Moustaches

By the summer of 1966, the Beatles had grown weary of the worldwide phenomenon they had become, the claims that such unprecedented levels of fame made upon them, and the dehumanising effects of touring in particular. They played their last live concert on 29th August 1966 in San Francisco and vowed never again.

Tired of being four fresh-faced mop-top caricatures to be screamed at, chased, mauled and treated like public property everywhere they went, following their return to England they decided to disappear for a while, distance themselves from the maelstrom of Beatlemania, and reset.

Step one was to grow moustaches (see below). Acquiring facial hair was a straightforward and symbolic move away from their cute boyband image. They were all in their mid-twenties by now anyway, and the current interest in and vogue for Edwardiana clothes and styling made the adoption of this more mature look an obvious one. 

moustaches on parade

It's telling that all four of them made the same move, as did many in their close support group, and then many of their male fans. It became a badge of Beatle brotherhood for a period of a few months in 1966 going into 1967.

Step two was to pretend - at least to themselves - that they weren't The Beatles anymore but an entity that became known as Sgt. Pepper's Lonely Hearts Club Band, based on the brass bands that had played at weekends and on special national occasions in those municipal bandstands that had sprung up in Britain's parks through Victorian and Edwardian times.

The new LP was to be a concept  album of sorts, a very loose one in musical terms, allowing Lennon, McCartney, Harrison and Starkey to adopt personae, literary and musical masks that freed them to an extent from what had gone before. In reality, only the title track, its reprise and a few connecting snippets lived up to that initial vision. 

They were photographed for the album artwork in March 1967 decked out in band regalia and sporting moustaches just as their Edwardian musical predecessors may have done (though The Beatles had longer hair). They appeared on the front cover of the LP not as The Beatles but as members of Sgt. Pepper's Lonely Hearts Club Band, clutching a variety of appropriate brass and woodwind instruments. There was even a sheet of cardboard cut-outs included with the LP that fans could snip round and put on, including badges, epaulettes and a moustache. (Its tabs got rather soggy after a couple of wears.)

part of a photoshoot for the Sergeant Pepper LP cover

The LP was released at the beginning of June. For a brief, shining moment in the summer of 1967 we could all play along with the game. It was the Summer Of Love and happiness reigned all around. 'Sgt. Pepper...' was hailed as a revelation and a revolution. It was proclaimed a masterpiece. It went on to become one of the most famous and iconic records of all time. It certainly freed The Beatles from their past - though I still prefer its predecessor 'Revolver' for sheer ground-breaking genius.

What is interesting to me is that by the time of the press launch party for the album, at Brian Epstein's London mews flat in May, weeks before the LP hit the shops, Paul McCartney had already shaved his moustache off (see below). He had been the first to grow one (ostensibly to hide a scar from a riding accident he had in1966) and then to encourage the others, for reasons explained above. But why to jettison it so soon while the other three retained theirs for months? Maybe Jane Asher held the key.

May 1967 Pepper press launch party

John was the next to shed his and by the time of filming Magical Mystery Tour that autumn, only George and Ringo were still sporting the moustaches to which they'd obviously become very attached.

After the four of them went to India in 1968, then there was stubble and beards - but that's another story.

While I've been working on this blog, my lovely eight year old Dell Inspiron laptop has been encountering problems: no space left on the C drive even after I've moved all my pictures and documents to detachable pen drives and run disk clean-up and space optimisation software. I put it down to all the increasingly complex functionality that has been arriving in recent Windows updates.

Anyway, long story short (and nothing to do with moustaches), I decided to turn to the wisdom of the interweb to see if there were any other tricks to identify and then uninstall unnecessary files. I typed into Google 'How to get rid of...' and before I'd got any further it bounced straight back with what are clearly the top two searches, in a kind endeavour to save me typing anything more.

Those top two searches?  1. How to get rid of cellulite and 2. How to get rid of your wife.

I thought wow! There's a poem in that. And here it is. I nearly called it 'Trouble And Strife' but it's now:

Meet The Googles*

Want to know the main concerns

of modern married folk in their forties?

Same as always, it seems.

I typed 'How to get rid of...'

into my trusty search engine and presto...

the top two most frequent requests are:

'How to get rid of cellulite'

and 

'How to get rid of your wife'

If ever there was a contemporary 

encapsulation

of that age old divide

the battle of the sexes

and how it's plied,

you have it right there.

* in the honourable tradition of Meet The Beatles, Meet The Fokkers etc.

As a musical bonus, here's a link to a Beatles song that might have been on the Pepper LP except it got released as a single. Of course it references barbers and shaving and the video has those moustaches. . Just click on the song title: Penny Lane

Thanks for reading, S ;-)

Read More

Turkish Moustaches

The curious case of the disappearing Turkish military moustache

I was recently passing a hot afternoon on a guided tour of the museum at Selimiye Barracks in Istanbul. (No one has ever accused me of being normal.)

