written and posted by members of Lancashire Dead Good Poets' Society

Showing posts with label Weaving. Show all posts
Showing posts with label Weaving. Show all posts

Wednesday, 11 September 2024

Threads

T and I were discussing the topic when for some reason the conversation veered off to talking about the origins of Threadneedle Street. We didn’t get very far before she said we’re losing the thread. Thanks for that intro T.

I had been thinking, as I live in Lancashire, that I’d use cotton as the subject of this blog but then got to thinking about what was used before that material and we have to go far back in human history to the Palaeolithic Era, let’s say about 50,000 years ago or more.

Prehistoric Twined Fabric, Ohio Valley
Archaeologists believe Stone Age people across Europe and Asia sewed fur and leather clothing using bone, antler or ivory sewing-needles and ‘thread’ made of various animal body parts including sinew, catgut, and veins. The process of making thread was simple – people made thin strips and then produced garments from them. Likewise, plants were used in the process too. Plant fibres were hand-spun into thin strips until it took the shape of a thread.

As an aside I came across the following information:
‘The very earliest evidence for clothing fabrication comes from an unlikely source: lice. Between 80,000 and 100,000 years ago, head and body lice became separate species. “This is an indication that individuals started wearing skins,” says Sarah Wurz, an anthropologist at the University of the Witwatersrand’.

As humans advanced in technology so did the type of material used to make threads advance.

Splicing Thread (image: Cambridge University)
The Egyptians were skilled at making thread from plant fibres and in using the wool and hair from domestic animals in spinning. They and the Phoenicians also pioneered the use of berries and plant matter in the manufacture of colourful and long lasting dyes about 4,000 years ago.

The Chinese and Japanese in around 3000 BCE discovered the beauties of silk fibres spun as thread and made as cloth.

In north America the Inuit, for example, used sinew from caribou for thread and needles made of bone, the indigenous peoples of the American Plains and Canadian Prairies used sophisticated sewing methods to assemble tipi shelters. Sewing was combined with the weaving of plant leaves in Africa to create baskets, such as those made by Zulu weavers, who used thin strips of palm leaf as thread to stitch wider strips of palm leaf that had been woven into a coil.

And how about this:
Tailorbirds (genus Orthotomus), such as the common tailorbird, exhibit sewing behaviour, as do some birds of related genera. They are capable of stitching together the edges of leaves, using plant fibres or spider silk as thread, in order to create cavities in which to build their nests.

Tailorbird and Nest
And just for T let’s go back to Threadneedle Street. Some believe that the name originated as Three Needle Street, first attested to in 1598, perhaps from a signboard portraying three needles, or from the three needles on the arms of needle-makers who had premises on the street. The threads and needles used by the members of the Worshipful Company of Merchant Taylors is another possibility, since the livery company's hall has been located on Threadneedle Street since 1347.

The article above relates to prehistoric times. The poem below suggests a near future time.

A Legacy of the Last Century

One of the treasures
I managed to grab,
before being evacuated,
was a handmade quilt
patches of different colours
sewn by my mother’s mother.

It fulfils its purpose
but in addition,
in a certain light,
in a certain mood,
its blues, greens and whites
remind me of Earth
as it used to be

And from this new vantage point,
both literally and figuratively,
I can make out threads
unstitched over the years
flaccid poles
flagging the end of what we knew.

Nationalism, Communism, Capitalism
primary types of isms.

I called them Prisms
in some text book or other,
a term I was rather pleased with,
which seems to have caught on,
with its hints of refracting
what was happening beneath the covers.

From my pamphlet ‘Notes on the Causes of The Third World War’ published by Indigo Pamphlets in 2020.


Thanks for reading. Comments welcomed. Terry Q.

Friday, 16 March 2018

You Can Never Have Enough Yarn!

I trained in Dress and Design at the "Do School" in Aberdeen, part of Robert Gordon Institute of Technology...now University. I'd been sewing since a child, as my mum had been a tailoress and she passed that skill onto me. My grandmother could not sew...but she knitted and knitted and knitted. The family always had knitted jumpers and cardigans, usually in Fair Isle or Icelandic style. How she managed all those colours was a mystery. Yet my mum didn't knit and I wasn't keen either, though I had to produce some knitwear for coursework.

Instead, I focused on weaving as a specialist subject. I had a small 4-shaft loom at home to do samples on, at college I used a "Harris" loom to produce fabrics from which I designed and made tailored garments. Also I did "tablet" weaving ...a portable method of weaving braids just like the Laplanders used to decorate their garments. For a theme I used "Inspiration For Weaving" . Using designs that appeared in textiles within the North Sea areas...so Scotland, Norway, Iceland, Fair Isles, and Shetland featured in my work. In those days there was no internet, so all research was done by reading and writing to embassies and organisations for information. I recall that I received some lovely information regarding Hardanger embroidery, so when I visited Norway a couple of years ago I was delighted to be taken to the Hardanger Fjord.

When I was pregnant I decided to sew and knit most of the garments required. I'm afraid to say that the knitted garments were mainly plain or striped as that was the extent of my knowledge at that time. Once more I was later encouraged by an elderly neighbour and she nurtured my knitting skills ...and so it was that I took up Aran knitting, with great gusto! My family benefited from real wool sweaters. I only have one cardigan left that I knitted myself. It gets an airing every winter. Why only a couple of weeks ago I looked at it in wonder...just how did I do all that? I thought.

I consider myself a sort of 'Jack of all Trades' as regards all needlecrafts. I try any new skills. I have a lucet (look that up). I've done fabric marbling. I crochet, dressmake, embroidery of all sorts, patchwork, quilting, appliqué..... I have a stash of knitting yarn, embroidery yarn, fabrics of all descriptions for a variety of uses. I probably have more than I'll ever need or use. Fellow needleworkers will know exactly what I am on about. You can never have enough yarn !

Recently I've hankered after a small loom ...but just where am I to find the space or  time to  do
any?

Anyway I read this week of the benefits of knitting to one's health...so I'll just finish that cardigan that I'm making, and finish that crochet hot water bottle cover that's half done, and crochet Anne a promised hat, and print some favourite photos onto that special fabric that goes through the printer    (might make a quilt?) ..Oh ! And I have some hand patchwork lurking in my wee campervan to while away the holiday evenings...

So where might I put this loom?


My piece this week is short and was written some time ago..

                  NEEDLEWORK.   May 2015

                  I sit and I sew- I sew as I sit.
                  Sometimes I sew- sometimes I knit.
                  The hours they pass as my fingers move quick.
                  Sometimes I crochet-sometimes I knit.
                  Sometimes I embroider- sometimes I just sit!

                   Ofttimes I pause and have a long think,
                   Take pencil to paper and fingers move quick
                   To record my thoughts.My brows they knit.
                   Sometimes I write a little bit,
                   Then return to my sewing, as I sit.


Thanks for reading, Kath.