child. I remember stockings and presents but I have no idea what Christmas dinner consisted of; goat stew and yam probably, or maybe roast duck as my dad kept a few in a big enclosure in the garden. I'm guessing Father Christmas drank palm wine and the reindeers got corn-on-the-cob, though we had neither chimneys nor fireplaces. My mum made Christmas sweets. Her fudge was the stuff of legend. We played carols on a wind-up gramophone.
Relocated to England from my sixth Christmas onward, it took me a while to see the real appeal of cold, fog, snow, turkey with sprouts and white Christmases (which seemed to descend on the frozen inhabitants of East Anglia with chilling predictability year on year).
Anyway, enough of the moaning, I am now fully acclimatised. After all, this post is supposed to be about mementos so let me tell you about the Radio Times. We got our first television set (rented in those days from Robinsons Rentals) in November 1963. I remember it quite clearly as it arrived in the week that John F Kennedy got assassinated and Doctor Who first aired. My dad started buying the Radio Times shortly afterwards and that's how I knew The Beatles were going to be on TV, both on Juke Box Jury and in concert from some improbable northern outpost like Blackpool or Manchester. Yeah! Yeah! Yeah! Happy days...
a yellowing memento from 1963 |
He didn't go on buying the Radio Times for very long because soon the daily newspapers were printing detailed TV schedules and recommending interesting programmes to their readers (the TV critic had been born). And yet he would go on to insist on purchasing it once a year at Christmas from 1964 right into the new millennium, so that the family (in its various changing configurations) could peruse and plot their festive viewing. Picking up a Radio Times at Christmas is a tradition I continue in his memory.
I mentioned Christmas cards earlier, a fashion that really took off in England in the 1840s, coincidentally shortly after the introduction of the penny postage stamp - though in retrospect perhaps it wasn't such a coincidence after all, but an example of the fine entrepreneurial spirit of Victorian England. My parents used to receive hundreds of them and would string them up as part of their Christmas decorations, another habit I was happy to acquire in turn for a few decades. Of course our transition to a more digital world has meant fewer people send and receive physical Christmas cards these days but I am happy with the two dozen or so I send and receive.
It's a curious tradition if one stops to think about it. How many Christmas cards are themselves like mementos of relationships that are rarely remembered or celebrated beyond that once a year communique?
The earliest documented Christmas card was handmade by one Michael Maier and was sent to James I in 1611 bearing the greeting: "To the most worshipful and energetic lord and most eminent James, King of Great Britain and Ireland, and Defender of the true faith, with a gesture of celebration of the Birthday of the Lord, in the most joyful fortune, we enter into the new auspicious year 1612." I wonder what he was after! It's housed in the Scottish Records Office.
However, I recently came upon what appears to be a much older specimen of Christmas artwork. 😁
the First Pre-Christmas |
That one is for all my conspiracy-theory loving acquaintances to get excited about, and pretty much runs me dry on the memento theme, so it's on to to the poetic bit, and then I can unwrap a present or two with a clear conscience.
Back at the end of July the weekly blog theme was Sestina but I nimbly swerved the challenge by cheekily writing about Retsina instead, given that it was a very hot Saturday and difficult to concentrate on the intricacies of such a complex poetic form. However, I made a promise that I would write a sestina one day, perhaps when the weather was a little cooler; so before the year outruns me, that promise is fulfilled here in appropriately seasonal guise, although yet another composition in the narrative mode from which I'm trying to break free!
I must say that when I started to write it I had no idea where it would go. It's perhaps a little dark, but then peace on earth and goodwill to all men is not universally guaranteed. I'll also throw in a couple of caveats. The first is that I found the rigid, circulating and repetitive formula of the sestina construct hugely constricting, even more so than a pantoum or villanelle - but hey, job done. The second is that I reserve the right to change the poem if/when improvements come to mind. But for now, here it is. Cheers.
Christina
Al-Assad's criminal carpet bombing of Homs city shattered all
that represented family, home and happiness for her. Now she
flees with thousands of the ragged dispossessed, often wishes
she had died along. Seeing your parents and husband killed for
the vanity of an ideologue leaves a lasting bitter taste. But this
child, growing wondrously within, is her imperative, Christmas
conceived, best present from the man she loved. Last Christmas
together, a precious time in retrospect, but civil war changed all
to darkness and despair. During cold nights in open country this
hunted band that dare not show itself by day has made sure she
can stay the pace, her new family now. The young look out for
the old, strong for the weak, humanity in action. All she wishes
is that the nightmare will end, Syria is no longer a friend, wishes
to escape its border for a safer haven anywhere, and a Christmas
next year maybe with baby. Southwards into Lebanon is out, for
civil war has forced that country also to its knees, a free-for-all
with people of her faith no longer secure. It's to Europe then she
turns her face, finds a first resting place in a refugee camp. This
is not the life she dreamed of as a girl, all gone wrong. And this
is not the wife she expected to be, widowed at thirty, but wishes
can't turn back events. Morning star and morning sickness, she
greets them each lonely dawn, waits to be processed. Christmas
in a Christian land would be some solace. It drags out so long all
hope begins to drain away despite the firstborn she clings on for.