I was a kind of support worker on a medical tour. We were from a small cruise boat exploring the eastern Mediterranean. Most of the participants were over seventy and some were octogenarians or even nonagenarians. My role was, in part, to help them on their trip, which was primarily designed to visit museums and the ruined sites of archaeological interest, such as asclepieia (healing centres in the ancient world), and it wasn’t the sort of experience I’m likely to forget.

‘Keith, hold on. I can’t find my hat. I can’t go out in the sun without it.’

‘You’re wearing it, Michael.’

‘Ah, yes, good. That’s a relief... Oh, no, it’s not that! I meant my stick. I need my stick.’

‘I’ll get it for you. When did you last have it, Michael?’

‘I’m not sure. It might be with my passport...’

‘Ok, Where’s your passport?’

‘I’ve no idea. I can’t find my passport either.’

Since we visited Istanbul, Gallipoli, Troy, Pergamum, Ephesus, Bodrum, Kos, Rhodes, Syros, Nafplion, Epidauros, Mycenae and Athens in just a couple of weeks, it was all educational and great fun but pretty exhausting. The trip ended in Athens and I remember 87-year-old Rachel leaning, conspiratorially, towards me and saying, ‘I’m so disappointed I couldn’t make it right to the top of the Acropolis. But I’ve been before, many years ago: and that ouzo bar you took me to last night was much better!’

Back to the plot. When we all leapt from the coach at the barracks – you can picture the scene – we were herded into a waiting area, because Selimiye is an active military headquarters and administrative establishment and under strict army rules. You can only get in with special permission.

(As an aside: everyone has to do military service in Türkiye. For six months. Unless you can afford to pay the equivalent of £5,200, in which case you only have to do 28 days. George Orwell was right, of course. As ever. Some are more equal, everywhere you go.)

Anyway, a very smart-looking soldier was to be our guide. He told us to line up, in ranks of four: we were to proceed, in a militarily precise formation, to the museum building. I wonder if anyone reading this has ever attempted to harness the myriad disabilities of forty aged former medical consultants and dentists along two hundred yards of scorched pathways, keeping them in lines, up slopes and round obstructions? No, thought not - but the image of them scattered like disorientated First World War casualties along what seemed a vast expanse of roadway will linger long in my memory.

Finally inside the museum, we stood respectfully in wide corridors where hundreds of injured British soldiers had lain during the Crimean War (1853 -1856), when the Turks were our allies against the Russians. It used to be called the Scutari Barracks Hospital and was where Florence Nightingale began to establish her reputation, having previously run the Institute for the Care of Sick Gentlewomen in Harley Street in London.

I’d visited the place before and knew we ended up climbing a short spiral staircase to the room in which the Lady with the Lamp used to work. It is now much as it was then. Her actual carpet and chair are there, as well as her desk, with her notes upon it; and there are extracts from her handwritten writings, framed, on the walls. The view from the window, right to the Bosphorus, is stunning. She would have been able to look down and see, in the distance, wounded soldiers being unloaded from transports at the wharf.

However, it was the room from which you climb to Nightingale’s study that particularly held my attention on this occasion. It serves as a memorial to Turkish soldiers who died in the Crimean War, the First World War and the War of Independence (1919 – 1923), which was fought in a confusing scenario against the UK, Greece, Armenia, France, Italy and the collapsed Ottoman Empire and which established the Republic of Türkiye. Around two of the walls runs a floor-to-ceiling metal frieze of very human moments from the conflicts, and there are free-standing life-size tableaux, including cannons and the men firing them, and Nightingale is there too.

Florence Nightingale and wounded soldier tableau

One moving representation is of a Turkish soldier carrying an injured British enemy from the battlefield in WW1.

In that war, the man who became the greatest Turkish hero, Mustafa Kamal, known as ‘Ataturk’, made his reputation by repulsing the allied forces at Gallipoli, out-marshalling Churchill and his commanders and, after thousands of casualties on both sides, forcing the invaders to withdraw. The remaining British and Empire forces might well have been massacred during the evacuation, but it’s believed the Turks, who had held the heights throughout eight months of fighting, simply allowed them to retreat.

That is credible, because Ataturk was an unusual and special man.

To slightly mis-quote Shakespeare, ‘he bestrid his world like a Colossus’

When independence was achieved in 1923, he founded the Republic and served as its president until his death in 1938. He was forward-thinking and probably as ‘woke’ as it was possible to be back then. He modernised the country, shifting it into the twentieth century and making it westward-looking. Türkiye became a secular state and he introduced equal rights for women. He was revered and still is today. On the anniversary of his death, the country comes to a halt for two minutes at the time he died. Traffic stops and people stand in silent tribute.

As you stare at the frieze and tableaux in the museum, it is instantly apparent you are looking at Turkish soldiers. Some wear the fez – which Ataturk sensibly decided was no way to protect your head in modern warfare, and banned – and all of them, each soldier, sports a luxuriant and mightily impressive moustache, thicker than a ‘Freddie Mercury’ in every case, better harnessed than a ‘Dave Bedford’ (for those who remember the great runner) and perhaps akin to a ‘Graeme Souness’, so they might all have played for Liverpool FC in the late 1970s.

However, in 1923 Ataturk also banned the wearing of moustaches in the armed forces. It was one very small part of his plan to leave the past behind and focus the state on being part of the new world. As a consequence, all the soldiers we saw at the barracks were immaculately clean-shaven. Traditionally, the Turks had believed that his moustache gave a soldier courage and strength; the more prolific the growth, the greater the resilience of the man wearing it. Ataturk told them that when times get tough what really matters is mental attitude and professionalism. You can’t rely on facial hair to bring you victories; especially, I suppose, when the enemy’s armed with machine guns and tanks...

We left Selimiye and Istanbul and all its glories and sailed south through the Dardanelles and away. Our daily trips from the boat continued, of course, and our brilliantly lucid but extremely antique cruisers coped incredibly well and on a daily basis with the difficulties they encountered on the sites we visited: miles of often extremely rough ground and steps and obstacles, as well as intense heat.

At times it became positively gruelling. How did they manage to cope? Well, a coach carried us to the right location, then it was all down to their mental fortitude, I guess. They certainly didn’t rely on moustaches. There wasn’t one to be seen. Michael didn’t have one. Neither did Rachel. And neither did anyone else.

That Ataturk guy knew stuff.

          A moustache, neither bushy nor trim,

          doesn’t add to your valour or vim:
          so Ataturk said -
          sharp focus instead
          was essential, according to him...

Keith Brindle
www.keithbrindlewriter.com

Read More

Moustaches

It was during the Covid lockdown when I began to question why on earth I was shaving when I wasn’t going anywhere other than along the river path in the early morning and late at night. I’d had a beard for most of my life but ten years before had been encouraged by my girlfriend at the time to get rid of it. Fair enough.

Anyway, I decided to let it grow again as shaving is/was a nuisance. What I’m trying to say is do one thing or the other but growing a moustache is completely bonkers. You have the inconvenience of shaving but still need to control what’s left.

But from the records we can see that moustaches have been fashionable from way back to the Ancient Egypt old kingdom era 2649–2130 BCE.

One of the earliest documents of the usage of moustaches can be traced to Iron Age Celts. According to Diodorus Siculus, a Greek historian wrote that: ‘.... the nobles shave their cheeks but they let the moustache grow until it covers the mouth.’

In early medieval art the Sutton Hoo helmet, an elaborately decorated helmet sporting a faceplate depicts the style on its upper lip.

I could go on about the various fashions for the moustache and the reasons for them and the people who had them but there would be no point as there is only really one moustache that has counted since 1920 when it appeared for the first time in The Mysterious Affair at Styles.

At this time, Hercule Poirot was a refugee, newly arrived from Belgium and nearly penniless, so had not much money to create his incredible moustache. Indeed, it was described as ‘very stiff and military.’

However as his fame as a detective grew so did his bank balance and by the early 1930s it had evolved from being stiff and military into a magnificent, luxurious asset which gained much comment from himself, narrators and other characters within each story. Throughout Christie’s stories, his moustache was described as ‘gigantic’, ‘immense’ and ‘amazing’, pointing to the importance of this physical asset. By 1934 Poirot himself was described as ‘a little man with enormous moustaches’ in Murder on the Orient Express.

Here are a few other references:

“If only, Hastings, you would part your hair in the middle instead of at the side! What a difference it would make to the symmetry of your appearance. And your moustache. If you must have a moustache, let it be a real moustache– a thing of beauty such as mine.”

- Peril at End House 1932 (UK)

“I assure you, I am really a very humble person.”

I laughed.

“You– humble!”

“It is so. Except– I confess it– that I am a little proud of my moustaches. Nowhere in London have I observed anything to compare with them.”

“You are quite safe,” I said dryly, “you won’t.”
- Lord Edgware Dies 1933

While the Lovely Young Thing made a suitable reply, Poirot allowed himself a good study of the hirsute adornment on Mr. Shaitana’s upper lip.

A fine moustache– a very fine moustache– the only moustache in London, perhaps, that could compete with that of M. Hercule Poirot.