Her tiny girl enters the world in some Bulgarian transit-camp for
asylum-seekers wanting west. With her mother's good looks, this
means officials try to buy the baby for adoption, pointing out all
the benefits of a better future for a rescued child. And she wishes
she had the will to resist, but can't even afford to buy a Christmas
gift for her little daughter, so what hope of providing more? She
lets them remove the baby on the promise of a visa, knowing she
will regret that separation for ever but believing she has acted for
the best. Her child will grow up German or Dutch, and Christmas
will be a happy time in another loving family for the little girl. This
she tells herself each night as she slips into tented sleep. If wishes
could solve statelessness, hopelessness, constant hunger, cold. All
33 comments:
Amazing what you can do on one cup of coffee before breakfast (LOL). I'm a little bit impressed. Have a wonderful Christmas Steve and hope to actually meet up again sometime, somewhere in 2022.
Beautifully written, but such a sad poem. Merry Christmas and thank you for all the blogs.
That bit about the Radio Times and the Beatles brought so many happy memories flooding back. Thank you for that. The world didn't seem such a bad place then as it is now but maybe that's because we were children. Your poem brought tears to my eyes.
Bravo Steve. I've tried and failed with the sestina before, too forced for my liking, but your Christina works for me. I particularly like the repetition of All at the end of the sixth stanza and the start of the envoi. That was an inspired touch. As for the content, the Archbishop of Canterbury would agree! Merry festives right back to you.
Your blogs are always such an interesting read. I don't really know what a sestina is but that's a stunning poem.
Love the Pre-Christmas Card (and the blog and the poem. That must have taken a lot of coffee).
Season's greetings Steve. I enjoyed your reminiscences and thought the sestina worked well. Thanks for all the great blogs this year. 👍
Bravo for your sestina. I had to read up to remind myself of its rules, those six words that end each line rotated in a specific sequence. It could make for something cringingly artificial but you've not only not fallen into that trap, you've given it some forward momentum as well. It's very moving. Well done.
Many congratulations on doing your duty on Christmas Day. And not only that but a very good read at that.
Where on earth did you find that Radio Times and indeed the pre-Christmas Card.
I agree about the limitations of using most poetic forms so well done on your sestina. What a monumental achievement.
I love reading your blogs. I always learn something new and am constantly entertained. I remember thinking in the summer that a sestina sounded like a very complicated poem to write and now I can see exactly why. You sound less than satisfied with the result but I should feel very proud if I were you.
I'm impressed you remember so much about your early childhood in Africa, very different from most of ours by the sound of it. Well done with the poem, quite moving and more than the sum of its technical parts.
Fascinating to read a Christmas account that's the reverse of mine: cold, occasionally white Christmases in England as a young girl, hot ones ever since my family emigrated to Oz in the 70s. I must say I didn't expect you'd ever write that sestina, so what a pleasant surprise and well crafted. Happy New Year when we get there.
Very good Steve, interesting reflections on things Christmassy then and now. and a powerful poem. I noted with interest that a Radio Times in 1963 cost sixpence in old money, the same as a 4-fingered Kit-Kat did (equivalent to 2.5p for younger readers). I was going to buy this year's Christmas Radio Times until I saw its cover price of nearly £6. Now I'm not sure how much a Kit-Kat costs these days but I'd guess it's nearer 60p than £6!
Brilliant, poignant poetry. 👏
Congratulations on Christina, such a moving poem.
Your powerful poem will haunt me for a long time.
Great stories of a very different Christmas as a child. I also remember my parents getting over 100 cards and stringing them up all round the place. I'm happy with 20 or so
Thanks for the share. I loved the blog and the poem and wish you a Happy New Year.
I started the New Year with your blog and loved the memories it provoked!
It was also great to hear of a Christmas in a land very different from ours.
England must have seemed something of an acquired taste!
Mums do seem to have a knack of sweet making!
I enjoyed your comments about Christmas cards.
Essentially they mean connection and keeping alive tradition.
It is a shame so many have bottles of wine on and goft boxes which take away the true meaning of Christmas.
Happy New Year Steve. I've thoroughly enjoyed reading your Christmas reminiscenses. How many years have we known each other? I never realised you spent your early childhood in Africa. As for the poem, wow!
Great Christmas memories. It's all too commercialised these days. Top marks for your poem for technical mastery and emotional punch. Happy 2022 to you.
Top blogging as usual Steve - and thanks for the Christmas card. Sorry I didn't send a single one this time. Very well done with the sestina. Happy New Year too.
Well done with your sestina. It looks a fiendishly complicated thing to do and still have it read naturally, so congratulations for that. Happy New Year too. Please keep sharing your blogs, I love reading them.
A great read (even after Christmas!) and an excellent poem.
I had to google the formatting rules for a sestina. Having read them, I don't think I could ever pull off what you have done. How long did that take? Anyway, well done. It's a powerful poem. I enjoyed the rest if the blog too.
I'm just catching up on what I missed. That's a great seasonal blog and kudos on the poem. I'm not familiar with the intricacies of a sestina but I can see you've made something that could have sounded stilted into a most moving piece - and I mean stylistically and emotionally.
I must admit I didn't send a single Christmas card and felt guilty to receive quite a few, mostly from people I've not seen for a very long time (as you observed is often the case). Hats off to you for the sestina. I don't think I'd have the patience (let alone the skill) to come up with something like that.
I'm truly impressed by both your blog-writing and poetic talents. The fact you were able to do all this with a coffee in the morning, astonishing. Love the many thoughts and avenues you take us on in your articles, and your poem is incredible storytelling :)
That's one hell of a poem, whatever its construction might be called. 👏
Thanks so much everyone for the positive feedback. To be honest, it did take me a couple of cups of coffee, and a mince-pie...and a pile of post-it notes.
Interesting Christmas anecdotes and that poem, most impressive.
Really powerful.Steve
It is a sad but powerful poem - a reflection of the tragic state of affairs of the world at the moment.
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