“But it is not so luxuriant,” he murmured to himself. “No, decidedly it is inferior in every respect. Tout de meme, it catches the eye.”

-Cards on the Table

What was even more humiliating was that he had no real ideas, even now, as to what had actually happened. It was ignominious. And tomorrow he must return to London defeated. His ego was seriously deflated– even his moustaches drooped.

-Dead Man’s Folly

“There’s no doubt at all about what the man’s profession has been. He’s a retired hairdresser. Look at that moustache of his.” 

- The Murder of Roger Ackroyd

One of the benefits of becoming a famous detective was that with every case, Poirot became more affluent. As the years went by, Poirot earnt a large fortune from his detective work; which he invested a significant portion into the care and maintenance of his favourite personal feature. In The ABC Murders, Poirot reveals that he frequently visits an expensive hairdresser and in Murder on the Orient Express we learn that he uses a little pair of curling tongs on his moustache to give it the ‘upward-curled’ shape. Poirot’s groomed moustache leads Dr. Sheppard to assume that he’s a retired hairdresser, exclaiming “look at that moustache of his” to his sister.

Poirot’s moustache is his trademark. It’s often the first thing people notice about him, and it’s his pride and joy. Poirot takes great care with his appearance from the tip of his shoes to the top of his egg-shaped head, and his moustache is no exception. He believes he has both the finest moustache and the finest brain in Britain – a claim many of his fans around the world would no doubt agree with. Throughout the six decades that his mysteries were documented by Agatha Christie, Poirot’s moustache was described in a number of ways, and was often the focus defining his appearance…

“A little man with enormous moustaches” 

– Murder on the Orient Express

The more Poirot became an established private detective, the bigger his trademark moustache became. By the early 1930s his famous facial hair had evolved from being stiff and military into a magnificent, luxurious asset which gained much comment from himself, narrators and other characters within each story. Throughout Christie’s stories, his moustache was described as ‘gigantic’, ‘immense’ and ‘amazing’, pointing to the importance of this physical asset. By 1934 Poirot himself was described as ‘a little man with enormous moustaches’ in Murder on the Orient Express. By this point and beyond it was clearly his greatest physical attribute, being described as ‘an immense moustache’ in The Labours of Hercules in 1947.

I had to use a few little grey cells myself to get a poem about moustaches. I couldn’t find any decent poems so decided to choose poets with a moustache and it came to a choice between Rudyard Kipling and Edgar Allan Poe. I’ve gone with Kipling as my friend C showed me his house in Rottingdean and the poem was written there as part of An Almanac of Twelve Sports. Each month has its own sport and poem. July is about Archery (apparently).

The child of the Nineties considers with laughter
The maid whom his Sire in the Sixties ran after,
While careering himself in pursuit of a girl whom
The Twenties will dub a "last century heir-loom.”

Thanks for reading, Terry Q.

Read More

Moustaches

 

“A kiss without a moustache is like an egg without salt.”

This saying dates back to Victorian times. The origin is unknown but has been cited to various authors, Rudyard Kipling, Rose Wilder Lane and Jean-Paul Sartre, who is thought to have added “and it is like Good without Evil”.

I remember my dad saying it a lot, when he grew a moustache in his later years. It was just ordinary, nothing stylish. I didn’t like it. Not one bit. He had new glasses at the same time and his whole appearance changed from the happy looking man with a kind face I adored, into someone I felt like I needed to be very wary of. He looked like a cross between the horrid piano teacher I used to have and the equally horrid landlord of a flat I used to rent. Fortunately, my father didn’t stink of stale cigars and his moustache wasn’t stained dirty yellow with nicotine like my piano teacher. Dad disliked the landlord as much as I did and I would tease him about being a copycat. It was a relief when that moustache was shaved off, though the glasses remained.

Each to their own, of course, but isn’t a high maintenance styled moustache over the top and time consuming? Personally, I like a beard attached, but I’m only seeing the results, not looking after it.

The music I favoured in the ‘60s and ‘70s, was progressive rock and symphonic rock. Band members with long hair and often moustaches and beards. I found this poem that took me back to those young, impressionable times. And the music is the same and always there, with a few new bands collected along the way. The poem is by American poet, Gershon Wolf.

Freaky and Weird

We grew our hair down to our shoulders
Hirsute, we were, moustaches and beards,
Turned up our noses at those who were older
‘Cos we were so hip, so freaky, so weird.

Revved up our stereos, going stone-deaf,
Dropped pill after pill, of common sense bereft,
Wore psychedelic threads to match our psychedelic brains.
We thought ourselves ‘free’, but we were really in chains.

Don’t ask me if the Sixties were ‘wonderful years!’
- Just leave me alone with my cigars and my beer.

                                                                    Gershon Wolf

Thanks for reading, Pam x

Read More